Arthistory Final

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Gianlorenzo Bernini, Ecstasy of Saint Teresa, Cornaro chapel, Santa Maria della Vittoria, Rome, Italy, 1645 – 1652. Marble, height of group 11’ 6”.

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Diego Velázquez, Las Meninas (The Maids of Honor), 1656. Oil on canvas, 10’ 5” x 9’. Museo del Prado, Madrid.

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Peter Paul Rubens, Elevation of the Cross, from Saint Walburga, Antwerp, 1610. Oil on wood, center panel 15’ 1 7/8” x 11’ 1½”, each wing 15’ 1 7/8” x 4’ 11”. Antwerp Cathedral, Antwerp.

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Anthony Van Dyck, Charles I Dismounted, ca. 1635. Oil on canvas, 8’ 11” x 6’ 11½”. Musée du Louvre, Paris.

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Rembrandt van Rijn, Self-Portrait, ca. 1659 – 1660. Oil on canvas, 3’ 8¾” x 3’1”. Kenwood House, London (Iveagh Bequest).

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Jan Vermeer, Allegory of the Art of Painting, 1670 – 1675. Oil on canvas, 4’ 4” x 3’ 8”. Kunsthistorisches Museum, Vienna.

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Antoine Watteau, Pilgrimage to Cythera, 1717. Oil on canvas, 4’3” x 6’ 4 ½”. Musée du Louvre, Paris.

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Jean-Honoré Fragonard. The Swing, 1766. Oil on canvas, 2’ 8 5/8” x 2’2”. Wallace Collection, London.

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Baroque

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The traditional blanket designation for European art from 1600 to 1750. The stylistic term Baroque, which describes art that features dramatic theatricality and elaborate ornamentation in contrast to the simplicity and orderly rationality of Renaissance art, is most appropriately applied to Italian art of this period. The term derives from barroco.

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barroco

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Portuguese, “irregularly shaped pearl.”

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tenebrism

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Painting in the “shadowy manner,” using violent contrasts of light and dark, as in the work of Caravaggio. The term derives from tenebroso.

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tenebroso

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Italian, “shadowy.”

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Gustave Courbet, The Stone Breakers, 1849

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Honore’ Daumier, The Third-Class Carriage, 1862

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Honore’ Daumier, Nadar Raising Photography to the Height of Art, 1862

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Edouard Manet, Olympia, 1863

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Julia Margaret Cameron, Ophelia, 1867

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Gertrude Kasebier, Blessed Art Thou among Women, 1899

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Thomas Eakins, The Gross Clinic, 1875

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Josiah Johnson Hawes and Albert Southworth, Early operation under Ether, Mass. General Hospital, ca. 1847. Daguerreotype

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Timothy O’Sullivan, A Harvest of Death, Gettysburgh, July 1863, Albumen print

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Edward Muybridge, Horse Galloping, 1878

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invention of photography

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1839

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Daguerreotype

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a unique image impressed onto a copper plate

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Calotype

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negative and positive image impressed onto paper

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Lithography,

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invented by Alois Senefelder in 1798

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Pre-Raphaelite Brotherhood in England

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idealism of a pre-industrial world and fictional subjects

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Henri Matisse, Woman with a Hat, 1905. France. Oil on canvas

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André Derain, Mountains at Collioure, 1905. France.

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Ernst Kirchner, Street Dresden, 1908 (dated 1907). Germany. Oil on canvas.

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Vassily Kandinsky, Improvisation 28, 1912. Russia. Oil on canvas.

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Pablo Picasso, Les Demoiselles d’Avignon, 1907. France. Oil on canvas

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Pablo Picasso, Guernica, 1937. Oil on canvas. France.

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Giacomo Balla, Dynamism of a Dog on a Leash, 1912. Italy. Oil on canvas.

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Meret Oppenheim, Object (Le déjeneur en fourrure), 1936. Switzerland. Fur-covered cup, saucer, and spoon.

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Piet Mondrian, Composition with Red, Blue, and Yellow, 1930. Holland. Oil on canvas.

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Claude Monet, Saint-Lazare Train Station 1877. Oil on Canvas

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Gustav Caillebotte, Paris: A Rainy Day, 1877. Oil on Canvas.

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Édouard Manet, Bar at the Folies-Bergère, 1882. Oil on Canvas.

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Edgar Degas, The Tub, 1886. Pastel.

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Mary Cassatt, The Bath c. 1892. Oil on Canvas.

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Georges Seurat, A Sunday Afternoon on the Island of La Grand Jatte, 1884-86. Oil on Canvas.

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Vincent Van Gogh, Night Café, 1888. Oil on Canvas.

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Edvard Munch, The Scream, 1893.Tempera and pastels on cardboard.

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Marcel Duchamp, Fountain, 1917 (France)

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Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912 (France)

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Stuart Davis, Lucky Strike, 1921 (U.S.A.)

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Charles Demuth, My Egypt, 1927 (U.S.A)

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Aaron Douglas, Noah’s Ark, c. 1927 (U.S.A.)

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Dorothea Lange, Migrant Mother, Nipomo Valley, 1935 (U.S.A.)

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Jacob Lawrence, No. 49 from The Migration of the Negro, 1940-1941 (U.S.A.)

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Diego Rivera, Ancient Mexico, from the History of Mexico, Palacio Nacional, Mexico City, 1929-1935

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José Clemente Orozco, Epic of American Civilization; Hispano-America, 1932-34, Dartmouth College, Hanover, New Hampshire

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Frida Kahlo, The Two Fridas, 1939 (Mexico)

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Jackson Pollock, Number 1, 1950

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Jasper Johns, Three Flags, 1958

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Andy Warhol, Gold Marilyn, 1962

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Cindy Sherman, Untitled Film Still #35, 1979

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Tony Smith, Die, 1962

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Judy Chicago, The Dinner Party, 1979

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Maya Lin, Vietnam Veterans’ Memorial, 1981-83

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Richard Serra, Tilted Arc, 1981

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David Hammons, Public Enemy, 1991