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    Safe spaces are used to help those who feel unaccepted due to their background, lifestyle, capabilities, or for those who were triggered by a certain event. These safe spaces can help provide comfort and create a place for students to express themselves without being judged, but maybe these safe spaces are becoming too much of a problem on campuses. In the article, “Hiding From Scary Ideas,” Judith Shulevitz mentions many incidents where safe spaces have done more harm than good. I believe that…

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    Tommy Vladek

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    Introduction I have heard of a brain surgery-taking place between Tommy Vladek and Sam. Tommy is brain dead, while his body remains totally functional, while Sam’s body is completely destroyed, but has perfect brain function. This surgery can cure all of Tommy’s behavioural problems, but the real concerns appear to be more ethical rather than the medical complications that may arise. The following dialogue is my interview with John Perry discussing this controversial procedure. The interview…

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    ‘Happy as Larry’ a dance production choreographed by Shaun Parker, created at Shaun Parker and Company. Consisting of 9 dancers, 4 female and 5 male dancers. These dancers are professional dancers who work full time at Shaun Parker and Company located in New South Wales. The performance is broken down into sections, which consist of solo, duo, trio and whole group dancing. Happy as Larry is based on human happiness exploring the concept of what makes us happy? The Enneagram, the exploration of…

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    Aadinath, often referred to as the Shopkeep, is a demon that runs a hole-in-the-wall black market that sells mystic and unscrupulous items. As the End of Days draws near, he has become a recluse of sorts, and refuses to associate himself more than need be with the rest of the Fallen. Aadinath appears to be slightly taller than Natalie, putting him at 5'5" or 5'6". He has ruffled, tawny hair that fades into an undercut in the back. He has sharp, amber eyes with low lids and thin, pointed…

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    in-between, and every kind of definition has an in-between space. Especially if the definitions are two opposites, then the in-between space is more rich”. Indeed, this kind of “in-between space” doesn’t only exist between nature and architecture or between inside and outside, but also, it exists as a narrative space for the Dominican-American writer Julia Alvarez. In this paper, I would like to elaborate on the term, the “in-between space”, which was brought up by Kelli Lyon Johnson in her…

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    Upon entering the rooms of NA about 4.5 years ago, I was told some crazy things, by far the crazies was don’t kill yourself in the 1st 5 year of recovery because you will be killing someone you do not know. I remember thinking what a ridiculous idea. I have been living for 40 years of course I knew who I was. How does someone get to be 40 and not know who they are? Yes it was true that I was a drug addict but that did not mean that I had no identity, or that my core values and my worldviews were…

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    The short story “In a Grove” written by a brilliant Japanese writer Ryunasuke Akutagawa, brings into question the certainty of human knowledge and the tendency to lie by illustrating a balance between illusion and reality. The story is a series of testimonials about a murder. However, Akutagawa does not necessarily provide us with enough distinction between the truths and lies. What he did, was present us with enough information to leave us pondering on what events really occurred. According to…

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    In many ways the 60s of the 20th century have given art a new face. The artistic reactions to formative events and sentiments of their time designed a portrait of an era, which revealed complex social changes, turbulent political developments and rapid technological progress. Since the end of the second World War artists conceptualized new artistic ideas like autonomy, authorship, form, originality and transformed them into their own language in order to find a new artistic technique. One of…

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    Monster’s Ball establishes several parallels between Hank and Leticia through narrative co-occurrence. From their abusive parenting styles to the loss of their respective children, Forster validates this implausible relationship through commonality. The cinematic techniques visually assimilate Hank and Leticia characteristically and circumstantially. Though Hank is more apathetic and cold while Leticia is more emotional and reactionary, their resulting behaviors manifest similarly. Marc Forster…

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    In order to understand the lives of the working class in Paris in the 19th Century, it is necessary to understand how their lives were not simply shaped by larger influences such as the economic forces of capitalism or the regulating role of the state. Instead, it is important to unveil how the city itself spatialized and constructed social and gender difference for the working class, while they, in a mutually constitutive manner shaped modes of sociability in the city. Analysis of the works by…

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