Art Test 2

Front 1

paint consist of what 3 things?

Back 1

pigment, binder, and vehicle

Front 2

pigment

Back 2

produces color

Front 3

binder

Back 3

mixes with the pigment to hold the pigment particles together and attach them to the surface.

Front 4

vehicle

Back 4

spreads the pigment

Front 5

oil paints

Back 5

linseed is the binder, turpentine is the vehicle,

Front 6

traditional tempera

Back 6

egg yolk is the binder and water is the vehicle.

Front 7

what types of lines are used in drawing and painting?

Back 7

draftsman line- drawing and boundary line- painting

Front 8

blended variations

Back 8

transparent washes of color on top of color

Front 9

texture

Back 9

actual or implied. super illusions- making canvas 3d like. invented textures- usually in impasto.

Front 10

value

Back 10

how light are dark colors are. minor key most of the time. value pattern- interchanging light and dark.

Front 11

closed composition

Back 11

color book look

Front 12

open composition

Back 12

free without much boundary

Front 13

color

Back 13

tonal- made from warm or cool
blended variations- most common
contrasted- sharp contrast in colors

Front 14

spatial illusion

Back 14

opaque or transparent overlapping. advancing or receeding color. flat (decorative)

Front 15

Easel

Back 15

usually wooden with crank to adjust

Front 16

canvas

Back 16

usually 30.00 per squar yard, so need substitution. unprinted cotton duck is cheaper (3 to 4 per sq yard. the more dense the better.

Front 17

strechers

Back 17

used to stretch canvas. very overpriced and warp in LA. substitue- 1by 2 or 2by2 from lumber yard. always cut canvas larger than stretchers so canvas can be stapled on back of strechers

Front 18

priming

Back 18

cooked rabbit skin glue coated to keep light from coming through

Front 19

sizing

Back 19

quart water, powder rabbit skin glue, heat and put on with utility brush. goes on war and stins canvas. have to hold down with bricks or sizing will warp.. let sit overnight. it will feel like sand paper and become very tight

Front 20

gesso

Back 20

thick brush 2 coats on canvas. takes about 2 hours to dry. now should not be able to see through and paint will not go through.

Front 21

acrylic

Back 21

have to use pencil to sketch

Front 22

studio tube

Back 22

paint jar color- better than tube. oil tubes cost more than acrylic

Front 23

differences between oil and acrylic

Back 23

oil- toxic, drys slow, strong odor, can cause allergic reaction, cannot put acrylic on top of oil.
acrylic- cheaper, dries fast, odorless, same as gesso, can put oil on top of.

Front 24

materials

Back 24

water bottle(acrylic is water solouble), pallets (aluminum pan with lip), pallet knives (metal, better than brush for mixing, most often use plastic spoon, brushes (nylonbrushes for acrylic, wooden part for ferrel)

Front 25

acrylic paint

Back 25

plastic, water soluble, synthetic, dense paint. can save color by covering with seran wrap

Front 26

image sketched

Back 26

tree

Front 27

how did define

Back 27

with chromatic draftsman lines

Front 28

blocking in

Back 28

covering up white. covering up sides with color so white lines doesn't show when framed.

Front 29

wet on wet

Back 29

put wet color on top of wet color mixing color on canvas instead of pallet

Front 30

biting the line

Back 30

putting color over chromatic draftsman line so they dissapear

Front 31

color quality

Back 31

two or more colors reflecting from same surface.

Front 32

brush

Back 32

can work with both ends. hard end can be used to scrape in paint.

Front 33

quality

Back 33

bringing up paint underneath

Front 34

sgraffito

Back 34

scratching with hard end of brush

Front 35

impasto

Back 35

thick paint

Front 36

glaze

Back 36

thin paint

Front 37

what type of painting will finished product be

Back 37

diptich because two paintings framed together

Front 38

in the last step of framing what is most often used for frame

Back 38

lattice

Front 39

gallery wrap

Back 39

painting goes over the edge.

Front 40

maturation

Back 40

putting up painting for a time and going back to it.

Front 41

what type of lines are no longer there

Back 41

chromatic draftsman lines. they are now called bit lines

Front 42

what type of color>

Back 42

blended gradiation

Front 43

does it use both impasto and glazes?

Back 43

yes

Front 44

subject

Back 44

landscape

Front 45

does it have sgrafitto

Back 45

yes

Front 46

color quality

Back 46

2 or more color's reflected in some surface. tree- blue, green, etc.

Front 47

is wet on wet used

Back 47

yes, colors are mixed on canvas rather than palate

Front 48

last steps

Back 48

put in frame, maturation, final touches, final glaze.