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100 Cards in this Set
- Front
- Back
ad misercordiam |
an appeal to the audience's sympathy - an attempt to persuade using hard-luck rather than reason "Oh, mom everyone in the class is going to the party. Do you want me to be left out?" |
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alliteration |
the repetition of accented consonant sounds to create an effect, rhythm, or emphasis |
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allusion |
a reference in literature to another work, history, mythology, pop culture, current events, or the Bible |
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ambiguity |
being facetious and intentionally unclear |
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anachronism |
an element in the story that is out of its time frame - can be used to create humor, or can be done due to lack of research on the author's part |
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analogy |
a comparison done with one confusing idea to one that is familiar in order to explain or clarify a concept or object or something that cannot be put into words two examples are similes and metaphors |
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analysis |
the process of examining the components of a literary work |
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anecdote |
a short often personal story used to emphasize a point, or to develop a character, theme, or inject humor |
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antagonist |
a character who functions as the resisting force to the goals of the protagonist |
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antecedent |
the word or phrase to which a pronoun refers |
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anticlimax |
an often disappointing and sudden end to an intense situation - "anticlimactic" |
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antihero |
a protagonist who carries the action of the literary piece but does not embody the classical characteristics of courage, strength and nobility ex: Holden Caulfield in The Catcher and the Rye |
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antithesis |
a concept that is directly opposed to a previously presented idea |
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aphorism |
a statement that expresses a general truth or moral principle |
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apostrophe |
a rhetorical figure of direct address to someone or something |
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apotheosis |
elevating someone or something to the level of a god |
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archetype |
a character, situation, or symbol that is familiar to people from all cultures because it occurs frequently in literature, myth, religion, or folklore |
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aside |
a short speech or remark made to the audience rather than to the other characters |
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assonance |
the repeated use of a vowel sound |
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attitude |
the author's feelings toward a topic he/she is writing about; often interchangeable with tone |
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aubade |
a poem or song about lovers who must leave one another in the early hours of the morning |
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ballad |
a song or poem passed down orally that tells a story that may be traced back to an incident from a legend or folklore; usually composed of quatrains and an "ABCB" rhyme scheme and a refrain |
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blank verse |
unrhymed poetry in iambic pentameter |
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cacophony |
harsh and discordant sounds, used for effect |
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carpe diem |
"seize the day", used in 16th and 17th century court poetry expresses the idea that you only go around once; refers to the modern saying that "life is not a dress rehearsal" |
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cartharsis |
emotional cleansing or feeling of relief |
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chiasmus |
the opposite of parallelism: "I like the idea; its execution, I don't" |
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colloquial |
of or relating to regional dialect |
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comic relief |
humor that provides a release of tension |
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conceit |
a far-fetched comparison between two seemingly unlike things: "Love is like an oil change" |
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connotation |
associations a word calls to mind - the more connotative the work is, the less objective its interpretation becomes |
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consonance |
same consonant sounds in words with different vowel sounds ex: work, stark, ark |
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conventional characters |
a character with traditional and expected traits ex: heroes are expected to be strong, brave, and adventurous |
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couplet |
two successive rhyming lines of the same number of syllables and matching cadence |
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denotation |
the dictionary or literal meaning of something |
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denoument |
the outcome or clarification at the end of a plot; the winding down from the climax to end |
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deus ex machina |
when the gods intervene at the end to resolve a seemingly impossible conflict; a cop-out ending |
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diction |
word choice intended for effect |
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didactic |
a piece that is intended to teach or moralize |
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distortion |
a exaggeration or stretching of the truth to achieve a desired effect |
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enjambment |
the running over of a sentence from one verse or stanza into the next |
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epigram |
a short, clever poem with a witty turn of thought |
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epigraph |
a brief quotation found at the beginning of a literary work, reflective of theme |
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epiphany |
a sudden flash of insight |
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epistolary novel |
a novel written in letter form - the writer does this to present varying first-person points of view and does not need a narrator |
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essay |
a short composition on a single topic expressing the view or interpretation of the writer on that topic; one of the oldest forms of prose |
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euphemism |
a nicer way to say something mean or offensive |
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euphony |
pleasant and harmonious sounds often achieved through the use of long vowels and some consonants |
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farce |
a kind of comedy that depends on exaggeration or improbable situations, physical disasters, and sexual inuendo |
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figurative language |
opposite of literal expression - uses figures of speech, appealing to one's senses |
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first person |
uses "I" and is a limited point of view since the character can relate only events that he/she is told about or experiences |
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flashback |
interruption of a narrative by the introduction of an earlier event by an image of a past experience |
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flat character |
a simple, one-dimensional character who remains the same; not much is revealed about this character and he/she may serve as symbols for stereotypes ex: Tom Buchanan |
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foil |
a character whose contrasting personal characteristics draw attention to, enhance, or contrast with those of the main character |
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foreshadowing |
hinting at what is to come; sometimes noticeable only in hindsight, but usually obvious enough to make the audience wonder |
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free-verse |
poetry that has no regular rhyme or rhythm |
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genre |
the category into which a piece of writing is classified |
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heroic couplet |
a couplet written in iambic pentameter |
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hubris |
excessive pride, insolence, or arrogance in Greek mythology, hubris is usually the tragic flaw that leads to the protagonist's downfall |
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hyperbole |
an extreme exaggeration that is not meant to be interpreted literally |
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iambic petameter |
five-foot line made up of unaccented, accented syllable - also the most common foot found in English-language poetry |
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imagery |
anything that affects or appeals to the readers senses |
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in media res |
in the middle of things |
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interior monologue |
reveals a character's unspoken thoughts and feelings; may be presented directly by the character or through a narrator |
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internal rhyme |
a rhyme that is within the line, rather than at the end; it may also be within two lines |
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litotes |
affirmation of an idea by using a negative understatement - it is the opposite of hyperbole ex: "she is no saint" |
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lyric poem |
a fairly short, emotionally expressive poem that expresses the feelings of a single speaker |
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metamorphosis |
a radical change in a character, either physical or emotional |
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metaphor |
a figure of speech which compares two dissimilar things asserting one IS another thing |
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meter |
the rhythmical pattern of a poem |
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meter - iamb |
unstressed, stressed opposite of trochee |
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meter - trochee |
stressed, unstressed opposite of iamb |
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meter - anapest |
unstressed, unstressed, stressed opposite of dactyl |
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meter - dactyl |
stressed, unstressed, unstressed - like a waltz opposite of anapest |
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metonymy |
figure of speech that replaces the name of something closely associated with it ex: "the White House" instead of "the president" |
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myth |
a story, usually with supernatural significance, that explains the origins of gods, heroes, or natural phenomena. |
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narrative poem |
a poem that tells a story |
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near, off, or slant rhyme |
a rhyme based on an imperfect or incomplete correspondence of end syllable sounds |
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onomatopoeia |
words that imitate sounds |
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refrain |
repetition of a line, stanza, or phrase |
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repetition |
a word or phrase used more than once to emphasize an idea |
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rhetorical question |
a question with an obvious answer so no response is expected |
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satire |
the use of humor to ridicule and expose the shortcomings and failings of society |
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sestet |
a six-line stanza of poetry |
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shift |
in writing, a movement from one thought or idea to another |
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simile |
a comparison of unlike things using "like", "as", or "so" |
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soliloquy |
a character's speech to the audience, in which emotions and ideas are revealed; a monologue is only a soliloquy if the character is alone on stage |
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Shakespearean Sonnet |
(also English and Elizabethan sonnet) -14 line poem -iambic pentameter -abab, cdcd, efef, gg -three quatrains and one heroic couplet -four stanzas -the last two lines usually sum up the poem or resolves the situation |
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Petrarchan Sonnet |
(also Italian Sonnet, which was invented by the Petrarchans) - 14 line poem - abba abba, cdecde (or cdcdcd) - two stanzas - one octave and one sestet |
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stanza |
a grouping of poetic lines |
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stock character |
a stereotypical character, similar to conventional character and flat character |
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stream of consciousness |
a form of writing which replicates the way the human mind works - ideas are often presented in a random order and thoughts are often unfinished |
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structure |
the particular way in which parts of a written work are combined |
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style |
the way a writer uses language - the writer's voice |
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symbol |
a concrete object, scene, or action which has a deeper significance due to its association with something else |
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synecdoche |
a figure of speech where one part represents the whole or vice versa
ex: "All hands on deck", "Lend me you ears" |
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syntax |
word order |
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theme |
the central idea of a literary work |
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tone |
refers to the author's attitude toward the subject, and often sets the mood for the piece |
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tongue in cheek |
expressing a thought in a way that appears to be sincere but is actually joking |