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42 Cards in this Set
- Front
- Back
Anecdote |
A brief story or tale told by a character in a piece of literature |
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Perspective |
A character's view of the situation or events in the story |
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Aphorism |
A concise statement designed to make a point or illustrate a commonly held belief. The writings of Benjamin Franklin contain many aphorisms, such as "Early to bed and early to rise/Make a man healthy, wealthy and wise." |
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Contradiction |
A direct opposition between things compared; inconsistency. |
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Oxymoron |
A figure of speech that combines two apparently contradictory elements, as in "jumbo shrimp" or "deafening silence." |
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Allusion |
A figure of speech which makes brief, even casual reference to a historical or literary figure, event, or object to create a resonance in the reader or to apply, a symbolic meaning to the character or object which the allusion consists. For example, in John Steinbeck's Of Mice and Men, the surname of of the protagonist George Milton, is an allusion to John Milton author of Paradise Lost, since by the end of the novel, George has lost the dream of having a little ranch of his own to share with his friend Lennie. |
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Syllogism |
A form of deduction. An extremely subtle, sophisticated, or deceptive argument. |
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Satire |
A literary style used to make fun or ridicule an idea or human vice or weakness. |
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Bildungsroman |
A novel or story whose theme is the moral or psychological growth of the main character. |
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Foil |
A person or thing that makes another seem better by contrast. |
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Epistolary |
A piece of literature contained in or carried on by letters. |
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Epitaph |
A piece of writing in praise of a deceased person. |
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Parody |
A satirical imitation of a work of art fro purpose of ridiculing its style or subject. |
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Delayed Sentence |
A sentence that withholds its main idea until the end. For example: Just as he bent to tie his shoe, a car hit him. |
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Sarcasm |
A sharp caustic remark. A form of verbal irony in which apparent praise is actually bitterly or harshly critical. For example, a coach saying to a player who misses the ball, "Nice catch." |
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Expletive |
A single word or short phrase intended to emphasize surrounding words. Commonly, expletives are set off by commas. Examples: in fact, of course, after all, certainly. |
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Irony |
A situation or statement characterized by significant difference between what is expected or understood and what actually happens or is meant. Irony is frequently humorous, and can be sarcastic when using words to imply the opposite of what they normally mean. |
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Eulogy |
A speech or writing in praise of a person or thing; an oration in honor of a deceased person. |
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Paradox |
A statement that seems contradictory, but is actually true. |
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Epiphany |
A sudden or intuitive insight or perception into the reality or essential meaning of something usually brought on by a simple or common occurrence or experience. |
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Onomatopoeia |
A word capturing or approximating the sound of what it describes, such as buzz or hiss. |
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Diction |
An author's choice of words to convey tone or effect. |
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Utopia |
An imaginary place of ideal perfection. The opposite of a dystopia (an imaginary place where people live dehumanized, often fearful lives). |
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Hyperbole |
An overstatement characterized by exaggerated language. |
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Deus ex machina |
As in Greek theater, use of an artificial device or contrived solution to solve a difficult situation, usually introduced suddenly and unexpectedly. |
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Antagonist |
Character or force in a literary work that opposes the main character, or protagonist. |
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Analogy |
Comparison of two things that are alike in some respects. Metaphors and similes are both types of analogy. |
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Inductive |
Conclusion or type of reasoning whereby observation or information about a part of a class is applied to the class as a whole. Contrast with deductive. |
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Nostalgia |
Desire to return in thought or fact to a former time. |
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Chiasmus |
Figure of speech by which the order of the terms in the first of parallel clauses is reversed in the second. "Has the Church failed mankind, or has mankind failed the Church?" T.S. Eliot |
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Thesis |
Focus statement of an essay; premise statement upon which the point of view or discussion in the essay is based. |
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Litote |
Form of understatement in which the negative of the contrary is used to achieve emphasis and intensity. For example, "she is not a bad cook." Or, "No man ever followed his genius until it missed him." Thoreau |
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Doppelganger |
Ghostly counterpart of a living person or an alter ego. |
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Zeugma |
Grammatically correct linkage of one subject verb with two or more verbs or a verb with two or more direct objects. The linking shows a relationship between ideas more clearly. Example: "Roy lost his shoe and his temper." |
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Ethos |
In dramatic literature, the moral element that determines a character's actions, rather than thought or emotion. |
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Propaganda |
Information or rumor deliberately spread to help or harm a person, group, or institution. |
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Didactic |
Intended for teaching or to teach a moral lesson. |
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Formal Language |
Language that is lofty, dignified, or impersonal. |
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Allegory |
Narrative form in which characters and actions have meanings outside themselves: characters are usually personifications of abstract qualities. |
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Abstract |
Not related to the concrete properties of an object; pertaining to ideas, concepts, or qualities, as opposed to physical attributes. |
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Apostrophe |
A figure of speech in which a person, thing, or abstract quality is addressed as if present; for example, the invocation to the muses usually found in epic poetry. |
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In media res |
Opening a story in the middle of the action, requiring filling in past details by exposition or flashback. |