• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/10

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

10 Cards in this Set

  • Front
  • Back
Petrarchan (Italian) Sonnet
A sonnet consisting of an octave and a sestet, all in iambic pentameter, with the
rhyme scheme abbaabba cdecde or abbaabba cdcdcd. The turn typically occurs between the octave and sestet, around
linen nine of the poem.
Protagonist
The main figure in a work of literature. A story’s plot hinges equally on the protagonist’s efforts to
realize his or her desires and to cope with failure if and when plans are thwarted and desires left unfulfilled.
Pun
A play on words that reveals different meanings in words that are similar or even identical.
Quatrain
A four-line stanza. Quatrains are the most popular stanzaic form in English poetry because they are
easily varied in meter, line length, and rhyme scheme.
Refrain
line or stanza that is repeated at regular intervals in a poem or song
Round Character
A character with complex, multifaceted characteristics. Round characters behave as real
people. For example, a round hero may suffer temptation, and a round villain may show compassion.
Run-On-Line
A line of poetry that, when read, does not come to a natural conclusion where the line breaks.
Satire
An artistic critique, sometimes heated, on some aspect of human immorality or absurdity.
Realism
A mode of literature in which the author depicts characters and scenarios that could occur in real life.
Unlike fantasy or surrealism, realism seeks to represent the world as it is.
Sestet
Six lines of poetry grouped together in a stanza or a unit of though, as in the Petrarchan sonnet where the
last six lines of the poem resolve the idea or question set up by the initial octave.