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64 Cards in this Set

  • Front
  • Back
  • 3rd side (hint)
Grave
heavy, slow, ponderous
g...r....a...v....e
Adagio
very slow
a d a g i o
Lento
slow
l e n t o
Andante
moderately slow walking tempo
Moderato
moderate tempo
Allegretto
moderately fast
Allegro
lively, brisk
GALAMAA
Grave
Adagio
Lento
Andante
Moderato
Allegretto
Allegro
Allegro non troppo
fast, but not too fast
Vivace
very fast
Presto
very fast
Accelerando
accel.....gradually faster
Ritardando
ritard, rit..........gradually slower
Rallentando
rall......gradually slower
Allargando
allarg....slowing down and increasing volume
Meno mosso
less quickly, slower
A tempo
return to normal tempo
L'istesso tempo
the same tempo
Rubato
freedom from tempo, slight accelerando and ritards
Tempo primo
original tempo
Piu mosso
more motion, faster
Poco
little
Morendo
fading away
Non troppo
not too much
Molto
very
Stringendo
a gradual acceleration of tempo
Staccato
separated, light
Legato
smooth, connected, tongued
Marcato
marc.......accented, with emphasis
Dolce
sweet, soft
Leggerio
light, soft
Subito
sub.........suddenly
Sostenuto
sost........sustained
Maestoso
majestic
Cantabile
perform in a swinging (flowing) style
Pesante
weighty, ponderous
Attaca
begin what follows without pause
Da Capo al Fine (D.C. al Fine)
Repeat from the beginning and play until the end
Da Segno al Fine (D.S. al Fine)
repeat from the sign and play until the end
Solo
one performer
Soli
one section or one on a part
Tutti
everyone plays
Divisi
one part divides into 2 or more parts
Tacet
rest
Coda
supplement at the end
*/.
repeat from preceding measure
||: :||
repeat from repeat signs
//
pause, caesura, cesura
4/4 (C)
top # = 4 beats per measure
bottom # = quarter gets one beat
3/4
3 beats per measure, quarter gets 1 beat
2/2
cut time
2 beats per measure,
half note gets 1 beat
6/8
6 beats per measure,
eighth note get 1 beat
Tie
a curved line that connects notes of the same pitch
Slur
a curved line that connects notes of different pitches
Enharmonic notes
tones that sound the same but are written differently
Key signature
flats or sharps at the beginning of a piece that change certain notes throughout the piece
Mission Impossible
Lalo Schifrin
Rejouissance
James Curnow
Prelude and Fugue
J.S. Bach
Flat
lowers a note a half step
Sharp
raises a note up a half step
Natural
cancels a flat or sharp
Accidental
flat, sharp, or natural not given in the key signature
Fermata
hold, pause or interruption