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21 Cards in this Set
- Front
- Back
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El Greco - gaunt religious themes, spooky |
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Frans Hals - Dutch Baroque - close up candid shots, realism |
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Diego Velazquez - static/monumental compositions with figures, darker than Hals |
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Francisco Goya - very loose brush work and exaggerated gestures to relay drama |
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Eugene Delacroix |
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Joseph Mallord William Turner |
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Theodore Rousseau - keyhole type of landscape (light in back - differ from Courbet which is even tone) - greater depth created with palette |
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Jean Auguste Dominique Ingres - formal portraits, exotic themes, religious - idealized and neo-classical - differs from Cabanel - not as crisp |
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Gustav Courbet - realism of urban settings (not lovely like Pissarro) - landscapes are not highly contrasted, quite dark |
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Honore Daumier - loose brushwork of everyday working class life - caricature, realism, interest in humanism (despair), not dramatic |
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Utagawa Hiroshige - Udo style but interest in nature |
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Constantin Guys - illustrations and watercolours that are highly reduced but focus on texture rather than identity to get idea of atmosphere |
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Alexandre Cabanel - highly academic art, based on commissions - idealized portraits, historical and religious works - dramatic hair in religious scenes and gestures (differ from Ingres) |
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Edouard Manet - flat with dark outlines dark and muted palette - attention to the gaze of the viewer and subject |
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Berthe Morisot - bright colours and loose brushwork with little lineation and more blending (compared to Renoir) - paints women, little focus on facial features |
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Claude Monet - similar to Morisot but never paints faces, there is a greater interest in the landscape - movement with loose brush stroke |
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Pierre Auguste Renoir - lavish, elegant depiction of nature in rural and city life (contrast Degas) - bright colours with loose brush strokes |
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Edgar Degas - interest in human anatomy, activity and movement (dancers, horseback) - not lavish/plentiful landscape or figures (very realistic level) but stylized (reduction) but still bourgeois |
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Camille Pissarro - rural lovely life - loose brushstroke similar to Renoir and Morisot but flatter (see pre to Cezanne) |
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Paul Cezanne - very flat, heavy outline to contour bold colour blocks - static - nature, still life and people (except the Murder) |
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Utagawa Kuniaki - Udo style but interest in human activity |
