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57 Cards in this Set
- Front
- Back
e'chappe'
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escaping or slipping movement
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e'chappe' saute'
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a jumping or springing echappe
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sus-sous
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over-under
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soubresaut
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sudden spring or bound
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changement
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to change
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tombe'
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falling
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glissade and glissade chang'ee
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glide and changing glissade
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en avant
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forward
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en arri'ere
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backward
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en diagonale
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in a diagonal
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pas de cheval
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the horse's step
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Assemble'
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assembled or joined together
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d'eveloppe'
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developed or developing movement
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pique' de'tourne' (soutenu de'tourne' or soutenu en tournant)
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pique' turned aside/ Sustained in turning
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pas de bourr'ee (dessous)
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bourr'ee step under
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grand battement
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large battement or large beating
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chaine's
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chains or links
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jete' petit
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small jete'
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pique' tour
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pique' turning or a turning prick
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arabesque
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basic pose in balletand its name comes from a form of moorish ornament
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cambre'
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arched
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temps leve'
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time raised or raising movement
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battement en cloche
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a small battement like a bell
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detourne'
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turned aside
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grand jete
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large jete
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allonge'
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extended or outstretched
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assemble'
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assembled or joined together
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attitude
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a pose in dancing derived by Carlo Blasis from the statue of Mercury by Giovanni da Bologna
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balance'
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rocking step
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ballon
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bounce
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ballone' simple
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a simple ballone'
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battement,petit
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small battement
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battement,fondu
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battement sinking down
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battement, fondu de'veloppe'
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battement fondu developed
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batterie
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french techinical term for beaten steps
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cambre'
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arched
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croise'
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crossed
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demi-tour
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half-turn
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e'carte'
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separted or thrown wide apart
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efface'
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shaded
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entrechat
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interweaving or braiding
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enchainement
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linking
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e'paule'
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shouldered
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ferme'
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closed
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fouette'
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whipped
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ouvert
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open or opened
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pirouette
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whirl or spin
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promenade, tour de
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turn in a walk
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re've'rence, grande
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big reverence or curtsey
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sissonne simple
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simple sissone and it was named after the originator of the step
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sissonne tomb'ee
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sissonne falling
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soubresaut
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sudden spring or bound
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temps leve'
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time raised or raising movement
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tombe'
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falling
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1st arabesque
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body and head are forward. arm raised is the arm on the same side of the supporting leg
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2nd arabesque
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arms are reversed of 1st so that the forward arm is opposite of the supporting leg. The head is slightly inclined and turned toward the audience.
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3rd arabesque
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both arms are extended forward to the side of the supporting leg. fingertips of the arm farther away from the audience is in a line with center space between the eyes and the arm nearer to the audience is in a line with the shoulder
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