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34 Cards in this Set
- Front
- Back
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Rona Pondick, Mouth, 1993 |
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Kiki Smith, Tale, 1992 |
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Kiki Smith, The Suffering Body, 1990 |
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Robert Gober, Untitled, 1991 |
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Matthew Barney, Cremaster Series, 1994-2002 Series of 5 films |
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Matthew Barney, DRILL TEAM, 1991 |
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Paul McCarthy, Painter, 1995 |
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Paul McCarthy, Tomato Head, 1994 |
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Mike Kelley, Ahh...Youth!, 1991 |
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Mike Kelley, More Love Hours than Could Ever Be Repaid, 1986 |
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Mike Kelley, Craft Morphology Flow Chart, 1991 |
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Mike Kelley, Educational Complex, 1995 |
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Tania Bruguera, Generic Capitalism, "Our Literal Speed" conference, 2009 |
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Rirkrit Tiravanija, Untitled (Free), 1992 |
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Rirkrit Tiravanija, Untitled (Tomorrow is Another Day), 1997 |
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Liam Gillick, "Discussion Bench Platforms," 2010 |
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Tino Sehgal, "The Progress," 2010 "What my work is about is, can something that is not an inanimate object be considered valuable?" |
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Santiago Sierra, "160cm Line Tattooed on 4 People," 2000 |
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Francis Stark, My Best Thing, 2011 |
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Ryan Trecartin, Center Jenny, 2013 |
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Martial Raysse, Etlage:Hygiene de la Vision, 1980 |
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Isa Genzken, Elefant, 2006 |
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Instead of industrial labor or construction (perhaps "masculine" notions of making - think minimalists), the new sculptors organize objects as mere arrangements. They home in on precisely those procedures that had been traditionally disqualifies as feminine: arranging, displaying, and decorating. |
Eh |
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Tom Burr, Movie Theater Seat in Box, 1997 |
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Carol Bove, Utopia or Oblivion, 2002 |
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Rachel Harrison, Nice Rack, 2006 |
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Urs Fischer, THEODORE / BERNICE / MAUREEN 2013 |
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Rashid Johnson, Souls of Black Folk, 2010 |
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Sophie Calle, Take Care of Yourself, 2007 |
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Christian Marclay, The Clock, 2010, 24 hrs |
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Christian Marclay, Tape Fall, 1989 |
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Justin Lowe & Jonah Freeman, Hello Meth Lab in the Sun, 2008 |
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Tom Sachs, 1972 Brave Winnebago, 2011-2012 |
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Tom Sachs, Space Program, 2007 |
