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18 Cards in this Set
- Front
- Back
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dome of florece cathedral |
Brunelleschi -1420-1436 -early renaissance -uses roman principles of architecture and engineering -gothic elements -built out of bricks |
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the church of san Lorenzo |
Brunelleschi -1419-1459 -early renaissance -used a basic plan with measure, reason, proportion, and harmony and it used a two ton color scheme which was repeated in florentine architecture -patron: Giovanni di Bicci de' Medici -the burial place of all the principal members of the Medici famil |
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sacrifice of Isaac (Brunelleschi) |
-Brunelleschi -1401-1402 -early renaissance -patron: commissioned by the church for competition to design the doors -medium: gilded bronze relief |
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palazzo medici |
michelozzo -1444-1484 -early renaissance -patron: comimo de medici and the medicis -building was meant to impress with the fortitude and dignity of the family -became the model for florentine patrician town houses
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david (Donatello) |
-Donatello -possible 1440s -early renaissance -patron: cosimo de medici most likely commissioned the statue -medium: sculpture made of bronze -first nude david and freestanding nude since ancient times -depicted david and weak, delicate, and young which showed that he defeated goliath through the power of god and not his physical prowess |
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sacrifice of Isaac (Ghiberti) |
-Ghiberti -1401-1402 -early renaissance -medium: gilded bronze relief -patron: commissioned by the church for competition to design the doors -didnt use all the bronze and gave the rest back to the church |
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gates of paradise |
-Ghiberti -1425- 1450 -early renaissance -patron: opera dell duomo medium: bronze -originally hebrew sculpture but changed to the life of christ with scenes from the old testament
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trinity |
-Masaccio -1425-1428 -early renaissance -painting with linear perspective -medium: fresco -no known patrons (possibly lenzi family) -intended to serve a lesson to viewers. you will die and only your faith will overcome their existence |
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tribute money |
-Masaccio -1425 -early renaissance -medium: fresco painting -depicts Matthew 17: 24-27 where Jesus performs one of his miracles. a tax collector asks Jesus for a tribute which he tells st peter to produce from random fish's mouth -revolutionary for its use of perspective and chiaroscuro |
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Expulsion from Eden |
-Masaccio -1425 -early renaissance -medium: fresco
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Madonna and Child with Angels |
-filippo lippi -located in la galleria degli Uffizi, Florence -1465 -medium: tempera on wood -representation is very human for Mary like an actual young mother and he represented Christ as an actual baby -it was influential for later representations of the Madonna and child |
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annunciation |
-filippo lippi -circa 1445 -patron: niccolo martelli medium: tempera oil on wood -shows Gabriel telling mary she is pregnant with christ -uses classical architecture, idealized beauty, and te gospel |
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primavera |
-Botticelli -circa 1482 -early renaissance -medium: tempera oil on wood -patron: probably one of the medici's -an allegory of fertility and love -represents a withdrawl from the naturalism of the early renaissance |
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birth of venus |
-Botticelli -circa 1482 -early renaissance -patron: commissioned by one of the medicis -medium: tempera and oil on canvas -taken from roman poet ovit's metamorphosis which says venus was born from the foam of the ocean and was blown to the shore -uses classical venus type to represent her and makes her very beautiful (idealized beauty) |
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last supper |
-Leonardo da vinci -1495-1498 -high renaissance -patron: ludovico Sforza, duke of milan -medium: fresco painting that used oil and tempera on plaster -puts the apostles into 4 groups of 3 for different meanings and has the windows in groups of 4 and 3 -this painting made the break from early to high renaissance
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david (Michelangelo) |
-Michelangelo -1503-1505 -high renaissance -medium: sculpture made of marble -patron: commissioned by the opera dell duomo -the statue was placed in front of the palazzo vecchio where it became a political symbol against their enemies -depicts david as older and muscled and hasnt defeated goliath yet. he look on in alert ready to attack |
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Sistine ceiling |
Michelangelo -1508-1512 -high renaissance -medium: fresco paintings -patron: commissioned by pope Julius II -contains nine scenes from the book of genesis -visual metaphor for humans need for covenant with god |
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pieta (st. peter) |
Michelangelo -1498-1499/1500 -high renaissance -depicts the virgin Mary cradling the dead body of Jesus medium: sculpture made from marble -patron: statue was commissioned by Cardinal Bilhères de lagraule -anatomical accuracy -his version was different from the others by making mary young and pretty instead of an old woman. that most likely represents her as a symbol for the church and the reality of his sacrifice -his version didn't want to represent death but rather the communion between man and god |
