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74 Cards in this Set
- Front
- Back
Line |
Is thought of as a moving dot or path of a moving point |
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Countour line. |
Created by the edge of things |
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Implied line |
A discountinuous line that is completed by the viewer |
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Psyschological line |
A line created by perceptual connection.( Ex. When a carracter is pointing at somthing.) |
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Modeling |
The creation of illusion of roudness with third dimension throught light and shadow. |
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Stippling |
The use of a pattern of dots that thickens and thins |
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Hatching |
Using a series of closely spaced parallel lines to achieve shading |
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Cross hatching |
A series of lines that run in a different direction and cross one another. |
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Actual mass |
Occupies three dimensional space has measurable volume and wiegh. |
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Implied mass |
Creates the illusion of processing volume, having wiegh |
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Geometric shapes |
Regular and precise, have an unnatural mathematical appearance. |
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Organic shapes |
Resembles organism found in nature |
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Biomorphic |
Shapes that are not forced into nature. |
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Amorphous |
Without a clearly defiend shape or form. |
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Positive shapes |
The object that the viewer focuses on |
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Negative shapes |
The empty space. left over the piece. |
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Figure ground |
The relationship between the positive and negative shapes in a piece |
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Figure ground reversals |
When positive and negative shapes in a piece can be reversed or are ambiguouse. |
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Curvilinear |
Contianed by or consisting of a curved line or lines |
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Rectilinear |
Contained by, consisting of, or moving in a stright line or lines. |
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Light |
Light enables us to see lines, shape and texture, as well as the visible spectrum through wavelengths of energy that we reconize through color. |
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Value |
-the vale of color of a surface is its light and darkness. |
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Chiaroscuro |
The gradual shifting from light to dark through a successive gradation of tones across a curved surface. |
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Color |
-Language connects emotion with color. -color can trigger emotional response in the observer. |
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Additive color |
Mixing light |
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Subtractive color |
Mixing pigments |
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Primary colors |
Color that can not be derived from mixing the othe color light. -red -yellow -blue |
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Secondary color |
Created by mixing two primary colors -orange -green -violet |
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Tretiaty color |
Created by mixing a primary and secondary color |
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Hue |
A term for the family of color |
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Cool colors |
green-blue |
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Warm colors |
yellow-orange-red |
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Saturation |
The purness of the color. |
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Shades |
Adding black to the hue |
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Tint |
Adding white to the hue |
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Analogous colors |
Hues that lie next to eachother on the color wheel |
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Complementary color |
Colors that lie directly across from one another on the color wheel |
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Local color |
The hue of an object as created by the colorrs its surface reflects under normal lighting conditions. |
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Optical color |
Our perceptions of color, which can vary with lighting conditions. |
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Color symbolism |
The symbol and meaning of colors are cultural specific |
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Impasto |
A thick buildup of paint on the surface of the canvas. |
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Actual texture |
Is textile, texture you can touch. |
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Visual texture |
Simulated texture. It looks like a texture but cant really be felt |
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Subversive texture |
Texture chosen or created by the artist to subvert or undermine our idea about the objects they depict. |
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Trompe L'oeil |
"Trick the eye" |
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Space |
Objects exists in a three dimensional space |
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Overlapping |
This creates depth in a object |
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Spatial devices (ways to creat illusion of space) |
Overlapping objects |
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Implied (illustion of)space |
3d sculptures 2d paintings |
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Atmospheric prespective. |
Method of creating the illusion of depth, or recession in a painting by drawing or modulating colour to simulat changes affected by the atmosphere of the colors that is seen in a distance. |
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One point perspective |
When parallel lines in a picture come together at one point, the vanishing point on the horizon line. |
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Tow point perspective |
When parallel lines in a picture come together at 2 diffrent points on the horizon line. |
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Actual mothion kenetic art |
Art that moves |
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Implied motion |
A motion has all ready happend |
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Illusion of motion |
Mothion is happening right now |
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Op art |
is based on creating optical sensation of movement throught the repetition and manipulation of color, shape, and line. |
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After image |
When we look at the color for a long periond of time and then look away you may breifly see the opposite color due to fatigue of the cornea in the eyes. |
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Visual unity |
Art work thaat is unified by color, shape, composition or some other visual design principle . |
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Visual verity |
Diffrence |
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Design or composition |
The act of organizing the visual elemente to effect a diserd aestgis on a work of art. |
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Actual balance |
means that the piece of art is literally balanced it can stand up right on its own |
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Pictorial balance |
Refers to the distribution of the apparent or visual weigh of the elements in works that are basically 2d |
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Symmetrical balance |
Refers to a similarity of form or arrangment on either sides of an actual or imaginary dividing line or plane. |
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Asymmetrical balance |
Bith sides are not identical but they are different from eachother. |
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Radial balance |
Design elements radiate from the center point |
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Imbalance |
Creats shock and discomfort, also can be used to capture a sense of motion |
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Emphasis |
To intentionally focus the viers attention |
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Focal point |
A specific part of a art work that hold the viewers attention |
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Rhythm |
The orderly repition or progression of the visual elements of a work of art |
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Scale |
Refers to size |
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Hierarchical scaling |
Used to indicate importance, the bigger the better |
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Golden rectangle |
A rectangle based on the measurments of the golden rectangle |
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Golden mean or section |
The small part of work should relate to a larger part of the work as the larger part relates to the whole. |
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The cannon of porportions |
A set of rules of your body parts and dimensions relatively to one another that became a standard for creating the ideal figure. |