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35 Cards in this Set

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Naturalistic, Akhenaten

Parthenon in Athens, Greece. Classical style.

Idealism, stoicism.

Hellenistic, natural looking, draped clothing.

Roman colosseum, rounded arches.

The Pantheon, in Rome, made of concrete by Brunecceli.

Gothic architecture (pointed arches, ribbed vaults, exterior buttresses, stained glass)

Renaissance style painting, Giotto, more realistic posed figures.

Donatello's David, life size bronze.

Birth of Venus by Botticelli, classical mythology and realistic proportions.

Da Vinci's Last Supper, linear perspective, fresco

Michelangelo's David, 13ft tall, exaggerated proportions, natural pose.

Sistine Chapel by Michelangelo

Titian's Venus of Urbino (reclining nude). Deep colors, naturally proportioned.

Nothern Renaissance, Jan Van Eyck. Deep colors, deep meaning to every detail.

Hans Holbein's portrait of Sir Thomas More.

Peter Brugal's Hunters in the Snow, one of the first landscape styles, genre painting.

Tintoretto's The Last Supper. Alternative linear perspective.

Baroque Period

Classified by people questioning religious and government authority, science flourished.

El Greco's Purification of the Temple. Flowy fabrics, elongated forms, mannerism influenced.

Caravaggio's The Supper at Emmaus. Oil painting, mid action, man facing away.

Artemisia Gentileschi, gothic, dark, woman artist.

Bernini's David. Mid action, nudity covered.

Tenebroso

In a dark manner, dimly painted art.

Diego Velazquez, Las Meninas, Kings court perspective, tenebroso.

Jan Vermeer, Woman with a Water Jug, shows imported goods, also did woman with pearl earring painting.

Rembrandt, Nights Watch painting, highlights certain members, adds young girl, controversial. He later did self portraits with different hats.

Palace of Versailles, France commissioned by Louis XIV

Jacques-Louis David, Neoclassical, inspired by classic paintings, bright.

Goya, The Third of May, man in white about to be shot by soldiers in the French Revolution. Romanticism.

Gericault, Raft of the Medusa, romanticism.

Daumier, lithograph

Counter-Reformation

The Catholic church instructing artists to create entertaining and electrifying works.

Rococo

Aristocracy, playfulness, romantic.

Neoclassisism

A visual expression of the ideas of the Enlightenment, of value and order, and a rejection of both the high drama and murky atmosphere of Baroque art and the misty sentimentality of the Rococo.