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28 Cards in this Set
- Front
- Back
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Cornelisz van Haarlem Massacre of the Innocents 1590 Centerpiece of triptych Haarlem Mannerism |
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Bloemaert Mercury, Argus, and Io 1590 Utrecht Mannerism Mythological subject (mercury lulls Argus to Sleep so he can kill him) |
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Lastman Orestes and Pylades disputing at the altar 1615 Amsterdam history painting (rembrandt's teacher) |
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TerBrugghen Calling of Matthew 1620 Utrecht Caravaggism Biblical Subject in contemporary dress |
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Honthorst Merry Fiddler 1620 Utrecht Caravaggism Tronie or Generic Character |
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Honthorst Granida and Daifilo 1625 Honthorst's style evolves from Caravaggism to classicism Pastorial imagery (idealized world, arcadian, country life is pure) based on a recent play about the love between a shepherd and a princess |
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Lievens Banquet of Esther and Ahasuerus 1625-26 Rembrandt's rival in Leiden (compared by Huygens) |
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Breenbergh Preaching of John the Baptist 1635 Amsterdam history painting biblical subject set in Roman Landscape |
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Frans Hals Banquet of the St. George Civic Guard Company 1615 Lively treatment of group portrait Quick, expressive brushwork |
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Frans Hals Portrait of a married couple (Isaac Massa and Beatrix van der Laen) 1620 Expressive painting style Double portrait combines informal display of affection w symbolic references to love and fidelity |
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Bartholomeus van der Helst Portrait of a married couple (Abraham del Court and Maria Keerssegieter) 1655 Display of wealth and status Poses and attributes convey love Slick, precise painting style |
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David Bailly Self portrait w an Allegorical Still Life 1650 Portrait w/in a portrait demonstration of skill and professional pride meditation on mortality |
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Avercamp Winter landscape with Skaters 1610 Specialist in winter landscapes Early realist or additive phase Interest in atmospheric effects, weather and time of year, local terrain (Deaf and Dumb) |
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Jan Porcellis Shipwreck off the coast 1630 Tonal Phase in marine painting Theme: dangers of ocean travel |
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Jan Both Landscape w Artists Sketching 1650 Italianate landscape (warm, exotic to Dutch viewers) Sketches made outdoors would be turned into paintings in the studio Classic phase |
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Jacob van Ruisdael View of Haarlem with Bleaching Fields 1670-75 Classic Phase (treating landscape as heroic) Local Pride, only found in Netherlands Long productive career, Versatile Linen stretched out to bleach in sun Church identifies Haarlem |
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Rembrandt Two Scholars Disputing 1625 |
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Rembrandt The anatomy lesson of Dr. Nicolaes Tulp 1630 |
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Rembrandt Penitent Judas returning the thirty pieces of Silver 1630 |
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Rembrandt Pendant Portraits of a Newly Married Couple 1635 |
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Rembrandt Belshazzar's Feast 1635 |
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Rembrandt Self-Portrait 1640 |
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Rembrandt The Night Watch 1640 (The company of Captain Frans Banning Cocq preparing to march) |
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Rembrandt Bathsheba 1655 |
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Maes Old Woman Saying Grace 1655 Rembrandt's student in Amsterdam (note treatment of light, colour) Picks up on fascination w old age Genre scene combining moral exemplum w a touch of humour |
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Flinck Allegory of the memory of Stadholder Frederik Hendrik (portrait of his widow Amalia van Solms) 1655 Portrait treated like a grand history painting (very different from Rembrandt's portrait of Amalia!) Political and personal significance Highly successful Rembrandt pupil style increasingly classical |
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F. Bol Venus and Adonis 1660 Rembrandt student, history painter and portraitist in Amsterdam Mythological subject matter, graceful, classicizing figures but still shows rembrandt's impact |
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Dujardin Saint Paul healing the Cripple at Lystra 1660 Classicism in history painting Clear light, sharp contours, severe setting, theatrical gestures |
