Avant Garde Fashion

Front 1

Male Futurist Dress

Back 1

Balla
1914

Front 2

Study for a Man's Suit

Back 2

Balla
1914

Front 3

Futurist Vests

Back 3

Depero
1925

Front 4

Marinetti's Vest

Back 4

Depero
1923

Front 5

Projects for Futurist Ties

Back 5

Mino Delle Site
1932

Front 6

Tullio Crali wearing some of his futurist suits

Back 6

Tullio Crali
1932
High-end fashion chic streamlining of Crali

Front 7

Woman's Tuta

Back 7

Ernesto Thayaht
1918-19
anti-fashion, eliminates class and gender distinctions

Front 8

Amelia Bloomer

Back 8

1850

Front 9

Rational Dinner Dress

Back 9

Amelia Bloomer
1883

Front 10

Women's Cycling Attire

Back 10

1890
"Gibson Girl"

Front 11

Oscar Wilde

Back 11

1882
- worked with the mainstream - he thought that the industrial ideas of clothing was not attractive
- always thought that fashion had to change
- promotes a male alternative way to dress

Front 12

Jane Morris in aesthetic dress photographed by Rossetti

Back 12

1865
- William Morris was an aristocrat who married cross-class to Jane Morris
- dress comes from different cultures
- Dress drops from the shoulders - and wears a chunky necklace - women also only have their hair down when they go to bed

Front 13

Rational-Aesthetic Dresses for afternoon and street wear

Back 13

Henry Van de Velde
1901-2
- rational and aesthetic became the same movement
- both interested in redesigning women's dresses
- designs were based on comfortableness and not individuality
- wanted the dress to look good in motion and was designed with an architectural sensibility

Front 14

Visiting Dress

Back 14

Peter Behrens
1901-2

Front 15

Photograph of Klimt wearing his smock

Back 15

1910
- Aesthetic dress

Front 16

Emilie Floge in dress designed by her and Klimt

Back 16

1906

Front 17

Klimt's portrait of Emilie Floge

Back 17

1902

Front 18

Weiner Werkstatte visiting dress

Back 18

Kolomon Moser
1905
- dresses functioned in their entire interiors
- works with interior schemes and fabric designs

Front 19

Hommage to Bleriot

Back 19

Delaunay
1914

Front 20

Flamenco Singers

Back 20

Sonia Delaunay
1913
- speaks towards redesigning the female body - redesigning the body to being more about movement and dynamism rather than female objectivity

Front 21

La Prose de Transsiberien

Back 21

Sonia Delaunay
1913

Front 22

Costume for the Ballets Russes production of Cleopatra

Back 22

Sonia Delaunay
1918

Front 23

Poem-dresses

Back 23

Sonia Delaunay
1922-26

Front 24

Boutique at the Art Deco Exhibition

Back 24

Sonia Delaunay
1925

Front 25

Citroen car decorated in Delaunay's simultaneous fabric patterns

Back 25

1925

Front 26

Sketch of the Delaunay's Dining Room (Gouache)

Back 26

1924

Front 27

Photograph of Rodchenko in his constructor's suit

Back 27

1922

Front 28

Stepanova's caricature of Rodchenk in his constructor's suit

Back 28

1923

Front 29

Photograph of Stepanova at her desk

Back 29

Rodchenko
1924

Front 30

Stepanova wearing one of her dresses

Back 30

1925

Front 31

Textile Deisgns

Back 31

Stepanova
1924

Front 32

Sports Costume

Back 32

Stepanova
1924

Front 33

Sketches for Sports Clothes

Back 33

Stepanova
1920

Front 34

Set design for The Magnanimous Cuckhold

Back 34

Popova
1922

Front 35

Costume Design for Actor no.7

Back 35

Popova
1922

Front 36

Omega Objects

Back 36

1913

Front 37

Les Choses de Paul Poiret

Back 37

Georges Lepape
1911
- colours were influenced by Ballet Russe

Front 38

Poiret fashions

Back 38

Paul Iribe
1911

Front 39

Hobble skirt, Paris

Back 39

1910