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4 Cards in this Set
- Front
- Back
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Recapitulation
bars 178 - 298 (178-188) |
the descending demisemiquaver upbeat from bar 12 reappears
the recapitulation is played emphatically in 'ff' brasses and timpani play tonic notes |
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Recapitulation
bars 178 - 298 (bars 189 - 202) |
he changes the harmony and embarks on a passage based around the descending semiquaver motif
The passage starts quietly but builds up with a crescendo to 'ff' with sforzandi wish allows the music to reach a climax (bars 189-202) |
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Recapitulation
bars 178 - 298 (bars 189-202) |
the new bridge passage not only shows Beethoven's genius but also how he is able to integrate and develop previously used material to fashion something new
(bars 189-198) F, G, Am, Bb, C, Dm, F, G G pedals in the cellos show dominant preparation for the recapitulation 2nd subject (in tonic) |
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Recapitulation
bars 178- 298 (bars 202-259) |
Repeated F#s in bar 204 and 205 suddenly change to F naturals as the 2nd subject returns in the tonic key of C major
use of diminished harmony is retained (bars 222-259) tonality is now based around the tonic key of C major, the ideas are the same |
