Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
25 Cards in this Set
- Front
- Back
what was the french new wave
|
young filmmakers reacting against established commercial studio system
|
|
what was the first student filmmaking generation
|
french new wave
|
|
what was the french new wave critique on the system
|
- cinematically too conservative
- politically too conservative |
|
where did the new wave style come from
|
- oppositional policies (quesitoning rules)
- limited resources (had to use what they could get, became part of the aesthetics) |
|
how did fnw break cinematicrules
|
- hand held camera (from documentary)
- improvised plot and script - unconventional continuity editing |
|
why did fnw use hand held camera
|
- documentary = cinema verite, saying that they are capturing cinema truth
- brings documentary immediacy |
|
how were fnw films improvised
|
film becomes a community project, everyone pitches into to the final film idea
|
|
continuity editing?
|
shot progression ls ms cu
2 shot establishing shot shot reverse shot match action cut glance object cut //fades, dissolves |
|
400 blows fnw examples?
directed by? |
- improvised dialogue quesiton
- breaks with conventional continuity d. Francois Truffant |
|
breathless fnw examples?
directed by? |
- matchless cut (bg changing)
d. jean luc godard |
|
last year at marienbad fnw examples?
d. |
- flash cuts of recovered memories
d. Alian Renais |
|
french new wave AESTHETICS?
|
1. broke cinematic rules
2. redidication to realism 3. movie references 4. goal: return joy/experimentation to filmmaking 5. cinema as ideological provocation |
|
cleo from 5 to 7
how fnw/unconventional |
- what we make films about? (film about waiting
- non-actors |
|
movie references
examples? |
- tributes cinematic masters
- les mistons (sprinkler gets sprinkled)& day for night (citizen kane dream)d. Francois Truffaut |
|
eg of redidcation to realism
|
cleo 5 to 7: non-actors she passes on the street
|
|
small change
differences |
- children centered
- multiple protagonists - less linear structure - personal expression |
|
who wrote the book on hitchcock
|
truffaut
|
|
godard's project/goal?
|
connect cinema to life
|
|
godard's method
|
revolutionary attack on conventional filmmaking
|
|
godard's logic/reasoning for attacking conventional filmmaking
|
attack the studio system because it is capitalist
|
|
band of outsiders influence
|
- minute of silence: stops the sound
- dancing: stops the music, narration of what the people are thinking |
|
what was the movie that is all stills
|
la jetee
|
|
who did band of outsiders
|
jean luc godard
|
|
who did la jetee, what was it
|
chris marker
- whole movie is stills |
|
f new wave legacy
|
1. changes in continuity
2. worldwide cinematic experimentation 3. new american cinema |