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20 Cards in this Set
- Front
- Back
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SirCharles Barry (with A.W.N. Pugin) |
Housesof Parliament (London, 1840-65) Gothic revival |
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A.W.N.Pugin |
cabinet Gothic revival |
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PhilipWebb |
RedHouse (Kent, UK; 1859; exterior and interior) |
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EdwardBurne-Jones with Philip Webb for William Morris |
Wardrobe (1858-9) |
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JamesMcNeill Whistler |
thePeacock Room (Washington DC (1876-7) |
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LouisComfort Tiffany |
Lamp (1880) |
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Charlesand Henry Greene |
TheGamble House (Pasadena, CA; 1907-8) |
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FrankLloyd Wright |
RobieHouse (Chicago, 1908-10) |
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Victor Horta |
Tassel House (Brussels, 1892-93) Art nouveau |
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OttoWagner |
Karlsplatz Station (Vienna, 1898-9)Post Office Savings Bank (Vienna,1904-6) |
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J.M.Olbrich |
VienneseSecession Building (Vienna, 1897-8) |
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JosefHoffmann |
Palais Stoclet (Brussels, 1905-11), view of exterior, dining room, and bathroom |
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AntonioGaudí |
LaSagrada Familia (Church of the Holy Family, 1883-1926; to present) |
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JohnRuskin |
The Seven Lamps ofArchitecture (1849) TheStones of Venice (1851-3) |
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William Morris |
Was an English textile designer British Arts and Crafts movement |
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vernacular design |
Designed based on local needs, availability of construction materials and reflecting local traditions. |
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Gesamtkunstwerk |
a work of art that makes use of all or many art forms or strives to do so. Total work of art |
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stick style |
Linear "stickwork" (overlay board strips) on the outside walls to mimic an exposed half-timbered frame late-19th-century American architectural style |
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Art Nouveau |
inspired by natural forms and structures, not only in flowers and plants, but also in curved lines. |
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the whiplash motif |
"whiplash" is frequently applied to the characteristic curves employed by Art Nouveau artists. |
