Analyzing Fantin-Latour's Painting

Improved Essays
A particular element important to this painting is the use of lines. The most noticeable lines being those belonging to the mysterious paintings frame. The detailed edging and golden inner frame point directly to the table and the pitcher of wine. The directionality of the painting suggests an implied line defining the corner of the room, also, leading the eye toward the table. The lines in the tablecloth lead the eye toward the azalea bush, the table top, and the tablecloth’s edging. Lines belonging to the objects upon the table all have circular edges. The circumference of these objects leads the eye around each piece to capture detail. The branches of the azalea bush point upward toward the table while the leaves seem to point away. Brush strokes that create the wall also add faint horizontal lines to draw the eye back to the painting. Overall, lines appear to be a central element in Fantin-Latour’s painting.
In understanding the use shape in this piece also
…show more content…
The highlighting colors include faint pink, yellow, orange, and golden. The remaining colors have very dark values of red, blue, and green; though, not quite black. The background wall utilizes a small range of values in the dark greys, blues, and red. Although the bright white tablecloth takes up nearly half the painting, overall the painting seems to have majority of dark tones. This allows the previously mentioned contrast of lines and shapes to be heightened by a strong contrast of colors.
Even texture has a faint relationship to contrast. The tablecloth and objects upon the table all appear to have smooth textures. Meanwhile, the wall and frame have rougher, woody textures to contrast. The azalea bush has a textural relationship within itself. The flowers and leaves resemble smooth and natural textures. However, the stems of the azalea bush are jagged, thin, and broken giving it an unhealthy appearance in the small and dark area of the dining

Related Documents

  • Improved Essays

    Lines can be perceived when they connect, are in close proximity, or are adjacent to other lines. In her painting, Rockburne uses sharp, straight lines that intersect multiple times all over the composition. Dorothea Rockburne’s use of diagonal, horizontal, and vertical lines provide a basic structure to the work of art. Horizontal lines suggest calmness, while vertical lines suggest a sense of permanency. The use of diagonal lines are the most dynamic, restless lines (24).…

    • 434 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Color: The painting has a combination of complimentary colors that give the piece a warm look. For instance, the yellow and orange provides light to the composition and also add a visual depth to it because both colors reflect the scheme of a peaceful night. In addition, the blue in the sky beautifully portrays harmony throughout the painting, and the black in the background perfectly contrasts with the blue in the sky and the circled white brush strokes…

    • 338 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Formal Analysis on The Rhizome Art Piece These artists collaborated and challenged their viewers to recognized nature. Everything in the world deserves to be recognized. Nature is one of the amazing elements God created and put on our planet, in this generation its hard to recognize nature when everything surrounding us has been replaced or distorted, now the world looks to be man made. In this collaboration piece Johanna Paas and Mariah Doren work together and combine their talents into a piece of art that stands out to viewers.…

    • 774 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The artist used monochromatic colors as well as complementary colors to create some contrast and to bring overall harmony to the image. Another example is the use of implied lines that lead to the focal point. The focal point/emphasis is also another principle of design that brings harmony to the image. And the last example is the use of implied depth. All of these elements incorporated together to give the audience a feeling of unity and balance.…

    • 744 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    The artwork I have chosen to analyze is a wood-fired sculptural piece of pottery. The work is listed as taking the form of a blade, and was crafted by Daniel Johnston. The piece is a part of a curated show entitled Pot Madness, which was on display in Hunt Gallery. Pot Madness showcased a small portion of Bill Potter’s collection of wood-fired pots. The blade itself stands upright at thirty-five inches, one of the taller pieces in the collection, but is quite narrow both in width and depth.…

    • 572 Words
    • 3 Pages
    Improved Essays
  • Great Essays

    This is exemplified in his use of oil paints. As a result, Miguel Cabrera was able to paint in a variety of textures and he provided another level of sensory awareness to viewers. An individual can clearly distinguish the velvet on the chair, the satin robe and underskirt, leather gloves, and lace-lined shirt. Color is an important factor in this painting as well. The dark background is highlighted by the rich colored walls and the curtain provides a direct contrast to the bright color red.…

    • 1211 Words
    • 5 Pages
    Great Essays
  • Improved Essays

    Actual lines are displayed in Rembrandt’s Lucretia by the outline of the woman and her clothing. Implied lines are found on Lucretia’s arms, especially the left arm holding the knife. Functions of a line are find in many places of the painting. Outline and shape is found in the knife, along with Lucretia’s clothing and jewelry. Creation of depth and texture is found in the detail of the woman’s dress, hairpiece, and background.…

    • 1170 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Although the shapes in the middle ground and background appear to be balanced, the colors are asymmetrical. The left side of the painting uses a lot of naturalistic colors with the brown building and the pale blue sky. The right side of the painting uses more contrasting colors. The sky, the demon, and the rocky plain are colored in using dark brown, dark red, dark blue, and black. This contrasts with the area below the demon, which is hell, that colored in with intense yellow and red.…

    • 759 Words
    • 4 Pages
    Improved Essays
  • Great Essays

    What contributes to the painting flat plain even more is the lack of shading in the imagery. The artist has used an immense use of detailed patterns in the painting, as well as color. The artist has chosen the most vivid of color to decorate the home as well as the clothing on the characters. He seems to use shades of blues, greens oranges, browns, greys, purples and gold to paint the home. For the characters he seems to use very bright colors for there clothing.…

    • 956 Words
    • 4 Pages
    Great Essays
  • Improved Essays

    Intentions and Interpretations Cézanne’s painting of the bathers influenced the representation of the nude people during the Renaissance. The abstract nude females represent the Large Bathers, giving the painting tension and density. The scene shows figures of different shapes and sizes in a variety of forms. The triangle shape brings the viewers attention to focus on only the lake, trees and the small figures in the background. The use of blue and green tones in the background bring an overall sense of calmness and natural feel, which further helps bring his point of view on nature and the whole atmosphere.…

    • 632 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Leonid Afremov’s painting, Rain’s Rustle, oil paint is used to create scenery of a rainy night in a city. Towards the center of the picture, there is a couple holding an umbrella walking with their backs to the viewer down a pathway that has trees that form a canopy over it. There are street lights down the sides of the sidewalk. There is a large bench towards the bottom right of the painting that is on the sidewalk. In the panting, it is raining and there are puddles on the side walk.…

    • 831 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    “Harmony in Red” Henri Matisse Harmony in Red “the red room” (The Dessert) was painted across the end of the dancing movement in 1908. The dimensions: 180 cm × 220 cm (70.9 in × 86.6 in). Matisse was born in 1869, and his art-work created by oil canvas in dining room. Matisse's work of art shows a red room, with a table tuning, a woman next to the table and a window in the left and top of that painting. His painting looks like effect, which means that there isn’t centric dots in his work of art.…

    • 692 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    In order to identify and mimic the creative prospects of the work that elicit detail, I had to admire certain elements and suspect their relevance to the piece, where only then I could interpret them and advance my own creation from the techniques that I observed. While we study many beautiful pieces of art throughout the entirety of this semester, between the originality, economic struggles, and over complications that are exhibited within this work, I believe this work is the most advanced of which we saw, considering the region from whence it…

    • 1377 Words
    • 6 Pages
    Improved Essays
  • Superior Essays

    Renoir’s distinctive style manifests itself in The Seine at Chatou. He does not use outlines in this painting; instead, the composition is made up of many abstracted lines in the form of brush strokes. These brushstroke lines distinguish between the piece’s components. The lines’ qualities of color and width describe the landscape’s textures and distinguish its subjects. The inherent nature of…

    • 1225 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    The Scream Poem Analysis

    • 721 Words
    • 3 Pages

    Also, the mixture of warm colors on top combined with primary and secondary colors give the painting a delicate effect particularly the three green brush strokes as it adds even more mystery to the painting. Furthermore, the diagonal lines that shape the floor and the barriers of the bridge and the curved lines on the water make a combination of energy and endlessness at the same time because the side of where the scared looking person is, looks completely different from where the water, which is what perhaps reflects the degree of anxiety that the scared looking person was suffering in that particular…

    • 721 Words
    • 3 Pages
    Improved Essays