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39 Cards in this Set
- Front
- Back
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lucian freud - 1981 bella
daughter relationship to artist |
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hans halbein the younger - 1532 george gisze
german merchant, portrayal of occupation, flowers, books likeness |
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pablo picasso - 1910 portrait of daniel-henry kahnweiler
art dealer for his expirimental work cubist, not mimetic/likeness |
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anonymous - 100-110 A.D. 'Isidora' portrait of a woman
Fayum portrait, Roman Egypt, on mummy cases, funerary purpose, preceded death of individual? several cultural influences/purposes of portraits (greeks, romans, egyptians) |
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anonymous - c. 546-548 Justinian I
roman emperor supporting christianity mosaic in church of San Vitale, christ like portrayal, imperial & byzantine influence |
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2 - functions of portraiture |
work of art biography commemoration/memorial document social proxy/gift political tool
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stefano gaetano neri - 1753 -1765 room of self portraits in Uffizi
gallery in florence private portrait collection medici family |
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lucas cranach the elder - 1502-1503 Dr. Cuspinian & his wife
symbolic wedding portrait, gender roles/marriage dynamic symbolism of different landscapes/birds/gazes |
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Jan Van Eyck - 1434 portrait of Giovanni Arnolfini & Giovanna Cenami (Arnolfini marriage)
includes self in portrait (mirror) document marriage ceremony symbolism of candle, dog (fidelity) , St. Margaret (childbirth), fruit, shoes off |
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Alphonse Bertillon - 1902 Francois Bertillon
documentary, relationship to sitter method used to identify criminals, show profile |
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Nicholas Hilliard - 1585 Sir Walter Raleigh
miniature portrait, likeness, skill collectables, texture talismanic |
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Hans Holbein the younger - 1539 Anne of Cleves
Henry VIII looking for new wife, chose her but was disappointed when she wasn't as pretty as portrait political impetus of marriage front gaze unusual, idealized |
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anonymous - 315-330 A.D. Constantine I
Christian Roman emperor images on coins, architecture idealized representation (big eyes) |
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anonymous - c. 297 BC coin with head of Alexander the Great from Pergamum
coins = earliest sources of portraiture, ancient Greeks used to represent gods & heroes spread throughout several cultures communicated political authority |
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ch.3 power & status |
portraiture/patronage rules/ruling elite symbolism of power formation of bourgeois identity 'genius' celebrity status unknown & underclass |
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Jean-Auguste-Dominique-Ingres - 1806 Napoleon I on Imperial Throne
grandiose, symbolizing roman & greek power idealized as invincible |
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Gilbert Stuart - 1796 George Washington (Lansdowne portrait)
pillar, representation of power/political ideals medallions, eagle figures on furniture iconic motif books, pens, foundation of policy |
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Titian - 1548 Emperor Charles V at Muhlberg
equestrian portrait, roman inspired historical painting & portrait establishes authority & control over nature |
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Andrea Mantegna - 1465-1474 Meeting between Ludovico & Francesco Gonzaga, Camera degli Sposi, Palazzo Ducale, Mantua
fresco in chamber of Gonzaga palace
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Elizabeth Vigee-Lebrun - 1778-1779 portrait of Marie-Antoinette
formal portrait, column curtain, lavish relationship w queen led to fleeing france post revolution (did over 30 of her portraits) hierarchical signals of divine right |
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Edgar Degas - 1875 Place de la Concorde (Vicomte Lepic & daughters)
impressionist, unconventional posture/gesture, urban life social/political change in industrializing western europe |
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Joshua Reynolds - 1772/1778 Dr. Samuel Johnson
does not idealize but stresses genius of mind through physical imperfections, intellectual power |
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Auguste Rodin - 1898 Monument to Balzac
literary sources, unorthodox dress and pose semi-nudity |
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Max Klinger - 1902 Beethoven
concentration evoked to transcend likeness, imperfect body of genius |
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Andy Warhol - 1962 no.204 Marilyn Diptych
commercialism of 1960's, pop icons in consumer culture, ownership vs. obsession using popular images and icons |
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Diego Rodrigues de Silva y Velazquez - 1640 Don Juan Calabazas, Calabacillas
court painted to King Phillip IV of Spain, had court dwarfs painted also physical disability/low status allows flexibility power of having entire court painted as entertainment surrounded by bottles, object of sympathy? |
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Jan Steen - 1658 Baker Arent Oostward & wife Catharina Keizerswaard
merry company scene, low=life genre |
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ch.4 group portraiture |
family & marriage portraits civic & institutional portraits artist groups |
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Titian - 1546 Pope Paul III, Cardinal Alessandro Farnese & Duke Ottavio Farnese
pope & two grandsons, models after portrait of Pope Leo X family relationships & hierarchy pre-conspiracy/betrayal |
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Jacob Jordaens - 1620-1622 Artist with wife Catharina & Daughter Elizabeth
Flemish painter, sign of status, furniture, dress, props, etc.
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Edgar Degas - 1856-1860 The Bellelli Family
relationship to sitter, his aunt and cousins, portrays female as leader of family, patriarch is secluded, unconventional and reflects psychological relationship in household |
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Piero della Francesca - c.1472 Federico da Montefeltro and his wife Battista Sforza
altar pieces, military valour & patronage, theological |
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Daniel Mijtens - c. 1618 Thomas Howard, 2nd Earl of Arundel & Surrey
trend of having two separate portraits facing each other for married household, |
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Daniel Mijtens - c. 1618 Alathea, Countess of Arundel & Surrey
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Gentile Bellini - 1496 Procession in Piazza San Marco |
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