Traditional animation

Grabbing a Seat Introduction Type; 3D animation Time; 2’53’’ Director:Xu Guangtong Animation producer: Xu Guangtong, Qi Yuehui Image design: Yuan Qi Sound effect: Zhang Yue Software:3D Max 6.0, After Effect6 6.0, Premiere 6.5, Photoshop 7.0 Hardware: PC Production cycle:3 months (April, 2004-July, 2004) The outline of the story: The play Grabbing a Seat is a story about two persons, one is fat and other is thin. In order to occupy a seat, they used tricks and even resorted to fighting.…

whereas the lower bass frequencies will remain the same. Some loss of directionality is also evident when turning your head whilst your pinnae are still covered (Sonnenschein 2001). This idea was implemented in the animation clip used for the practical work. Since the character of the animation is deaf, I tried to apply this effect to most of the sounds from beginning of the clip up until the moment where she starts…

A costume in a regular film is a style of dress for the different character. Meanwhile this is in not a traditional film so the characters don’t have on different clothes to be considered a costume. The cute of the hair is different, body shape, and something as simple as glasses or a scarf. The main character, Romeo, costume was uppity and rich because that’s the way he owners kept him up and stayed that way the entire movie. As for his friends that had been on the streets for a while costume…

are two different structures in which a large company such as Pixar can be organized in; Traditional and or a Contemporary business structure. Pixar is a contemporarily organized company; meaning that while the company still has a CEO and senior officers; the employees of whom do not have an official rank in the company still have major role to play in how their company functions. This differs from a traditional business structure in which you have officers and CEOs as well a rigid displacement…

Traditional films have always followed a certain formula that of the Hollywood cinema style, one that audiences are familiar with. Along with this structured technique, great narratives can be produced while providing insightful views and commentary upon the world, whether they are subtle or not depends on the film. Not every film produced is meant to follow this familiar structure and some have broken away from the normal to make a film that is close to those who create it. Directors that have…

The short, simple style of Marie de France’s lai “Milun” lends itself easily to an adaptation into a short film in the style of silhouette animation. The goal of this film will be both to maintain the meanings present in the original lai as well as to expand the audience that is able to appreciate the poem. The length of a short film maintains the structural integrity of the story in its entirety while also making it accessible to audiences who may not feel equipped to read and interpret this…

be when I got older which was an “artist.” At the time I was not sure what I wanted to do specifically, but I knew it had something to do with art. Growing up I had always excelled in art classes but discovered that I wanted to be more than be a traditional artist and when the time to apply for high school that opportunity was presented to me. Eighth grade is when I applied to Mckinley Vocational High School and got accepted into…

that the phenomenon has “reported anecdotally—“ within the medium of Animation within the past decade, citing examples such as the “—strong negative audience responses to computer-animated films such as The Polar Express.” (Ghazanfar and Steckenfinger, 2009, 1). Reviews called the animation of The Polar Express (2004) “dead-eyed” (Papamichael, 2004) and “both disturbs and delights” (Nathan, 2016) with both its quality of animation as well as the method in which it was made, becoming one of the…

movies, etc. Video is very much so related to my potential field. I would like to work on animated films or shows. I’m a big fan of combining the real world with the animated. Animated films (particularly computer animation/stop motion) use video in a similar way that it is used in traditional cinema. Like setting up your shot, good composition, moving the camera etc. More specifically though having knowledge of video technique would also benefit storyboarding, comics and other similar medias…

grass, the vibrant flowers, the bright stars, and the colorful sunrises and sunsets it is easy to tell that the creators really took their time with making sure that the scenery is how it would look if the viewers were actually in Polynesia. The animation is also a key part in why Moana is so successful. The animators were able to make the characters move and speak flawlessly no matter what they were doing, from walking to dancing to sailing they all moved effortlessly. They were able to…