The Key

The two themes, the inversion, and motifs are expanded and played upon. Also during the development, we encounter many different keys. Thru many chromatic sequences and patterns, we pass through D major, C# major, F# major, B major, e minor, a minor, f minor, and g minor. The build up into the recapitulation at measure one hundred ten features familiar passages and ideas. The recap…

The Fishin’ Song, these are the words that lulled me to sleep each night as a child. My dad’s deep, gruff voice never sounded as stern as he half whispered, half sang the words, slowly and rhythmically. There was always something magical to the song, it could soothe the fussiest baby and send the stubbornest child into dreamland no matter who was the one singing the song. The origins of The Fishin’ Song goes back four generations to my great grandfather who sang it to my grandfather and to my…

the people. Tim Burton elicits emotions from the audience through connections to the messages showcased in his film that all become clear with lighting, sound, camera movements, shots, and angles. First, Burton’s empathetic imagination combines high key lighting, non-diegetic sounds and slow panoramic camera movement to draw out feelings of…

25 as piano plays the accompaniment like what it did in the exposition, playing some triplet arpeggios in the tonic key (E major). Instead of flute and clarinet playing the main theme of the movement, the violins take their role and play the theme. However, piano didn’t repeat the theme this time and the theme is continued playing by the violins in Bar 3-4 at Score Fig…

repetition of the main theme by the alto. At a nearly undistinguishable pitch, the soprano introduces the main theme but is muffled before completion by the bass’ introduction of the answer in stretto. After the bass’ interruption, Bach shifts the key using modulation. Episode two is then introduced with the bass and alto perform an increasing segment similar to Episode one with the soprano providing…

One example of this influence would be the variety of folk melodies presented in the lyrical sections of the sonata. Chopin’s appreciation for folk music could be considered a key to the success of his career as a composer and musician. His involvement and passion for Polish folk music can be identified during his professional career. An analysis of the cultural and historical characteristics of Chopin’s intellectual society…

A difficult question that someone can ask you, is how would you define music. Music is so many things to so many different people. It can be a way out, a way to express yourself, or it may even be a part of your culture. Music has come so far from when Beethoven and Mozart created their own music. Music has shifted gears to adding auto tune and many other things that help enhance an artist’s musical performance or music in general. Music back then was known as pleasure or a night out to…

Assessment W1: Cryptography Prepared By: Karanjot Singh Deol Table of Contents 1 Task 1: Cryptography- their methods to do and how it used in IT environment: 1 Cryptography 1 Methods of doing cryptography: 2 Symmetric key Encryption 2 Asymmetric Keyencryption 3 How to secure our encrypted data: 4 Integrity: 4 Overview of cryptography: 6 Conclusion: 6 Task 2: Applications of cryptography in Electronic Transactions and VPNs 7 Cryptography in VPNs 7 Secure…

“Observe Music 1.9” 1. What is making the sound? a. Is there more than one instrument playing? Yes and no. There are brief times when only one is playing and each has a point when it is featured, or at least highlighted by the gentleness of the others while one crescendos. b. What instrument(s) are playing? Piano, flute, Oboe, trumpet, bass, cello, French horn, timpani, violin, trombone, bassoon, clarinet, and piccolo. Having watched I now actually recognize the sound of an Oboe and have…

CHAPTER TWO - CRITICAL ANALYSIS 2.1 Exploration Of Tonality And The Pentatonic Scale Blossoms on a Moonlit River has been written in G major, and this is known from an author’s note written above the stave and the key signature (Fig 2a). It has been written with diatonic numerical notation using the numbers 1 to 7, and the number 0 represents a rest. The piece is tonal centred, and relies on a major pentatonic scale consisting of G, A, B, D and E (Fig 2b) and this is close to the western…