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30 Cards in this Set
- Front
- Back
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Iamb
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A metrical foot of two syllables, one short (or unstressed) and one long (or stressed). There are four iambs in the line "Come live/ with me/ and be/ my love," from a poem by Christopher Marlowe. (The stressed syllables are in bold.) The iamb is the reverse of the trochee.
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Idyll, or Idyl
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Either a short poem depicting a peaceful, idealized country scene, or a long poem that tells a story about heroic deeds or extraordinary events set in the distant past. Idylls of the King, by Alfred Lord Tennyson, is about King Arthur and the Knights of the Round Table.
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Lay
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Lay
A long narrative poem, especially one that was sung by medieval minstrels called trouvères. The Lais of Marie de France are lays. |
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Limerick
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A light, humorous poem of five usually anapestic lines with the rhyme scheme of aabba.
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Lyric
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A poem, such as a sonnet or an ode, that expresses the thoughts and feelings of the poet. A lyric poem may resemble a song in form or style.
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Masculine rhyme
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A rhyme that occurs in a final stressed syllable: cat/hat, endow/vow, observe/deserve.
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Metaphor
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A figure of speech in which two things are compared, usually by saying one thing is another, or by substituting a more descriptive word for the more common or usual word that would be expected. Some examples of metaphors: the world's a stage, he was a lion in battle, drowning in debt, and a sea of troubles.
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Meter
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The arrangement of a line of poetry by the number of syllables and the rhythm of accented (or stressed) syllables.
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Metonymy
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A figure of speech in which one word is substituted for another with which it is closely associated. For example, in the expression The pen is mightier than the sword, the word pen is used for "the written word," and sword is used for "military power."
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Narrative
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Telling a story. Ballads, epics, and lays are different kinds of narrative poems.
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Ode
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A lyric poem that is serious and thoughtful in tone and has a very precise, formal structure. John Keats's "Ode on a Grecian Urn" is a famous example of this type of poem
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Ottava rima
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A type of poetry consisting of 10- or 11-syllable lines arranged in 8-line "octaves" with the rhyme scheme abababcc. An example of ottava rima is "Isabella," by John Keats.
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Pastoral
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A poem that depicts rural life in a peaceful, idealized way.
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Pentameter
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A line of poetry that has five metrical feet.
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Personification
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A figure of speech in which nonhuman things or abstract ideas are given human attributes: the sky is crying, dead leaves danced in the wind, blind justice.
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Quatrain
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A stanza or poem of four lines.
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Refrain
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A phrase, line, or group of lines that is repeated throughout a poem, usually after every stanza.
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Rhyme
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The occurrence of the same or similar sounds at the end of two or more words. When the rhyme occurs in a final stressed syllable, it is said to be masculine: cat/hat, behave/shave, observe/deserve. When the rhyme ends with one or more unstressed syllables, it is said to be feminine: vacation/sensation, reliable/viable. The pattern of rhyme in a stanza or poem is shown usually by using a different letter for each final sound. In a poem with an aabba rhyme scheme, the first, second, and fifth lines end in one sound, and the third and fourth lines end in another.
Rhyme royal |
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Rhyme royal
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A type of poetry consisting of stanzas of seven lines in iambic pentameter with the rhyme scheme ababbcc. Rhyme royal was an innovation introduced by Geoffrey Chaucer.
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Romanticism
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The principles and ideals of the Romantic movement in literature and the arts during the late 18th and early 19th centuries. Romanticism, which was a reaction to the classicism of the early 18th century, favored feeling over reason and placed great emphasis on the subjective, or personal, experience of the individual. Nature was also a major theme. The great English Romantic poets include Wordsworth, Coleridge, Byron, Shelley, and Keats.
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Scansion
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The analysis of a poem's meter. This is usually done by marking the stressed and unstressed syllables in each line and then, based on the pattern of the stresses, dividing the line into feet.
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Senryu
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A short Japanese poem that is similar to a haiku in structure but treats human beings rather than nature, often in a humorous or satiric way.
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Simile
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A figure of speech in which two things are compared using the word "like" or "as." An example of a simile using like occurs in Langston Hughes's poem Harlem: "What happens to a dream deferred?/ Does it dry up/ like a raisin in the sun?"
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Sonnet
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A lyric poem that is 14 lines long. Italian (or Petrarchan) sonnets are divided into two quatrains and a six-line "sestet," with the rhyme scheme abba abba cdecde (or cdcdcd). English (or Shakespearean) sonnets are composed of three quatrains and a final couplet, with a rhyme scheme of abab cdcd efef gg. English sonnets are written generally in iambic pentameter
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Spondee
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A metrical foot of two syllables, both of which are long (or stressed).
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Stanza
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Two or more lines of poetry that together form one of the divisions of a poem. The stanzas of a poem are usually of the same length and follow the same pattern of meter and rhyme.
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Stress
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The prominence or emphasis given to particular syllables. Stressed syllables usually stand out because they have long, rather than short, vowels, or because they have a different pitch or are louder than other syllables.
Synecdoche |
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Synecdoche
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A figure of speech in which a part is used to designate the whole or the whole is used to designate a part. For example, the phrase "all hands on deck" means "all men on deck," not just their hands. The reverse situation, in which the whole is used for a part, occurs in the sentence "The U.S. beat Russia in the final game," where the U.S. and Russia stand for "the U.S. team" and "the Russian team," respectively.
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Terza rima
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A type of poetry consisting of 10- or 11-syllable lines arranged in three-line "tercets" with the rhyme scheme aba bcb cdc, etc. The poet Dante is credited with inventing terza rima, which he used in his Divine Comedy. Terza rima was borrowed into English by Chaucer, and it has been used by many English poets, including Milton, Shelley, and Auden.
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Trope
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A figure of speech, such as metaphor or metonymy, in which words are not used in their literal (or actual) sense but in a figurative (or imaginative) sense.
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