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20 Cards in this Set
- Front
- Back
Avant-garde |
favoring or introducing experimental or unusual ideas in the art work. |
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Janponisme |
the influence of Japanese art on European artwork; especially on impresisonists |
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Modernism |
style/movement in the arts that rejected classical and traditional forms and establishments |
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Impressionism |
uses spots of color to show the effects of different kinds of light; attempts to capture the feelings of a scene rather than the details. |
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Post-Impressionism |
explores color, line, and form and the emotional response of the artist. |
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Pointilism |
technique using tiny dots of color to produce a greater degree of luminosity of color |
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Abstract |
art that does not intend to represent external reality but seeks to achieve its effect through shapes, forms, colors, and textures. |
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Cubism |
when single viewpoint was abandoned and use was made of geometric shapes interlocking planes, and collage. |
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Analytic Cubism |
pronounced use of geometric shapes and monochromatic use of color
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Futurism |
rejected traditional forms to focus on energy and dynamism of modern technology |
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Readymade |
manufactured object that an artist selects and modifies. |
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Automatism |
technique of subconscius drawig |
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Primitivism |
the fascination of modern artists with tribal art from Africa and other countries. |
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Collage |
art made by sticking various materials onto a backing |
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Dada |
the deliberate irrationality and negation of traditional artistic values |
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Surrealism |
avant-garde movement in art that sought to release the creative potential of the subconscious mind |
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Drip painting |
Form of abstract art where paint is dripped or poured onto the canvas |
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Action Painting |
Abstract art style of painting in which the paint is randomly splashed around, and poured on the canvas |
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Abstract Expressionism |
aim to convey emotions and feelings through a nontraditional and usually nonrepresentational way |
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Pop Art |
based on modern popular culture and mass media, critical or ironic comments on traditional fine art values. |