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76 Cards in this Set
- Front
- Back
- 3rd side (hint)
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Patrician carrying portrait busts of two ancestors 1st Century Marble Roman -contrapostal -celebrating ancestry -roman haircut+toga |
P.C.P.B.O.2.A |
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Temple, Perhaps dedicated to Portunus. Rome 2nd Century -scroll capital (ionic?) -pseudoperipital temple -high podium+large porch+defined entrance |
T.P.D.T.P |
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Augustus of Primaporta Roman marble copy (original bronze 20 BCE) marble -idealized -contrapostal -cupid+legitimized authority |
A.O.P.R.M.C |
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Ara Pacis Augustae Rome 13-9 BCE -celebration after civil war -propaganda? -high podium |
A.P.A |
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Imperial Procession, Ara Pacis Rome Marble -naturalistic -unveiling of peace altar -august's family present -children represented (family oriented) |
I.P |
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Cityscape. house of Publius Fannius Synistor Boscoreale 50-30 BCE 2nd style wall painting -Roman illusionism -use of light and shadow -intuitive perspective -mask=theater? |
C.H.O.P.F.S |
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Flavian Ampitheatre Rome 1st CE -all 3 types of greek columns -use of true archs -use of concrete -use of groin vaults -built for community |
F.A |
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Column of Trajan Rome 2nd CE Marble -Stacked drums of marble -staircase in center -square base=burial chamber -spiral relief band -Trajan now replaced with St.Peter |
C.O.T |
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Pantheon Rome 2nd Cent -biggest Roman temple -Ideal form -built to worship planetary gods -Corinthian order used -hemisphere dome(perfect) |
P |
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Pantheon, Interior -floor is highest in center to drain water that comes from the oculus -coffered ceiling: weight reduction by recessed panels. |
P |
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Equestrian Statue of Marcus Aurelius 2nd CE Bronze (originally gilded) -horses=power -Order pose -vertical body= dominance over horse -victory authority |
E.S.O.M.A |
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The Tetrarchs 3rd CEnt Porphyry -emperor Diocletian=2 emperors -not naturalistic -scale is off -no sense of identity -unstable government= clutching weapons -deep relief |
T |
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Arch of Constantine Rome 4th CE -triumphal arch -marble base with concrete -propaganda (godly power) -top relief was taken from Marcus+Trajan (legitimizes power) |
A.O.C |
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Hadrian/Constantine Hunting Boar and Sacrificing to Apollo (arch of Constantine) Tondi 2nd CE -shows strength+power -religious devotions -deep relief -power of association |
H/C.H.B.A.S.T.A |
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The good Shepard, Orants, and the Story of Jonah. Painted ceiling, Catacombs of saints Peter and Marcellinus. Rome, Italy 3rd Century Early Christian -Christians preserve bodies of saints -circles=eternity -cross design -Jesus is shown young beardless= good shepard |
T.G.S.O.A.T.S.O.J |
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Old St.Peter's Basilica 4th CE Early Christian -courtyard has an atrium-baptismal washing -Altar becomes focal point -Nave intersection introduced |
O.SP.B |
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Anthemius of Tralles and Isidorus of Miletus: Church of Hagia Sophia. Constantinope 6th Cent Byzantium -created by 2 architects -largest church in the east empire -christian>muslim -has the highest domeof it's time (184") |
A.O.T.A.I.O.M.C.O.H.S |
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Anthemius of Tralles and Isidorus of Miletus : Church of Hagia Sophia Istanbul 6th cent ??? |
A.O.T.A.I.O.M.C.O.H.S
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Emporer Justinian and his attendants San Vitale mosaic 6th cent Byzantium -purple robe=wealth -coloured glass -not naturalistic (stylized) -Justinian= head of church -Mass -12 ppl symbolize 12 apostles |
E.J.A.H.A |
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Virgin and Child with Saints and Angels. Icon 6th century Encaustic on wood Byzantium -Icon -use of light -use of halos -Blue=mary -mother of Christ (foundation of church) |
V.A.C.W.S.A.A |
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Chi-rho-iota page, Book of Kells late 8 or early 9th century ink and pigment on vellum -Most famous gospel (at the time) -never finished -Hidden in kells -animal symbolism |
CRI.P.B.O.K |
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Abbey at Cluny Burgundy, France 11th -largest church till 16th cent -pilgrimage church -Peter+Paul relics |
A.A.C |
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Nave, Abbey Church of Notre-Dame 12thRomanesque -Barrel vaults -pointed arches -Low light -3 windows=trinity |
N.A.C.O.ND |
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The Bayeux Embroidery: Messengers Signal the Appearance of a Comet 11th Linen with wool embroidery Romanesque -Williams invasion -Registers -Historical document -William's propaganda |
T.B.E.M.S.T.A.O.A.C |
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Trumeau Saint-Pierre Moissac 12th Romanesque -2 dimensional -cluniacs -prophet -unnatural scale -lions=rebirth |
T |
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Giselbertus: Last Judgement Saint-Lazare, Autun 12th Romanesque -Hierarchic scale -divine Christ (judgmental) -Glory+halo -Registers -Scares people |
G.L.J |
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Ambulatory and Apse chapels of the Abbey Church of Saint-Denis, France. 12th Gothic -1st Gothic architecture -ribbed+groin vaults -super opened (windows) -lighter columns |
A.A.A.C.O.T.A.C.O.SD |
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West Facade, Chartres Cathedral Chartres, France 12th Gothic -Fire- only west facade left -south tower=older -Mary relics -flying buttresses -jamb statues -4 part elevation |
W.F.C.C |
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West Facade Jamb statues Reims Gothic 12th -Deep relief -3 different artists -not frontal -annunciation |
W.F.J.S |
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Vesperbild 14th Wood and polychromy Gothic -emphasis-pity+piety -German -crown of thorns (sacrifice) -expressionism |
V |
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Duccio: Maesta Altarpiece 14th Tempera on panel Gothic -No artist celebration -Registers -Halos -Mary in blue -front=contemplation -back=story |
D.M.A |
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Ambrogio Lorenzetti: The effects of good Government in the city and in the Country. Palazzo pubblico, Siena 14th fresco Gothic -Darker colors -intuitive perspective -Angel=security "enter in peace" |
AL. T.E.O.G.G.I.T.C.A.I.T.C |
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Giotto: Lamentation Scovegni Chapel, Padua 14th Fresco Gothic -Human expressionism -no hierarchic scale -simple background -Shadow=dimension |
G.L.S.C |
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Limnourg Brothers: January, from Les Tres Riches Heures du Duc de Berry 15th Colours and ink on parchment Late Gothic -international style -death by plague -clean elegant lines -Trojan war tapestry in background |
LB.J.F.L.T.R.H.D.D.D.B |
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Workshop of the master of flemalle: Merode Altarpiece 15th Oil on wood late Gothic -Open only some days -Triptych -privet altar -annunciation -realism -tilted perspective -holy spirit |
W.O.T.M.O.F.M.A |
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Rogier van der Weyden: Deposition 15th Oil on wood Late Gothic -Arches guild commissioned -Naturalism -Anatomy attention -emotion+expression -mom=son linear rhythm |
RVDW. D |
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Jan van Eyck: Double Portrait of Giovanni Arnolfini and his Wife 15th Oil on panel Late Gothic -Marriage -Dog=loyalty -fruit= works for Midichi -Witnesses in mirror -chandelier=God -mirror=passion of Christ |
JVE.D.P.O.G.A.A.H.W |
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Terms |
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Terms |
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Verism |
Contemporary everday instead of idealized. Realism |
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Aqueduct |
A channel built to carry water to towns and cities |
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Roman basilica |
Roman public building located in the forum of a roman town. |
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Forum |
Open public space within a roman city |
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Hemispheric Dome |
Constant radius. half a sphere |
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Republican Period |
Roman civilization, Roman empire, rome's control expanded. |
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Basilica-plan Church |
Cross shape. Atrium, nathex, central nave+semi circular apse. The house of the church is the atrium |
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Neo-platonism |
Platonic Philosophy beginning with the work of plotinus |
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Celtic-Germanic Style |
Metal work, woodwork... Nomadic people Animal style Abstract patterns |
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Cluniacs |
Abbey of Cluny in burgundy... Answer directly to church (no Bishop) Benedictine monastery independence |
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Opus Modernum |
(modern work) |
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Oil painting |
Show drying. Can redo Precision and detail Transparency richest colors Range of textures Glazing=Translucency |
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Flemish Art |
started oil painting. Technical skill and color |
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Atrium |
large oper skylight space surrounded by a building |
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True Arch |
Rounded at the top arch. Wider opening less weight. |
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Coffered Ceiling |
Sunken panels to reduce weight |
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Groin Vault |
2 barrel vaults + intersecting right angles. |
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Oculus |
Cirular opening in the center of a dome. open to weather, light and rain. |
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Roman illusionism |
Replacing stone blocks with landscape paintings |
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Central-Plan Church |
Atrium, narthex, central nave with a double aisle. square shape |
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Iconoclasm |
The destruction of religous icon for political motives |
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Gospel Book |
a bound volume containing one or more of the 4 gospels |
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Cistercians |
member of cistercian order: self-sufficiency and manual labor plain architecture Benedictine |
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Flying Buttresses |
A buttress arching from the upper wall to a pier of great mass |
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Gothic period |
Strengthehing French Monarchy Open interior Architecture Universities New class of merchants Rationality+faith Arches 1140-1550 |
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Tetrarchs |
Government power is divided among 4 individuals |
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Barrel Vault |
Architecture formed by the extusin of a single curve along a given distance |
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Domus |
Upperclass houses with a an open atrium |
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Mosaic |
picture produced by arranging small colored pieces together |
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Pseudoperipteral Temple |
Free standing columns in front; engaged columns on sides |
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Triumphal Arch |
A monument in that shape of an archway. to commemorate military triumphs |
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Icon |
Devotional images rather than narritives. Portraits of holy beings. frontal, static, contemplative. |
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Hiberno-saxon style |
Interlacing style from celtic and christian traditions |
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reliquary |
A container used to hold holy objects |
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"lux Nova" |
New light. Stain glass invention. |
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pieta |
Work of Michelangelo. jesus dead+ Mary |
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Romanesque period |
Beginning of building with stone and arches. Noticeably heavy architecture. Stylistic period during middle ages. |
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