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21 Cards in this Set
- Front
- Back
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Michealangelo (1475-1564)
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high renaissance classicism
pioneered mannerist style in the last judgement, depiction of his personal style painting was later altered to cover nudes |
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Raphael (1483-1520)
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high renaissance classicism
influenced by da vinci and michealangelo easy to view compositions |
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Francesco Salviati (1510-1563)
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muscular michealangelo imitated figures
clustered spirited/unnaturally posed figures MANNERISM |
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Agnolo Bronzino (1503-1572)
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michealangelo/raphael influenced
Mannerism |
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Bartolomeo Ammanati (1511-1592):
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Neptune Fountain
Mannerist sculpture |
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Taddeo Zuccaro
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Conversion of St. Paul
Mannerist |
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Pellegrino Tibaldi (active in Bologna):
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Adoration of the Shepherds
Michealangelo-esque |
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Federico Barocci (1535-1612):
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Reformers (artists who seem to have reacted to the Catholic Reformation)
mannerist well rendered crowded/ lack of diversity in expressions yet emotional |
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Santi di Tito (1536-1603)
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Reformers (artists who seem to have reacted to the Catholic Reformation)
classical traits, but crowded and stylized |
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Scipione Pulzone (c.1550-1598
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Reformers (artists who seem to have reacted to the Catholic Reformation)
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Bartolomeo Passarotti (1529-92)
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Carracci
genre scenes (butcher shop) Paint contains texture unlike smooth mannerist style less stylized more natural |
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Annibale Carracci (1560-1609)
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paintings use foreshortening and contained texture
landscape plays a role caricature heads studied from live models genre painting roman style even before going to rome |
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Ludovico Carracci (1555-1619)
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Notable students of the Carracci Academy include Francesco Albani, Guido Reni, Domenico Zampieri (Domenichino), Giovanni Lanfranco, Badalocchio
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Carravagio (1571-1610)
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Rome-> Naples
chiaroscuro sfumato genre painting disegno paints from life, quickly drawn and not planned out models such as prostitutes depicted religious figures |
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Artemisia Gentileschi (1593-1653)
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Follower of Caravaggio
dramatic lighting first woman accepted into academy of the arts of drawing Bartolomeo Manfredi-carravagianist as well |
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Domenichino (1581-1641)
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member of the Carracci Academy
and assistant, along with Lanfranco, Badalocchio, and Albani, opposite painting techniques of carravagio- very planned out BAROQUE CLASSICISM architecture, scenery, inspired by classics |
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Giovanni Lanfranco (Parma 1582-1647 Naples)
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studied under the carracci's
important precursor of HIGH BAROQUE illusionism high contrast religious subjects |
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Guercino(1591-1666)
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Carravagio style
1591-1666 high baroque illusionistic influenced by carracci later paintings are lighter/ more classicized |
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Guido Reni (Bologna 1575-1642)
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Followers of the Carracci:
similar to carravagio's style high baroque illusionistic quality low spacial depth, however background included motion genre style yet semi-unnnatural poses "crucifixion of st peter" shared similarities with carravagios work which caused dispute |
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Pietro Berrettini da Cortona (1596-1669)
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quintessential example of a high baroque painter
highly illusionistic decorative paintings commissioned by barbarini's to create frescos |
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Bernini
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figura serpentinata
contraposta worked on crossing of st. peter's |
