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64 Cards in this Set
- Front
- Back
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Donatello (Donato de' Bardi) c.1386–1466 |
artist of THE DAVID bronze
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1440s
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date of THE DAVID bronze
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bronze statue
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medium of THE DAVID
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exemplifies face of Medici fam; statue asks for social equality for people working w/ Medici fam
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purpose of THE DAVID bronze
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Cosimo de Medici
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patron of THE DAVID bronze
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Hermes/Mercury
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THE DAVID (bronze) is similar to the classical statue of ___/___
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Masaccio (Tommaso di Ser Giovanni da Simone) 1401–28
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artist of HOLY TRINITY/TRINITY
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1425–28
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date of HOLY TRINITY/TRINITY
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fresco; 640x317cm
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medium of HOLY TRINITY/TRINITY
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Sta Maria Novella
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loc of HOLY TRINITY/TRINITY
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Lensi fam
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patron of HOLY TRINITY/TRINITY
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Transubstantiation
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Eucharist (bread + wine) become body + blood of Christ; substances change
*from HOLY TRINITY/TRINITY |
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Salvation
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belief that Christ dies for your sins so you could be saved + live eternal life in heaven
*from HOLY TRINITY/TRINITY |
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White dove
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Christ's neck in HOLY TRINITY/TRINITY is a ___
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Masaccio
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artist of TRIBUTE MONEY
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1425
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date of TRIBUTE MONEY
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fresco
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medium of TRIBUTE MONEY
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Brancacci fam
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patron of TRIBUTE MONEY
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Olivetti
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paid for restoration of TRIBUTE MONEY
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june1990
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completion of restoration of TRIBUTE MONEY
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Umberto Baldidi + wife Ornella Casazza
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restorers of TRIBUTE MONEY
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Masaccio
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arist of EXPULSION FROM EDEN
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1427
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date of EXPULSION FROM EDEN
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fresco
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medium of EXPULSION FROM EDEN
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Brancacci fam
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patron of EXPULSION FROM EDEN
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Hebrew scripture Gen 3:24
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story of EXPULSION FROM EDEN comes from___
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he doesn't want them to be immortal
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why does God expell Adam + Eve from Garden of Eden?
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Filippo Lippi
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artist of ANNUNCIATION
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c.1445
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date of ANNUNCIATION
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tempera/oil wood
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medium of ANNUNCIATION
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Church of San Lorenzo
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loc of ANNUNCIATION
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Niccolo Martelli
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patron of ANNUNCIATION
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Luke 1: 26–9 annunciation passage
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inspiration for ANNUNCIATION
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idealized
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ANNUNCIATION defines ___ beauty
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Filippo Lippi
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artist of MADONNA + CHILD WITH 2 ANGELS
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1465
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date of MADONNA + CHILD WITH 2 ANGELS
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tempera on wood; 95x62cm
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medium of MADONNA + CHILD WITH 2 ANGELS
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Galleria delgi Uffizi Fl.
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loc of MADONNA + CHILD WITH 2 ANGELS
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fam grouping brought into painting
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purpose of MADONNA + CHILD WITH 2 ANGELS
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Medici fam
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patron of MADONNA + CHILD WITH 2 ANGELS
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Lucrezia Buti
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female model in MADONNA + CHILD WITH 2 ANGELS
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Old Sacristy Church of San Lorenzo
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church funded by Cosimo + Giovanni + designed by Brunelleschi 1421 w/ fam's tombs
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1459
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yr Old Sacristy is joined to Church San Lorenzo
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gold shield + red circles = palle
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Medici fam's arms are a gold ___ + red ___
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classical
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style of Old Sacristy by Brunelleschi w/ Medici fam tombs
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classicism
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Old Sacristy by Brunelleschi w/ Medici fam tombs reps Renai ___
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Sta Maria del Fiore aka Il Duomo
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cathedral gothic style compared to Old Sacristy
*by Brunelleschi *gives accessible rep of what church does |
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Brunelleschi
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architect of Church of San Lorenzo
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Michelozzo
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architect of PALAZZO MEDICI (MEDICI PALACE) 1445–60
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police HQ
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PALAZZO MEDICI (MEDICI PALACE) 1445–60 is a ___ ___ today
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1st
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Medici fam in PALAZZO MEDICI (MEDICI PALACE) 1445–60 conducted business on ___ floor
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up
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walls' decor in PALAZZO MEDICI (MEDICI PALACE) 1445–60 change as you walk ___ floors
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Brunelleschi
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artist of DOME OF FLORENCE CATHEDRAL (DEL FIORE) 1420–36
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Opera dell Duomo
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patron of DOME OF FLORENCE CATHEDRAL (DEL FIORE) 1420–36
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Corinthian
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___ columns are in DOME OF FLORENCE CATHEDRAL (DEL FIORE) 1420–36
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hollow
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Brunelleschi designs ___ dome w/ stone shell for DOME OF FLORENCE CATHEDRAL (DEL FIORE) 1420–36
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building
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Brunelleschi rests base of scaffold in DOME OF FLORENCE CATHEDRAL (DEL FIORE) 1420–36 on ___ itself
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1401–02
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date of B + G's SACRIFICE OF ISAAC
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bronze quatre foil
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medium of B + G's SACRIFICE OF ISAAC (1401–02)
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Opera dell Duomo
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patron of B + G's SACRIFICE OF ISAAC (1401–02)
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SACRIFICE OF ISAAC (B+G) 1401–02
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Isaac about to kill his son before god stops him
*God is proud of Isaac for listening to him *lamb sacrificed instead (action in ___) |
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Ghiberti
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artist of GATES OF PARADISE (E DOORS) 1425–50
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gilded bronze, 15' high
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medium of GATES OF PARADISE (E DOORS) 1425–50
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GATES OF PARADISE (E DOORS) 1425–50
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CREATION OF ADAM + EVE, MEETING OF SOLOMON + QUEEN SHEBA are part of Ghiberti's ___
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