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38 Cards in this Set

  • Front
  • Back

Kara Walker

M.C. Escher

Cy Twombly

Henri Toulouse Lautrec

Mary Cassatt

Pablo Picasso

Jasper Johns

Pablo Picasso

Elizabeth Layton

Rembrandt van Rijn

Susan Rothenberg

Jenny Saville

Leonardo da Vinci

Kathe Kollwitz

Henry Moore

Alberto Giacometti

Picture Plane

the flat surface on which an artist executes an image

Positive Space

areas on the picture plane that are occupied by forms

Negative Space

areas on the picture plane unoccupied by forms

Figure-Ground Relationship

the relationship between positive space (the figure) within its background or surrounding space

Line

a mark made by an implement as it is drawn across a surface

Line Quality

can be varied by manipulating media, direction, proximity, length and width

Geometric Shapes

created by mathematical laws and measurements

Organic Shapes

free-form, irregular shapes, like those seen in nature

Implied Line

starts and stops again, viewer's eye completes the movement that the line suggest

Representational Drawings

based on direct observation, and reveal individual characteristics of a subject

Contour Line

delineates both the outside of object and the edges of planes

Blind Contour Drawing

involves drawing without looking at the paper

Cross Contour Lines

curving, parallel lines running over the surface of an object horizontally and/or vertically

Gesture Drawing

delineates both the outside of an object and the edges of planes

Sustained Gesture

begins with a quick notation of the subject and extends into a longer analysis and correction

Mass Gesture

uses broad marks to create the illusion of weight and density

Scribbled-Line Gesture

uses networks of lines to create the illusion of weight or density

Organizational Line

help the artist to establish angles, proportions, and locations of objects within a drawing

Proportion

a comparative relationship between parts of a whole

Scale

the size of a form in relationship to the viewer or to other dimensions

Sighting

Technique where distances, proportions, and angles can be measured using a constant device


(usually done with a pencil, viewfinder, or grid)

Organizational Line

helps the artist to establish angles, proportions, and locations of objects within a drawing