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    Acemoglu Vs. Robinson

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    Acemoglu and Robinson make great strides in the institutional argument from North and Thomas’ start in Rise of the Western World. Their case is quite compelling in addressing the question of why are some countries so rich and some so poor. It’s appealing mainly because it all boils down to incentives: if masses are incentivized, a country will grow, if the elites alone are incentivized/hold the power, a country will stagnate. This argument is almost impossible to refute because it’s built on the…

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    Gustave Courbet was a man interested in beauty no matter where he found it while Eugène Delacroix focused more on beauty in war and suffering. Both painters used color to enhance the authenticity of the the people in the images. As well as color, the painters used shadowing and it enhanced the mystery and seriousness of the paintings. Gustave and Eugène both painted pictures of characters that were surrounded by backgrounds that either enhanced them or the scene or the image in the back was…

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    Kimberley Lawrence ART1000 Introduction to the Visual Arts The Arts Institute 9th July 2017 Milestone 1 Task 1: Untitled, Jean-Michel Basquiat Selection 1 Introduction The first piece of art presented to The Apollo collection for consideration is “Untitled.” It is an acrylic and mixed media piece on canvas painted and created by Jean-Michel Basquiat in 1981. The work is a part of the Broad Collection in Los Angeles. On first inspection of the piece, the piece seems to be made up of lots…

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    Thuggee Archive Analysis

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    Whilst there is no doubt that a system of bandits did exist, what is less clear is how far the Thuggee archive is entirely an orientalist product full of inaccurate reflections of Indian crime especially Thuggee. Notably, the “authentic archive” was created by Sleeman himself indicating accounts on thugs were influenced by preconceived notions of Indian men. Consisting of oriental biases, the archive was perhaps a product of ‘deep-seated European inclination’ to civilise India. Depicted as…

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    Women in History: Artemisia Gentileschi’s Self-Portrait as the Allegory of Painting Surrounded by portraits of and by male artists, Artemisia Gentileschi’s (1593-1652) oil on canvas Self-Portrait as the Allegory of Painting (La Pittura) 1638-39 stands out in the midst of Vancouver Art Gallery’s “The Royal Collections: Portrait of the Artist” exhibition. As one of the only woman artist portraits, it pronounces itself in entirety to symbolise the prominence she has given females in history as she…

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    Pei Yun Wu Mr. Weinberger AP European History p. 4 June 8, 2017 Liberty Leading the People was a Romantic oil painting by Eugene Delacroix commemorating the July Revolution of 1830. Liberty, symbolized by the woman leading the men would later become the symbol of the French Republic. The medium was oil on canvas, a very popular medium in the 1800’s. Romanticism was a movement of emotions as a reaction to the Industrial Revolution’s logical, machinery ways. France was particularly…

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    otherness includes doubleness, both identity and difference, so that every other , every different than and excluded by is dialectically created and includes the values and meaning of the colonizing culture even as it rejects its power to define; the western concept of the oriental is based, as Abdul Jan Mohamed argues, on the Manichean allegory (seeing the world as divided into mutually excluding opposites): if the west is ordered, rational, masculine, good, then the orient is chaotic,…

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    sufficient skills in ICT to propel with the pervasiveness of these technologies around the world. This also ensures that citizens will not be left behind with the advancements all over the world. With the Internet’s aggressive integration, popular western culture is easily depicted on multiple online platforms. There were not many Asian websites mainly due to accessibility constraints and lack of knowledge to operate ICT. Also, plenty of websites are produced with content in English as it is a…

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    principally, to examine the process of decolonisation. Postcolonial criticism’s origins can be traced to Said’s Orientalism according to Milner and Browitt (2002). Said portrays the Eurocentric universalism which admits the superiority of what is Western and the inferiority of what is not, he states that “there are Westerners, and there are non-westerners. The former dominate; the latter must be dominated” (Said 1994: 36). For him, Orientalism was a ‘discourse’ in the Foucauldian sense of the…

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    Photo Art Research Paper

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    Photo Art Service Photo Art Service indicates that photographic painting of an image. Photographic painting is a work of art. An art is related to the topics of painting to describe its feature by an acrylic painting. It denotes the theme of something to understand it logically and physically. It is one kind of replica of an image as like as show the feature of an image. Art is different from capturing image; it is take by creative manner of his/her mind lowing feature. To describe something…

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