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36 Cards in this Set

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Notre Dame Cathedral, interior, 1163–1250, Gothic, Paris, FranceCommunity worship, gathering. Play of light and color.

Colosseum, 72–80 CE,Rome, Italy. Comparablein size, amenities, and use to a modern stadium


DiegoRivera, Man,Controller of the Universe, or Man in the Time Machine, 1934. Fresco,


Originallycommissioned by Nelson Rockefeller. Initial mural destroyed because Riveraincluded a portrait of Lenin.

Richard Serra, Tilted Arc, 1981 (destroyed March 15, 1989).Installed at Federal Plaza, New YorkPublic protest and removal.Site-specific work.
Virginof Vladimir, 12th century (before 1132). Temperaon panel“icon”painting, Byzantine style
4.2.8 Gianlorenzo Bernini, TheEcstasy of St. Teresa, 1647–52. Polychromed marble, gilt, bronze, yellowglass, fresco, and stucco. Imagesof sexual/physical ecstasy as a metaphor for spiritual ecstacy.
Bookof the Dead: Last Judgment before Osiris, c. 1275 bce. Painted papyrusBooks of the Dead: Rituals andprayers for Ancient Egyptians after death.
Catacombsof Priscilla, 2nd and 3rd centuries CE.Burialsites for Pagan Romans, Jews, and Christians that shows cross-culturalinfluences in early Christian Art.
RothkoChapel, 1966–71, Houston, Texas.

Intended as a universallyspiritual space.

Flintdepicting a crocodile canoe with passegers, 600–900 CE MayanAlignswith stars in the Milky Way on August 13, the date of creation in the Mayancalendar

Calendarstone (Sun Stone), late postclassic. Basalt, AztecFeaturescalendar for a 20-day month, squares around the central skull depict theprevious ways the world was thought to end



MuhammadMahdi al-Yazdi, Astrolabe, instrument formeasuring the placement of the stars



Detailof cleaning of the figure of Christ from Michelangelo, The Last Judgment,1990–94, west wall, Sistine Chapel.Pigmentsamples were used to determine the original colors. Restoration took 9 years.



JasperJohns, Flag, 1965.Afterimageeffect.



SalvadorDalí, Persistenceof Memory, 1931. Oil on canvas. Surrealism. Ideas of the subconscious and Freudian psychology.



GeorgeGower, ElizabethI(known as the ArmadaPortrait), 1588. Oil on panelVerycontrolled, idealized image of Elizabeh I as “The Virgin Queen.”



ColossalHead, Olmec, 1500–1300 BCE. Basalt17known heads. Some buried. Some have been attacked and mutilated.



Akhenaten, Nefertiti, and three daughters,c. 1353–1335BCE. Limestone, sunken reliefAmarnaperiod when Akhenaten tried to make Egypt monotheistic and change the art style



Stelaof Hammurabi, c.1792–1750 BCE.Diorite, 88⅝ × 25⅝”.Carvedwith a standardized law code with consequences for specific crimes.“Aneye for an eye, a tooth for a tooth.”



TimothyO’Sullivan, Harvestof Death, Gettysburg, Pennsylvania, July 1863.Integrityof the photographs is now in question because O’Sullivan rearranged corpsesTheAmerican Civil War was the first to have widespread photo coverage in UShistory



Tula warriorcolumns, 900–1000 CE.Basalt, 15–20’ high.Imposing.Shows the armor of the


warriors



Detailof Battle of Hastings, BayeuxTapestry, c. 1066–82. Linen with wool, 275’long. Williamthe Conqueror becomes the ruler of France and England. Depictions of armor andweaponry.



NightAttack on the Sanjo Palace, from Heiji Monogatari, Kamakura period, late 13thcentury. Storyof war. Shows armor and weaponry. Isometric perspective.



OttoDix, TheWar, 1929–32. Oil and tempera on wood, 6’8⅜” × 13’4¾”. Dix had to fight in World War I. Uses the format of a religioustriptych to make a statement about war.



Nick Ut,Vietnamese Girl Kim Phuc Running after Napalm Attack, June 8, 1972. PhotographNick Utrushed the girl to the hospital and took care of her later.



PabloPicasso, Guernica, 1937. Oil on canvas. Paintedin response to a fascist bombing of a Spanish-Basque town. Learnedabout the events via newspapers.



Photograph of the Nazi-curated traveling exhibition “Degenerate Art” (“Enkartete Kunst”) 1937Confiscated Dada, expressionist,and Avant Garde art



DiegoVelázquez,The Toilet of Venus (Rokeby Venus), 1647–51. Oil on canvasAttackedby Suffragette Mary Richardson in 1914



MayaLin, Vietnam Veterans Memorial, Washington, D.C., 1981–3. Granite.Sitespecific: branches point to Lincoln and Washington Memorials. Originallycontroversial.



Womanfrom Willendorf, c. 24,000–22,000 BCE. Limestone, 4⅜” high. Truepurpose unknown: theories varied.Originallycalled the Venus of Willendorf



Titian, Venus of Urbino, 1538. Oil on canvas. Coy, inviting, reclining nude that suggests it is


acceptable tolook at her.



Édouard Manet, Olympia, 1863. Oil on canvas.Borrowing from Titian’s Venus of Urbino in pose and imagery, but withoutthe disguise of allegory.



CindySherman, UntitledFilm Still #35, 1979. Black and white photographImaginarystills of archetypical female roles in films.



GuerrillaGirls, DoWomen Have to be Naked to get into the Met. Museum?, 1989. PosterFeministand Institutional critique.



FridaKahlo, TheTwo Fridas, 1939. Oil on canvasExamination of personal identity



Sphinxof Hatshepsut, 18th Dynasty, 1479–1458 BCE. Granite and paint.Afemale ruler who used masculine or ambiguous presentation to enforce her rule.