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25 Cards in this Set
- Front
- Back
Verdi |
Nabucco first great triumph |
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Verdi |
Rigoletto mid-period |
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Verdi |
Il Trovatore mid-period |
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Verdi |
La Traviata mid-period |
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Verdi |
Les Vepres siciliennes |
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Verdi |
La Forza del destino
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Verdio |
Don Carlos |
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Verdi |
Aida |
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Verdi |
Requiem first performed in La Scala opera house in Milan |
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Verdi |
Otello |
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What would the one single governing principle in opera be for the late 19th century? |
striving for continuity |
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cabaletta |
rousing, showstopping, often irrelevant section that closed many ariasand ensembles in early nineteenth-century Italian opera
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Falstaff |
after Shakespeare’s TheMerry Wives of Windsor (only his second comic opera) |
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Boito |
Mefistofele |
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Ponchielli |
La Gioconda |
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Pietro Mascagni |
Cavalleria rusticana |
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Ruggiero Leoncavallo |
companion piece for Cavalleria rusticana; both exude a heightened pathos; about atroupe of commedia dell’arte players.
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Puccini |
Manon Lescaut |
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What is Puccini's harmonic style? |
little of the characteristic ornamental chromaticism
experimentswith expansions of tonal language that have a basically diatonic sound nonfunctional,colorist use of seventh chords modalconstructions |
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Puccini
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La Bohème (1896) – Puccini’s greatest success and one of most popular operas of all time; about starving but high-spirited artists in the Latin quarter of Paris; consumptive heroine ave
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Puccini
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Tosca (1900) – nonfunctional use of traditional sororities
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Puccini |
Madama Butterfly(1904)
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Puccini |
La Fanciulla del West (1910)
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Puccini |
Turandot (1926)
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Puccini |
Gianni Schicchi (1918)
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