• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/3

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

3 Cards in this Set

  • Front
  • Back
Sheri Turkle
Online age-
"It's one of the things that I argue gives it a kind of excitement as a place to live out your fantasies and experiment with aspects of yourself"
Martin Barker
"Censorship is a product of fear and the prelude to control in a society"
•physical satisfaction
•being part of a crowd
•creating imaginative worlds
•game playing and role playing
•taking risks
•rule breaking and defying conventions
•confirming membership of communities of response
•critical appreciation.
David Morrison
3 types of violence

What his research showed was that it is not particular acts of which make a programme seem violent, but the context in which they occur.

• Playful violence is clearly acted violence, and it is seen as unreal. The violence looks staged and has little significance beyond its entertainment value. It is invariably seen as violence that cannot assault the senses.

• Depicted violence is violence that is characterised by 'realism'. It attempts to depict violence as it would appear in real life. It often includes close up shot of injury, and is very graphic. This can indeed assault the sensibilities.

• Authentic violence is violence set in a world that the viewer can recognise. A classic case would be domestic violence. Violence in a pub or a shopping centre might be other examples. It is closer to the life of the viewer than other forms of violence. It has the possibility of assaulting the senses very strongly indeed.