Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
25 Cards in this Set
- Front
- Back
fresco |
Painting on lime plaster, either dry or wet. |
|
citadel |
A fortress protecting a town, sometimes incorporating a castle. |
|
megaron |
The large reception hall and throne room in a Mycenaean palace, fronted by an open, two columned porch. |
|
cyclopean masonry |
A method of stone construction, named after the mystical Cyclopes, using massive, irregular blocks without mortar, characteristic of the Bronze Age fortifications of Tiryns and other Mycenaean sites. |
|
corbeled arch |
An arch formed by the piling of stone blocks in horizontal courses, cantilevered inward until the blocks meet at a keystone. |
|
relieving triangle |
In Mycenaean architecture, the triangular opening above the lintel that serves to lighten the weight to be carried by the lintel itself. |
|
tholos |
A temple with a circular plan. |
|
Archaic smile |
The smile that appears on all Archaic Greek statues, from about 570 BCE to 480 BCE. The smile is the Archaic sculptures way of indicating that the person portrayed is alive. |
|
cult statue |
The statue of a deity that stood in the cella of an ancient temple. |
|
Doric order |
One of the two systems invented in Ancient Greece for articulating the three units of the elevation of a classical building. Characterized by capitals with funnel-shaped echinuses, columns without bases. |
|
Ionic order |
One of the two systems invented in ancient Greece for articulating the three units of the elevation of a classical building. Characterized by volutes, capitals, columns with bases, and uninterrupted frieze. |
|
black-figure painting |
In early Greek pottery, the silhouetting of dark figures against a light background of natural, reddish clay, with linear details incised through the silhouetts |
|
red-figure painting |
In later Greek pottery, the silhouetting of red figures against a black background with painted linear details. |
|
kore (woman) |
An Archaic Greek statue of a young woman. |
|
kouros (man) |
An Archaic Greek statue of a young man. |
|
contrapposto |
The disposition of the human figure in which one part is turned in opposite to another part, creating a counter-positioning of the body about its central axis. |
|
lost-wax method |
A bronze casting method in which a figure is modeled in wax and covered with clay; the whole is fired, melting away the wax and hardening the clay, which then becomes a mold for molten metal. |
|
cella |
The chamber at the center of an ancient temple. |
|
Geometric Period |
The style of Greek art during the ninth and eighth centuries BCE, characterized by abstract geometric ornament and schematic figures. |
|
Archaic Period |
The artistic style of 600-480 BCE in Greece, characterized in part by the use of the composite view for painted and relief figures and of Egyptian stances for statues. |
|
Classical Period |
The art and culture of Ancient Greece between 480 and 323 BCE |
|
Hellenistic Period |
The term given to the art and culture of the roughly three centuries between the death of Alexander the Great in 323 BCE and the death of Queen Cleopatra in 30 BCE when Egypt became a royal province.
|
|
sack of Athens (480 BCE) |
The defeat of the Persian invaders of Greece by the Hellenic city-states. |
|
defeat of Persians (479 BCE) |
The Greeks won a decisive naval victory over the Persians at Salamis. |
|
Delian League |
An association of Greek city-states, members numbering between 150 to 173, under the leadership of Athens, whose purpose was to continue fighting the Persian Empire after the Greek victory in the Battle of Plataea at the end of the Second Persian invasion of Greece. |