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148 Cards in this Set
- Front
- Back
AI |
Harmony or unification |
|
AI HANMI |
When both people have the same foot forward. |
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GYAKU HANMI |
When both practitioners have opposite feet forward. |
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AI NUKE |
Mutual escape. |
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AIKI |
Blending or harmony. |
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AIKIDO |
The way of harmony with KI. |
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AIKIDOKA |
A practitioner of Aikido. |
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AIKITOSHI |
Entering deeply and picking up ukes side leg. |
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ASHI |
Leg or foot. |
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ASHI SABAKI |
Footwork. |
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ATEMI |
Strike of blow to the body. |
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AWASE |
Partner practice. |
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AYUMI ASHI |
Crossing feet. The back foot slides up and becomes the front foot. |
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BO |
Wooden staff approximately 6' in length. |
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BOKKEN |
Wooden practice sword, used for suburi, that matches the approximate weight and shape of a real sword. (BUKUTO, KAISUBURITO, SUBURITO, HAKUSUBURITO, JIGGEN SUBURITO) |
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BUDO |
The martial way. |
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BUSHIDO |
The way of the warrior. |
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CHUDAN |
Middle level. |
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CHUKU TSUKI |
Straight punch. |
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CHUKUSEN |
Direct. Chukusen no irimi means direct entry. |
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CHUSHIN |
Center. |
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DAN |
Black belt rank. |
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DESHI |
Student or disciple. |
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DO |
A path, or way. In Japanese DO refers to any of several disciples designed to train practitioner in technical skills which have as their ultimate goal, the perfection of the character/spirit. |
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DOJO |
Literally, the place of the way. |
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DOJO CHO |
The Head of the dojo. |
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DOMO ARIGATO GOZAI MASHITA |
Thank you very much. |
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DOSHU |
Head of the way. |
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EMPI UCHI |
Elbow strike. |
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ERI |
Collar |
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FUKUSHIDOIN |
Assistant teacher |
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GEASHI (KAESHI) |
Outword turning movement. |
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GEDAN |
Lower level |
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GERI |
Kick |
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GI |
Training uniform (DO GI/KEIKO GI). |
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GIRI |
Cut |
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GOKYO |
Fifth pinning technique. |
|
HAI |
Yes |
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HAKAMA |
Pleated split skirt worn by practitioners of Kendo, Jujutsu, and Aikido. Also known as Joba Hakama. |
|
HANMI |
Half forward stance/triangular stance in which the upper body faces straight while the feet (one in front, one to the side) form a rough right angle. Hanmi often used interchangeably with Kamae. |
|
HANMI HANDACHI |
Position with Shite sitting and Uke standing. |
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HAPPO |
8 directions, as in Happo-Giri (8 direction cutting with Ken) |
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HARA |
One's center of mass. |
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HASSO NO KAMAE |
Figure 8 stance with either Jo or Ken at the side of the head. |
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HENKA WAZA |
Varied technique; beginning one technique and changing to another in mid execution. |
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HIDARI |
Left |
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HIJI SHIME |
Elbow lock |
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HIRIKI NO YOSEI |
Elbow power. |
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HITORI WAZA |
"Invisible partner practice. " |
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HOMBU DOJO |
A term used to refer to the central dojo of an organization. |
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IKKAJO / IKKYO |
First controlling technique of Aikido. Controlling the elbow (armpin). |
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IRIMI |
Entering |
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IRIMI NAGE |
Entering throw. |
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IRIMI TENKAN |
Enter and turn/tenkan. Sometimes called Tai Sabaki. |
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JUYU WAZA |
Free style practice. |
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JO |
A wooden short staff (4-5' long) used in Aikido. It is used as a a visible extension of one's technique and personality, as a weapon to be neutralized, or as an instrument of coordination. |
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JUJI |
Crossing of the hands. |
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JODAN |
Upper level/position. |
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JUJI GARAMI |
Cross shaped entanglement. |
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JUSHIN |
Balance, the center of gravity. |
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JYU WAZA |
Free style throwing. |
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KAESHI WAZA |
Countering or escaping techniques. |
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KAITEN |
Rotary (turning on the spot 180°, feet remaining in place) |
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KAMAE |
Stance/posture, either with or without a weapon, which reflects combative spirit. Often used interchangeably with Hanmi. Thus Hidari Hanmi is a left three quarter stance. Also used as a command. |
|
KAMIZA |
A small shrine, frequently located at the front of the dojo; the seat of honour. |
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KANJI |
Japanese or Chinese characters. |
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KENJUTSU |
Sword art / swordsmanship |
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KENSHO |
Enlightenment (see MUKOSO & SATORI) |
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KI |
Vital Force, unified energy of all one's mental, physical, and spiritual powers. |
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KI MUSUBI |
Connecting KI |
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KIAI |
A shout delivered for the purpose of focusing all ones energy. |
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KIHON VAZA/DOSA |
Basic techniques |
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KIRI |
Cut |
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KIRI OTOSHI |
Dropping cut. |
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KIRUTSU |
To stand at attention, heels together and toes at a 45 degree angle. A command. |
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KOHAI |
A student junior to onself. |
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KOHO KAITEN UKEMI |
Back rolling breakfalls. |
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KOHO UKEMI |
Back breakfalls. |
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KOKORO |
Heart or mind. |
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KOKYU |
Breath, a state of compatibility with the movements of UKE; "fitting in"; to go with the grain. |
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KOKYU DOSA |
A pinning technique using or developing your KI/breathing without using your strength. |
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KOKYU RYOKU |
Breath power. |
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KOKYU-HO |
Breath meditation; a special set of meditation techniques aimed at calming the spirit and establishing true KOKYU. |
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KOSHI |
The hips and/or lower back. |
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KOSHITA |
The back plate of the HAKAMA. |
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KOTE |
Small hand (run approx. from the base of the thumb to the middle of the forearm). |
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KOTE GAESHI |
Outward writ twist. |
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KUBI |
Neck |
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KUMIJO |
A short, two person exercise with the sword or BOKKEN. |
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KYU |
Belt colour (any rank below shodan) |
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KYUSHO POINTS |
Pressure points. |
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MA AI |
Proper distancing and/or timing. |
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MAE |
Front |
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MAE UKEMI |
Front/forward roll. |
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MARUI |
Circle/round; a principle in AIKIDO techniques. |
|
MIGI |
Right |
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MITSUBUSHI |
Strike to the eye with the back of the fist. |
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MOCHI |
To grasp or hold with the hands. |
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MUDANSHA |
Students without black belt ranking. |
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MUKUSO |
Meditation. |
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MUNE |
Chest |
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MUNE TORI |
Grasped lower Lapel. |
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NAGARE |
Flowing |
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NAGE |
To throw; The thrower in a technique (vs the UKE/receiver). |
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NANAME |
Diagonal or oblique. |
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NIKAJO/NIKKYO |
Second technique; Second control; Wrist in-turn. |
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NUKITSUKE |
Drawing the Sword. |
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O'SENSI |
Great Teacher; Morihei Ueshiba the Founder of Aikido is commonly refered to as O'Sensi. |
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OBI |
Belt of sash.
|
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OMOTE |
Front; also called SHOMEN. |
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ONEGAI SHIMASU |
I welcome you to train with me. |
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OSAE |
Press, push. To immobilize. |
|
OSAE WAZA |
Pinning techniques. |
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OTOSHI |
Drop |
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RANDORI |
Free style practice; all out training. |
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REI |
Bow |
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REI HO / REI GI |
Etiquette |
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RENRAKU |
Combination |
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RENSHU |
REN (repeat) SHU (learn) "Learn by repeating." |
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RIAI |
The interrelationship of principals. RIAI refers to the similarities in body movement, distancing, and timing involved in meeting an opponent; whether one is armed or empty handed. In a larger sense it also refers to the similarities in principles and goals of all the Japanese Ways. |
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ROKUDAN |
Sixth degree black belt. |
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RYOKATA TORI |
Both shoulders grasped. |
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RYOTE |
Both SHITE'S wrists grasped by UKE'S hands. |
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RYU |
The school or tradition of a special martial art. |
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SABAKI |
Movement |
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SAMURAI |
Warrior. In Japanese the term BUSHI is more frequently used. |
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SANDAN |
Third degree black belt. |
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SANKAJO / SANKYO |
Third technique; Third control; Wrist twist. |
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SANKAKU |
Triangle |
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SATORI |
Enlightenment; Spiritual awakening or realization. Term common in Zen Buddhism. |
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SAYA |
Scabbard |
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SAYU UNDO |
Left-right exercise. |
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SEIZA |
Kneeling/seated position; also used as a command to kneel. |
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SEMPAI |
Senior. The SEMPAI/KOHA (junior/senior) relationship is particularly important in Japanese culture and permeates all areas of life. Japanese people are always concious of whether people they meet are above or below them in social status in regards to their seniority. |
|
SENSEI |
Teacher or Instructor. |
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SEPPUKU |
Ritual suicide by self-disembowlment. |
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SETSU NIN TO |
The sword that kills. |
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SHIAI |
Contest / match / competition. Competition does not exist in Aikido except for the Tomiki Aikido. |
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SHICHIDAN |
Seventh degree black belt. |
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SHIDOIN |
A formal title meaning approximately 'instructor'. The middle of three instructor levels instituted by the AIKIKAI HOMBU DOJO in the mid-1970's; corresponds approximately to 4th and 5th degree black belts. the three instructor levels in ascending order are FUKU SHIDOIN, SHIDOIN, SHIHAN. |
|
SHIHAN |
A formal title meaning 'Mater Instructor'. Corresponds approximately to 6th degree black belt and above. |
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SHIHO NAGE |
Four direction throw. Technique where SHITE passes under UKE's arm, pivots 180 degrees and throws. This technique originally included a pin with the arm barred in SHIHO NAGE position to complete. |
|
SHIKKO |
Knee walking. A form of walking on the knees from a SEIZA position designed to improve balance, hip stability and prepare the student for executing SUWARIWAZA techniques. Samurai walking. |
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SHIME |
A lock. |
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SHINAI |
The mock weapon used in Kendo. The SHINAI is made of split lengths of bamboo tied together. |
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SHINKEN |
The live or sharpened steel sword. |
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SHINKENSHOBU |
Duel with live swords. |
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SHINTO |
The way of the Gods. The indigenous religion of Japan. |