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43 Cards in this Set

  • Front
  • Back
Muybridge
Horse in Motion
1878
Matisse
The Joy of Life
1905-06
Picasso
Les Demoiselles d'Avignon
1907
Kirchner
Street, Dresden
1908
Harmony in Red
Matisse
1908
Kandinsky
Sketch for Composition II
1909-10
Matisse
Music
1909-10
Picasso
Portrait of Kahnweiler
1910
Schiele
Schiele, Drawing a Nude Model Before a Mirror
1910
Braque
The Portuguese
1911
Marc
The Large Blue Horses
1911
Balla
Dynamism of Dog on a Leash
1912
Braque
Fruit Dish and Glass
1912
Picasso
Maquette for Guitar
1912
Boccioni
Unique Forms of Continuity in Space
1913
Duchamp
Bicycle Wheel
1913
Kandinsky
Composition VII
1913
Duchamp
3 Standard Stoppages
1913-14
Malevich
Installation Photo of his paintings in 0, 10 exhibition
1915
Tatlin
Counter-Relief
1915
Ball
Hugo Ball reciting the poem Karawane at the Cabaret Voltaire, Zurich
1916
Arp
Collage Arranged According to the Laws of Chance
1916-17
Duchamp
Bottle Rack
1917
Duchamp
Fountain
1917
Malevich
Suprematist Composition:
White Square on White
1918
Janco
Mask
1919
Hoch
Cut With the Kitchen Knife
1919-20
Tatlin
Model for Monument to the Third International
1919-20
Taeuber
Dada Head
1920
Heartfield
Little German Christmas Tree
1934
Appropriation
often refers to the use of borrowed elements in the creation of new work. The borrowed elements may include images, forms or styles from art history or from popular culture, or materials and techniques from non-art contexts.
Ready-mades
Manufactured objects promoted to the dignity of art by the choice of the Artist.
Bicycle Wheel
Duchamp 1913
Playful - something to look at like wealthy looked at their fireplaces
Assisted Ready-made - altered object
Bicycle wheel mounted by its fork on a painted wooden stool. He fashioned it to amuse himself by spinning it, "...like watching a fire... It was a pleasant gadget, pleasant for the movement it gave." The first readymade, though he initiated the ideas two years later. Bicycle Wheel is said to be the first kinetic sculpture.[
Duchamp
Artist not as a maker but as a responder
Tired of Retinal Art
Duchamp/Tatlin
Duchamp Ambivalent Consumer surrounded by things to consume and makes choices
Tatlin Active producer
Model for the Monument at the Third International
Kinetic Energy
1300 ft tall
Optimistic about the revolution - figures someone will figure out how to build it
Bureaucrats bottom 1 time a year
Thinkers top once a day
Faktura
The visual demonstration of properties inherent to materials.
Avant-garde
Avant-garde represents a pushing of the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm.
Chronophotography
Victorian application of science (the study of movement), and art (photography). It is the technique precursor to cinematography
Les Fauves
(French for The Wild Beasts) were a short-lived and loose grouping of early 20th century Modern artists whose works emphasized painterly qualities and strong colour over the representational values retained by Impressionism.
Counter-Relief
Tatlin 1915
Engages Space
Working Class Esthetic
Working Class - Industrial Materials
Anti Elitism
Anti Estheticism
Thought he would find things out about materials that the working man could benefit from
Cubism
Distortion
Flattened Space
Fragmentation
Restricted Palette
Grid/scaffold
Fauve
Purity of means