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46 Cards in this Set
- Front
- Back
ARTICULATION |
The clear and precise pronounciation of words |
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APRON |
the acting area of the stage that extends beyond the proscenium |
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ARENA STAGE |
a performance space in which the audience sits all around the stage; sometimes called in-the-round |
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DOWN STAGE |
the stage area toward the audience (closest to the audience) |
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HOUSE |
the auditorium, or the area where the audience sits |
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PRODUCTION CONCEPT |
how the play should look and feel |
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PROSCENIUM STAGE |
a performance space in which the audience views the action as if through a picture frame |
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STAGE MANAGER |
the director’s technical liaison backstage during rehearsals and performance |
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SCENERY |
onstage decoration to help establish the time and place of a play |
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THRUST STAGE |
a combination of proscenium and the arena stages, with the audience sitting on two or three sides of the acting area |
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UPSTAGE |
the stage area away from the audience (farthest from audience) |
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ARTICULATORS |
The parts of the bodythat create constant sounds |
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GESTURE |
An expressive movement of the body or limbs |
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IMPROVISE |
To speak or act without a script |
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INFLECTION |
variety in speech |
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PANTOMIME |
To act without words through facial expression and gesture |
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PROJECT |
To make your voice fill the performance space |
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RESONANCE |
A quality caused by vibration that enriches vocal tone |
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RESONATORS |
The parts of the body that create vowel sounds |
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SCRIPT |
The text of a play |
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BEAT |
small section of a scene, divided where a shift in emotion or topic occurs |
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COLD READING |
auditioning with a script that you have not had the opportunity to read before the audition |
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CROSS |
to move from one place onstage to another |
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FOCUS |
the intended point of interest onstage |
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MASTURE GESTURE |
a characteristic gesture |
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OPEN |
to keep your face and the front of your body visible to the audience as much as possible |
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SHARED POSITION |
a position onstage in which one actor mirrors another actors body position |
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SUBTEXT |
information that is implied but not stated by a character; thoughts or actions of a character that do not express the same meaning as the spoken words |
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UPSTAGE (VERB) |
to stand upstage of another actor on a proscenium stage, forcing the downstate actor to turn away from the audience to communicate with the upstage actor; stealing the focus of a scene |
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LEGS |
curtains used to masc the off stage areas |
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WINGS |
the area offstage to the right or left of the stage |
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CYCLORAMA |
a seamless piece of material used for design |
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FLY |
to rise or lower a piece of scenery |
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BATON |
a wood or metal beam on which lights or scenery is hung |
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RAKE |
the gradually raise of the stage or audience |
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SCRIM |
a drop that can be either transparent or opaque |
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DROP |
a cloth upon which scenery is painted |
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FLAT |
a wooden frame covered with cloth or wood |
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BOOK |
to hing two or three flats together |
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BLOCKING |
the actors movement on stage |
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STRIKE |
to remove something from the stage |
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FLOOR PLAN |
a drawing of the overview of the set |
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TEASER |
a flat or drape side piece to narrow the proscenium opening |
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TORMENTOR |
curtains or flats hung to adjust the stage opening |
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FRESNEL |
a light that provides a flood affect |
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ELIPSOIDAL REFLECTOR |
a light that provides a spot affect |