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57 Cards in this Set

  • Front
  • Back
e'chappe'
escaping or slipping movement
e'chappe' saute'
a jumping or springing echappe
sus-sous
over-under
soubresaut
sudden spring or bound
changement
to change
tombe'
falling
glissade and glissade chang'ee
glide and changing glissade
en avant
forward
en arri'ere
backward
en diagonale
in a diagonal
pas de cheval
the horse's step
Assemble'
assembled or joined together
d'eveloppe'
developed or developing movement
pique' de'tourne' (soutenu de'tourne' or soutenu en tournant)
pique' turned aside/ Sustained in turning
pas de bourr'ee (dessous)
bourr'ee step under
grand battement
large battement or large beating
chaine's
chains or links
jete' petit
small jete'
pique' tour
pique' turning or a turning prick
arabesque
basic pose in balletand its name comes from a form of moorish ornament
cambre'
arched
temps leve'
time raised or raising movement
battement en cloche
a small battement like a bell
detourne'
turned aside
grand jete
large jete
allonge'
extended or outstretched
assemble'
assembled or joined together
attitude
a pose in dancing derived by Carlo Blasis from the statue of Mercury by Giovanni da Bologna
balance'
rocking step
ballon
bounce
ballone' simple
a simple ballone'
battement,petit
small battement
battement,fondu
battement sinking down
battement, fondu de'veloppe'
battement fondu developed
batterie
french techinical term for beaten steps
cambre'
arched
croise'
crossed
demi-tour
half-turn
e'carte'
separted or thrown wide apart
efface'
shaded
entrechat
interweaving or braiding
enchainement
linking
e'paule'
shouldered
ferme'
closed
fouette'
whipped
ouvert
open or opened
pirouette
whirl or spin
promenade, tour de
turn in a walk
re've'rence, grande
big reverence or curtsey
sissonne simple
simple sissone and it was named after the originator of the step
sissonne tomb'ee
sissonne falling
soubresaut
sudden spring or bound
temps leve'
time raised or raising movement
tombe'
falling
1st arabesque
body and head are forward. arm raised is the arm on the same side of the supporting leg
2nd arabesque
arms are reversed of 1st so that the forward arm is opposite of the supporting leg. The head is slightly inclined and turned toward the audience.
3rd arabesque
both arms are extended forward to the side of the supporting leg. fingertips of the arm farther away from the audience is in a line with center space between the eyes and the arm nearer to the audience is in a line with the shoulder