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3 Cards in this Set
- Front
- Back
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Recapitulation
bars 100 - 195 (bars 100- 125) |
Begins with the 2nd violins in F major and as before, is imitated by other instruments
Beethoven weaves a countermelody, heard first in the cellos bar, 101 - RICH CONTRAPUNTAL TEXTURE! countermelody grows from descending semiquaver motif in the first violins (bar 100) |
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Recapitulation
bars 100 - 195 (bars 125 - 153) |
The 2nd subject is approached, as in the exposition, by a C major chord (bar 125)
Beethoven alters the pitch of the melody to fit in with the key of F major a 2nd subject material based around F major (bar 134) a perfect cadence in F major |
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(125 - 153)
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Beethoven then continues to use the rhythmic and syncopates motifs as in the exposition
(bars 146-150) |
