Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
132 Cards in this Set
- Front
- Back
Absolute
|
An expression of certainty without exception or qualification
|
|
Ad hominum
|
An argument attacking an individual's character
|
|
Allegory
|
A narrative or a description having a second meaning beneath the surface one
|
|
Alliteration
|
The repetition at close intervals of initial sounds in successive or neighboring words or syllables
|
|
Allusion
|
An indirect reference to something familiar
|
|
Amphibrach
|
A trisyllabic foot: ~ / ~
|
|
Ambiguity
|
A vague-ness of meaning
|
|
Anachronism
|
Assignment of something to a time when it was not in existence
|
|
Anapest
|
A trisyllabic foot: ~ ~ /
|
|
Antecedent
|
A word, phrase, or clause that is replaced later with a pronoun
|
|
Analogy
|
A comparison between two different things
|
|
Anaphora
|
Repetition of a word, phrase, or clause at the beginning of two or more sentences in a row
|
|
Anecdote
|
A brief personal recounting of a relevant episode
|
|
Antithesis
|
A balancing of two opposite or contrasting words, phrases, or clauses
|
|
Aphorism
|
A concise statement which expresses a general truth or idea
|
|
Apostrophe
|
An address to a person or personified object not present
|
|
Archetype
|
An abstract or ideal conception of a type
|
|
Assonance
|
The repetition of a vowel sound within two or more words in close proximity
|
|
Asyndeton
|
A series of words separated by commas
|
|
Ballad
|
A simple narrative verse that tells a story that is sung or recited
|
|
Blank Verse
|
The verse form that most resembles common speech
|
|
Cacophony
|
The deliberate use of harsh, awkward sounds
|
|
Caesura
|
A pause in a line of verse
|
|
Chiasmus
|
A statement consisting of two parallel parts in which the second part is structurally reverse
|
|
Colloquialism
|
Informal words or expressions not usually acceptable in formal writing
|
|
Conceit
|
A fanciful, particularly clever extended metaphor
|
|
Concrete Language
|
Language that describes specific, observable things, people or places, rather than ideas or qualities
|
|
Connotation
|
The associations affiliated with a word
|
|
Consonance
|
Repetition of a consonant sound within two or more words in close proximity
|
|
Couplet
|
A pair of lines that end in rhyme
|
|
Dactyl
|
A trisyllabic foot: / / ~
|
|
Denotation
|
The dictionary definition of a word
|
|
Denoument
|
The resolution that occurs at the end of a play or a work of fiction
|
|
Deus ex machina
|
The use of an artificial device or gimmick to solve a problem
|
|
Diction
|
Word choice, particularly as an element of style
|
|
Didactic
|
Something which has as its primary purpose to teach or instruct
|
|
Dimeter
|
Two metrical feet per line of poetry
|
|
Dramatic Irony
|
When the reader is aware of an inconsistency between a character's perception of a situation and the truth of that situation
|
|
Dramatic Monologue
|
A poem that contains words that a character speaks to a particular audience
|
|
Elegy
|
A formal sustained poem lamenting the death of a particular person
|
|
Ellipsis
|
The omission of a word or phrase which is grammatically necessary but can be deduced from the context
|
|
Enjambment
|
The continuation of a sentence from one line or couplet of a poem to the next
|
|
Epic
|
A poem that celebrates, in a continuous narrative, the achievements of mighty heroes and heroines
|
|
Epigram
|
A concise but ingenious, witty and thoughtful statement
|
|
Epiphany
|
A major character's moment of realization or awareness
|
|
Epistolary
|
A genre in which the story is told through the use of letters
|
|
Euphemism
|
An indirect, less offensive way of saying something that is considered unpleasant
|
|
Euphony
|
Pleasing, harmonious sounds
|
|
Fable
|
A legend or short moral story often using animals as characters
|
|
Foil
|
A character whose traits are the opposite of another
|
|
Foot
|
The basic rhythmic unit into which a line of verse can be divided
|
|
Foreshadowing
|
To hint at or to present an indication of the future beforehand
|
|
Free Verse
|
A kind of poetry without rhymed lines, rhythm, or fixed metrical feet
|
|
Frame
|
A structure that provides premise of setting for a narratrive
|
|
Genre
|
A major category or type of literature
|
|
Hamartia
|
An error in judgment resulting from a defect in the character
|
|
Heptameter
|
Seven metrical feet per line of poetry
|
|
Hexameter
|
Six metrical feet per line of poetry
|
|
Hubris
|
Overwhelming pride or insolence that results in the misfortune of the protagonist of a tragedy
|
|
Hyperbole
|
A conscious exaggeration used to heighten effect
|
|
Iamb
|
A disyllabic foot: ~ /
|
|
Idiom
|
A common expression that has acquired a meaning that differs from its literal meaning
|
|
Imagery
|
The use of concrete sensory details which contribute to the themes or ideas of a work
|
|
In media res
|
A narrative that starts not at the beginning of events
|
|
Invective
|
An intensely vehement, highly emotional verbal attack
|
|
Irony
|
When a reader is aware of a reality that differs from a character's perception of reality
|
|
Jargon
|
Specialized or technical language of a trade, profession, or similar group
|
|
Juxtapostion
|
The location of one thing as being adjacent with another
|
|
Litotes
|
A type of understatement in which something affirmative is expressed by negating its opposite
|
|
Lyric
|
Personal reflective poetry that reveals the speaker's thoughts and feeling about the subject
|
|
Kenning
|
A device in which the name of a thing is replace by one of its functions or qualities
|
|
Metaphor
|
A comparison of two things
|
|
Meter
|
The rhythmic pattern created in a line of verse
|
|
Metonymy
|
The designation of one thing with something closely associated with it
|
|
Mood
|
An atmosphere created by a writer's diction, syntax, and the details selected
|
|
Motif
|
A frequently recurrent character, incident, theme, or concept
|
|
Non sequitur
|
An inference that does not logically follow from the premise
|
|
Octometer
|
Eight metrical feet of poetry per line
|
|
Ode
|
A lyric poem usually marked by serious, respectful, and exalted feelings toward the subject
|
|
Onomatopoeia
|
A word formed from the imitation of natural sound
|
|
Oxymoron
|
A rhetorical antithesis
|
|
Parable
|
A story consisting of elements from which a moral or spiritual truth may be derived
|
|
Paradox
|
A seemingly contradictory statement or situation which is actually true
|
|
Parody
|
An imitation of a work meant to ridicule its style and subject
|
|
Pastoral
|
A work dealing with rural life
|
|
Pathos
|
The quality on a work that prompts the reader to feel pity or sorrow
|
|
Pedantic
|
Describing an excessive display of learning or scholarship
|
|
Pentameter
|
Five metrical feet in one line of poetry per line
|
|
Persona
|
A fictional voice
|
|
Personification
|
Figurative language in which inanimate objects, animals, ideas, or abstractions are endowed with human traits or forms
|
|
Point of View
|
The perspective from which a fictional or nonfictional story is told
|
|
Polysyndeton
|
Sentence which uses "and" or another conjunction, with no commas, to separate items in a series
|
|
Prose
|
A piece of literature not written in verse
|
|
Protagonist
|
The main character in a work of literature
|
|
Quatrain
|
A four-line poem or a four-line unit of a longer poem
|
|
Refrain
|
A phrase or group of lines that is repeated at significant moments within a poem
|
|
Rhetorical Question
|
A question that is asked not to elicit a response but to make an impact or call attention to something
|
|
Rhyme
|
The repetition of similar sounds at regular intervals
|
|
Rhythm
|
The pattern of stressed and unstressed syllables that make up a line of poetry
|
|
Sarcasm
|
Harsh, cutting language designed to ridicule
|
|
Satire
|
The use of humor to emphasize human weaknesses or imperfections in social institutions
|
|
Scansion
|
The process of analyzing the number and type of feet in a line of poetry
|
|
Sestet
|
The last six lines of an Italian sonnet
|
|
Sestina
|
Six six-line stanzas followed by a three-line stanza
|
|
Setting
|
Locale and period in which the action takes place
|
|
Simile
|
A figurative comparison of two things using "like," "as," or "then"
|
|
Soliloquy
|
When a character in a play speaks his thoughts aloud
|
|
Sonnet
|
A form of verse usually consisting of three four-line units called quatrains and a concluding couplets
|
|
Spondee
|
A disyllabic foot: / /
|
|
Stanza
|
A line or distinct group of lines separated from other segments
|
|
Stream of Consciousness
|
A technique of writing that undertakes to reproduce the raw flow of consciousness
|
|
Style
|
The choices in diction, tone, and syntax that a writer makes
|
|
Syllepsis
|
The linking of one work with two other words in two strikingly different ways
|
|
Syllogism
|
A logical argument in which a conclusion is based on a major premise and a minor premise
|
|
Symbol
|
A thing, event, or person that represents or stands for some idea of event
|
|
Synecdoche
|
The use of one part of an object to represent the whole object
|
|
Syntax
|
The manner in which words are arranged by a writer into sentences
|
|
Tautology
|
Needless repetition which adds no meaning or understanding
|
|
Tercet
|
A group of three lines, often bearing a single rhyme
|
|
Terza rima
|
A system of interlaced tercets linked by common rhymes
|
|
Tetrameter
|
Four metrical feet per line of percent
|
|
Theme
|
A central idea of a work
|
|
Tone
|
A writer's attitude toward his or her subject matter revealed through diction, figurative language, and organization
|
|
Tragedy
|
The representations of serious actions which turn out disastrously
|
|
Tragic Flaw
|
Tragic error in judgment
|
|
Trocee
|
A disyllabic foot: / ~
|
|
Trope
|
A category of figures of speech that extend the literal meanings of words by inviting a comparison to other words, things, or ideas
|
|
Understatement
|
The deliberate representation of something as much less in magnitude than it really is
|
|
Verisimilitude
|
Similar to truth
|
|
Verse
|
A synonym of poetry
|
|
Villanelle
|
A French verse form calculated to appear simple and spontaneous but consisting of nineteen lines and a prescribed pattern of rhyme
|
|
Voice
|
The real or assumed personality used by a writer or speaker
|