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25 Cards in this Set
- Front
- Back
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Freake Limner, Mrs. Elizabeth Freake and Baby Mary, c.
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1671-4. COLONIALISM.
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James Smibert, Dean Berkeley and His Entourage (“The Bermuda Group”),
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1729. COLONIALISM.
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Robert Feke, Isaac Royall and Family,
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1741. COLONIALISM.
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Matthew Pratt, The American School,
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1765. COLONIALISM.
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Sir Joshua Reynolds, Ms. Siddons as the Tragic Muse
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1784. COLONIALISM.
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Joshua Reynolds, Portrait of Miss Bowles with her Dog
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1775. COLONIALISM.
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Benjamin West, The Artist’s Family
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1772. COLONIALISM.
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Benjamin West, Death of General Wolfe
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1770. COLONIALISM.
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John Singleton Copley, Paul Revere
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1768-70. COLONIALISM.
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John Singleton Copley, Watson and the Shark.
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1778. COLONIALISM.
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Gilbert Stuart, George Washington (The Lansdowne Portrait)
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1796. FEDERALIST.
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Gilbert Stuart, The Skater (Portrait of William Grant)
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1782. FEDERALIST.
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Charles Willson Peale, The Artist and his Museum
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1822. FEDERALIST.
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Charles Willlson Peale, The Staircase Group (Raphaelle Peale and Titian Ramsey Peale)
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1795. FEDERALIST.
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Raphaelle Peale, Venus Rising from the Sea—A Deception [After the Bath]
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1822. FEDERALIST.
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Thomas Cole, Falls of the Kaaterskill
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1826. ROMANTICISM.
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Asher B. Durand, Kindred Spirits
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1849. ROMANTICISM.
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Fitz Hugh Lane, Boston
Harbor |
1855-58. ROMANTICISM.
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Frederic Edwin Church, Heart of the Andes
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1859. ROMANTICISM.
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Albert Bierstadt, Emigrants Crossing the Plains
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1867. ROMANTICISM.
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Augustus Saint-Gaudens, Sherman Monument, NYC
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1903/4. GILDED AGE: GENTEEL STYLE.
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JAM Whistler, Arrangement in Black and Gray: The Artist’s Mother
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1871. GILDED AGE: GENTEEL STYLE.
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John Singer Sargent, Madame X (Virginie Gautreau)
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1884. GILDED AGE: GENTEEL STYLE.
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Thomas Eakins, The Thinker: Louis N. Kenton
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1900. REALISM.
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Thomas Eakins, Max Schmitt in a Single Scull (The Champion Single Scull)
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1871. REALISM.
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