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99 Cards in this Set

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Impressionism

characteristics in painting?
-french movement developed by painters who tried to capture fleeting image

-fascination for continuous change in appearance of places/things

-reaction against grandiose imagery, dramatic action

-opposed to “photographic realism”
-ex. Monet, Degas, Renoir

Impressionist characteristics in painting:
-soft pastel hues, mixed washes of colour, hazy, indistinct painting, sketchy surface, pleasant subjects, idealized images of Paris
Avant garde
questions fundamental assumptions or serves as an example of a particular philosophical stance
Symbolist poetry
-french movement in literature

-poetry suggestive of images, setting, ideas and moods without detailed description/narrative action

-focuses on pleasant, evocative sounds of words

-celebration of french language as sound, NOT NON-SENSICAL
Debussy
-important FRENCH composer of early 20th century

-frequented stylish Parisian literary salons where symbolist writers gathered

-used CHROMATIC harmonic language

-was a MASTER OF ORCHESTRATION

-short, lyric musical forms
Primitivism
-artistic style+movement that emulated artworks of non-European cultures
-attempt to express more genuine feelings, “humanity in its infancy”
-subcategory of exoticism, rejection of modern European society
-Industrial Revolution resulted in urban landscape that many people found dehumanizing and “unnatural”

characteristics in painting:
-abandoned perspective and realism
-block-like forms in simple, surreal colours
-crude technique + unrealistic, sculpture-like figures
-use of variety of materials (rejected classic media of sculpture)
Stravinsky
-Russian-born, became famous in Paris
-Important 20th century composer of Western art music
-commissioned to write 3 important ballets for the BALLET RUSSE
-at start of WW11 moved to the U.S.
“Rite of Spring”
-ballet written by Stravinsky
-Ballet Russe performed word premiere in Paris, 1913
-audience was shocked and scandalized, used to refined grace and exotic music of French, late romantic ballet
-famous riot at premiere
polytonal
-simultaneous juxtaposition of 2 or more different key areas in different parts of the orchestra
commision
-sum of money paid to an artist/composer in advance to facilitate the creation of a new work for a specific ensemble/performance/occasion
Neoclassicism
-reaction against romanticism and impressionism
-imitated aspects of 18th-century music (High Baroque Era)
- horrors of WW1 eliminated European culture, neoclassicism was a reaction against aspects of previous romantic aesthetic (ex. Nationalism and focus on subjective personal expression)
-preference for non-programmatic genres
-objective musical expression free from non-musical associations
Expressionism

characteristics in painting?
-popular in Germany and Scandinavia
-stresses intense, subjective emotion or some intense/deranged psychological state
-stylistic reaction against pleasant subjects and soft pastel colours of impressionism
-form of social protest, depicts horrors of war, poverty and disease, inhumanity of men in WW1

characteristics in painting:

-bright, clashing colours, infused with darkness, colours that were “wrong”, disturbing and suggestive of psychic violence
-distortions of colour and form to create a sense of unease
expressionist painters?
Munch + Kirchner
The Second Viennese School
-Schoenberg, Webern, Berg
-expressionist composers
Schoenberg
-20th century JEWISH composer
-modernist music trends
- “Master” of Second Viennese School, teacher of Webern and Berg
-abandoned tonality, creating atonal music
-music rejected by many
-emigrated to US when Nazis took over Europe, music banned by Nazis
atonal music
-music in which composer purposefully avoids any sense of a tonal center (music with no key/no tonic)
-usually very dissonant and chaotic sounding
sprechstimme
- “speech voice”, vocalist uses timbre of regular speech but follows the melodic contour/rhythm notated in the music
-creates eerie effect, vocal setting is like recitative
12-tone music/serial music
-created by Schoenberg
rules :
1. musical pitches must be used in a particular order
2. once used, no pitch may be used again until all 12 have been heard
advantages:
-ordered cycling of pitches assures that n single pitch will be emphasized too strongly/sound like a tonic
-guarantees an intellectual and aural cohesion
12-tone row
-ordered row of a twelve-tone composition
4 forms/permutations of a the tone row:
prime form
-original form of the row (basis for other 3 forms)

retrograde
-the prime form of the row backwards

inversion
-row form created by inverting every interval in the prime form of the row

retrograde inversion
-inversion row form backwards
how many possible row forms are there in 12-tone compositions?
48
Ives
-American composer
-early attempts to have music performed/published failed
-revised his pieces, original and avant-garde
-celebrated as thoroughly “American”
Bartok
-Hungarian composer
-composed Hungarian folk songs, inspiration from heritage
-immigrated to U.S. expanded studies of ethnic music (ethnomusicology)
-neglected in U.S. but received commissions late in life
-modernist style
-harmonically innovative, used dissonance
**rhythmically innovations
-individual approach to neoclassicism
Ethnomusicology
-scientific study of music from non-Western cultures
-origins in nationalism and primitivism
Webern
-part of Second Viennese School, studied under Schoenberg
**music is most ABSTRACT of Second Viennese School composers
-career ruined by Nazi's who banned work as degenerate art
-many works are miniatures and have aphoristic style
-delicate textures + manipulations of bowed string instruments
-composed 12-tone/serial works
pizzicato
-plucking the strings of a bowed string instrument
Boulez
-french composer, avant-garde
-part of the “Darmstadt School” in Germany
-used integral serialism
Darmstadt School
summer music program in Darmstadt Germany, composed of avant-garde composers
- Boulez was member (other composers: Nono, Berio, Stockhausen)
integral serialism
-expanded serial procedures beyond pitch to control all musical parameters (not only pitch but rhythm, dynamics, instrumentation, form, etc)
Cage
-American avant-garde composer, student of Schoenberg
-early composer for percussion ensemble
-invented PREPARED PIANO
prepared piano
-extended technique for piano
-inserting objects between the piano's strings according to composer's instructions
aleatoric music/indeterminacy/chance music
-allow inclusion of any sounds into a musical work, even those that seem as “noise” or “accidental” during the performance
-chance elements come into play during composition, during performance or both
electroacoustic music
-originated in Western art music after WWII
-incorporation of electric sound production into compositional practice
musique concrete
-tape music based on natural or “concrete” sounds, ex. a piano or a train=exist in the real world
four ‘classic’ manipulations of taped sound:
‘filtering out’ portions of the sound (physically cutting tape through use of filters)

‘overdubbing’ (combining different sounds)

manipulation of playback speed

'sound/tape reversal' (playing sound backwards)
How is musique concrete distinguished from electronic music?
-electronic music is constructed of sounds that are produced artificially, rather than relying on natural sounds
electronic music
-composers constructed their own sound material artificially and controlled the timbre of musical sounds
additive synthesis
-sounds are created by combining sine waves in order to create artificial overtone structures and therefore NEW TIMBRES
subtractive synthesis
-components of a complex sound are filtered out to produce new timbres
sine wave + sine-wave generator
-sine wave: “pure” pitches with no overtones, generated electrically by sine-wave generators
-sine-wave generators: electronic sound-producing device producing sine waves
white noise / white-noise generator
white noise: electronically generated sound which contains the entire audible spectrum of frequencies, generated by white-noise generators (electronic sound-producing devices)
poème électronique
-electronic work created by Varèse
-Philips Pavilion was shaped like stomach
-poem was synchronized to film of black&white photographs
-changing coloured lights, hundreds of speakers
sound-mass composition
-avoid conventional melody, harmony, and rhythm in favour of “sound masses”
with sliding/merging orchestral clusters
-creates succession of timbers that can be static or dynamic or both simultaneously
micropolyphony
-textual effect in which individual parts are lost within a complexity of sonic activity
(often made by having individual instruments within a large ensemble play imitative/non-imitative polyphony)
when was the birth of cinema?
-Paris in 1895
film score vs. “scoring a film”
-film score=genre
-“scoring a film”=act of creating a film score
4 basic functions of movie music
-establishes mood of scene or characters
-sets time and place of action
-”running counter to the action” (music inappropriate for/emotionally distant from dramatic action)
-character establishment/development
leitmotifs
-musical motives that symbolize/associated with a particular character, scene, situation, etc.
2 principal types of film music
-source music= music that comes from a source that is part of the action of the movie

-underscoring= music that comes from an unseen source and “outside” the action of the movie
Tan Dun

his music style?
-leading figure in “New Wave” of Chinese composers
-Chinese government banned public performance of his work, then celebrated
-came to U.S., international artist
-won Academy Award for film score of Crouching Tiger, Hidden Dragon

music style:

-combines Western ensembles. Genres and styles with traditional Chinese instruments, harmonies, rhythms, and aesthetic concepts
-Western influences of style are diverse
-works inspired by nature, Chinese philosophy, mysticism + contain ritualistic elements
-works often feature theatrical elements (ex. Lighting, staging, musicians perform extra-musical activities)
pipa
traditional Chinese string instrument
“New Wave” of Chinese composers
-explored aspects of modern, avant-garde Western art music
-Tan Dun was leading figure
minimalism
-characterized by incessant repetition of short musical motives
-melodic, rhythmic and harmonic patterns often repeated for long periods of time
-phase shifting (slow rhythmic change)
-usually sound very consonant
-influenced by musical and visual arts of India, China, Indonesia and rhythms of African music
-extreme reduction of materials to simple, basic components
Pärt
-Estonian, sacred works found in Eastern Orthodox Christian Faith
-Spiritual minimalism=emphasis on spirituality+minimalist techniques
When was WWI? WWII?
WWI 1914-1918

WWII 1939-1945
Wozzeck
-famous opera by Berg
-based on German playwright of Büchner
20th century masterpiece + atonal opera

synopsis:

-Wozzeck is a poor soldier who suffers from paranoid delusions, Marie is his mistress who is mother of his son (can't afford to get married)
-Wozzeck is tormented by frightening visions
-Marie admires Drum-major in military parade and sleeps with him, then chastises herself for her infidelity
-Wozzeck confronts Marie, she admits, he sees her dancing with the Drum-major
-Wozzeck kills Marie by a pond out of jealousy, returns to murder scene and drowns in the pond
postminimalism
-keeps the accessibility and transparency of earlier classic minimalism, but features more dynamic and active textures, faster development of musical “processes”, more complex neo-romantic harmony and a wide variety of performing media
Wozzeck
-famous opera by Berg
-based on German playwright of Büchner
20th century masterpiece + atonal opera
synopsis:

-Wozzeck is a poor soldier who suffers from paranoid delusions, Marie is his mistress who is mother of his son (can't afford to get married)
-Wozzeck is tormented by frightening visions
-Marie admires Drum-major in military parade and sleeps with him, then chastises herself for her infidelity
-Wozzeck confronts Marie, she admits, he sees her dancing with the Drum-major
-Wozzeck kills Marie by a pond out of jealousy, returns to murder scene and drowns in the pond
exoticism
desire to intentionally create/celebrate a foreign national identity (or scene) within artistic creations
music piece: 4'33''

composer + date?
What style of music?
-Cage
-1952
-inclusion of silence into musical work (aleatoric music)
percussion ensemble**
-”all-sound” music
general characteristics of art music in 20th and 21st centuries:
-marked by individuality of expression + diversity in styles
-development of systems of harmony+ methods of composition
-new rhythmic possibilities
-search for new sound sources
-Avant-garde aesthetic
-creative manipulation of classical forms/genres
-fixation on Music History
-erosion of eurocentric biases (diverse musical cultures around world)
extended techniques
-new uses for traditional “art-music” instruments
nationalism
-desire to intentionally create/celebrate own national identity within artistic creations
quotation music
-using borrowed and often very easily recognizable excerpts of music by other composers within a newly composed piece
Varèse
-composer of electronic music
-created Poeme electronique, at Philips Pavilion which was shaped like a stomach
-designed complex spatialization scheme and synchronized to black and white film of pictures
Reich
-well-known classic minimalist composer
plainchant/chant/gregorian chant
-performed in worship services of the Roman Catholic Church
-latin and sacred text
-nonmetrical
-monophonic
-based on church modes
Mass
-public worship service (ex. Church)
cantata
-large-scale, multi-movement genre, consists of small choir, vocal soloists, orchestra and organ
-vernacular language
-not dramatic like operas (no costumes, plot, acting, etc.)
concerto (solo)
vs.
concerto grosso
vs.
double concerto
solo concerto: multi-movement, large-ensemble genre for a single instrumental soloist + orchestra

concerto grosso: multi-movement genre for multiple instrumental soloists+orchestra
(concerto grosso were simply titled 'concerto')

double concerto: features 2 instrumental soloists and orchestra
oratorio
-large-scale, multi-movement work= music drama for vocal soloists, chorus and orchestra
-unlike opera there is NO acting, scenery, or costumes
-secular genre=for entertainment
opera
-large-scale music drama for vocal soloists, chorus and orchestral
-homophonic, it is an accompanied song
-secualr texts+vernacular language
-from Baroque era (created in Florence, 1600)
what are the 2 subgenres in Operas?
Recitative
-song that imitates natural speech
-forwards the action+dialogue of the opera
-not very lyrical/melodious, sounds like speech
-nonmetrical

Aria
-a song for solo voice
-metrical (recognizable beat)
-melodious or lyrical song, expresses emotion+develops character
-often repeats fragments of text
sonata
-multi-movement genre for instrumental soloist(s) and basso continuo
suite/dance suite
-multi-movement genre for orchestra only
-movements are evocative of dance types+dance-related names
-Baroque era
-accompanied dancing+listening entertainment
art song/Lied
-genre of song composed for a solo voice with piano accompaniment
-musical setting of high-quality poem (often known to audience)

3 forms: strophic form, modified strophic form, through-composed form
symphony
-mutli-movement instrumental genre for orchestra alone
woodwind quintet
-multi-movement genre for flute, clarinet, oboe, bassoon, and french horn
string quartet
-genre for two violins, viola, and cello
song cycle/ Lied cycle
-collection of art songs that are published together as a set + share other characteristics:

-related pattern of keys between songs
-reappearance of musical motives
-poems by same poet + related subject matter
-poems represent same musical/poetic persona
piano quintet
-mutli-movement genre for piano, 2 violins, viola, and cello
(string quartet+piano)
character piece
-one-movement miniatures for solo piano
-evokes a mood, melodic, LYRICAL
-variety of fanciful titles suggesting: improvisatory style, urban/nationalistic dance type or a mood/picturesque
chamber music (ex. Chamber symphony)
-social/domestic music making
-a type of classical music for a small group of instruments
-any art music that if performed with one person to a part
what are common ensemble terms designating number (1-9)?
-solo
-duet
-trio
-quartet
-quintet
-sextet
-septet
-octet
-nonet
When were the earliest extant musical manuscripts created?
800 AD
Medieval period
(date+characteristics)
2 composers + 1 piece of work
-450-1450
-Roman Catholic Church unified Europe
-earliest extant manuscripts= 800 AD
-sacred music, Gregorian chants
-early secular songs, monophonic + improvised with instrumental accompaniment
-vernacular language
-metric (rhythmic)
-Notre Dame School

composers:
-St. Hildegard von Bingen – Columba Aspexit (Gregorian chant, monophonic, latin, sacred)
-Machaut
Renaissance period
(date+characteristics)
2 composers + 1 piece of work
-1450-1600
-invention of Printing Press
-Lutheran Reformation
-study of Greek+Roman Antiquity
-Homophonic texture
-Clear text + imitative polyphony
-most common instrumental music= DANCES

composers:
Dufay- Ave maris stella (harmonized hymn, sacred Latin, homophonic)
Josquin
Baroque period
(date+characteristics)
2 composers + 1 piece of work
-1600-1750 (Bach's death)
-homophonic texture
-Basso continuo (accompaniment)
-notation contains more performance details (tempo+dynamics)
-bowed strings=core of orchestra
-multi-movement work
-operas
-dance suites + oratorios


composers:
Handel - “There were Shepards” from Messiah (oratorio, recitative, English vernacular, homophonic)
Bach
Classical period
(date+characteristics)
2 composers + 1 piece of work
-1750-1800
-Age of Enlightenment + Industrial Revolution
-Rise of Middle class (decline of patronage) + Revolutionary wars
-lyrical/folk-like and brief melodies
-homophonic texture
-structural clarity+regularity+balance
-Major/Minor Tonality
-String quartet+chamber music+orchestras


composers:
Mozart
Beethoven – Symphony No. 5 in C Minor
Romantic period
(date+characteristics)
2 composers + 1 piece of work
-1800-1900
-emphasizes emotion, imagination and individualism= emotional subjectivity
-nature as a source of inspiration
-nationalism, exoticism, program music,
-chromatic harmony
-public venues+salons
-art songs + character pieces
-french+italian opera

composers:
Puccini – Madama Butterfly
Wagner
Tone poem/symphonic poem
-one-movement work with a free form for orchestra

-genre of program music with descriptive title
Whole-tone scale
scale in which notes are separated by a whole step
Pentatonic scale
five-pitch scale
musical palindrome
music that can be read in both directions
musical symmetry
Bartok often created symmetrical musical structures at all levels- from individual melodies to overall structure of multi-movement works
choreography

choreographer
composition of dance steps and sequences for ballet and stage dancing

person who composes it
Ballet (ballet score)
a type of performance dance, that originated in the Italian Renaissance courts of 15th century, further developed in France and Russia as a concert dance form
vocalise
singing exercise using syllables or vowel sounds to develop flexibility and control of pitch and tone
polyrhythm
simultaneous use of conflicting rhythms
dissonance vs. consonance
dissonance: unstable pitch combination

consonance: pitch that is the most stable