Buddhist Research Paper

Tibet’s Buddhist art has developed into in to its own distinct style because of the initial influences and interactions with other countries and regions like Nepal, China and Central Asia. Between these different exchanges of thought and techniques Tibet has established its own form of Buddhist art that is separate from other forms of Buddhist art. From the early development of Tibetan Buddhist art to contemporary art, the Tibetans have managed to maintain their unique style. This paper will describe how Tibet developed their style, how Tibet’s Buddhist art is different from other forms of Buddhist art, and how these ideas are being translated contemporarily. The desire for art in Tibet is deeply tied to religion. The demand for religious art to be hung in temples as well for individual worship has left the country with a surplus of religious art. The earliest form of Buddhism also known as Mahayana Buddhism. Richard B. Pilgrim states that “The central core of Buddhism is no sacred being, no belief system and no institution, but rather a quality of experience and awareness that most of us do not knowingly share.” This philosophy would mean that a Buddhist would not need some sort of representation of the Buddha in order to practice Buddhism. These Buddhists …show more content…
The melting pot of different foreign flavors did not necessarily determine which style was going to become the predominant style. As monasteries began to rise in popularity, the style of the art really became contingent on the contact of other cultures they had within a specific region. Giuseppe Tucci stated it elegantly by saying “Obviously geographical neighborhood did not always determine which style would prevail. When the monasteries arose, the dominant influence in their art depended on the cultural contacts each of them had with this or that region, however far off. In this way they arrived at their own artistic