The Cabinet of Dr. Caligari

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    Horror films are movies that seek to bring your fears and nightmares to life. They to scare with the morbid and grotesque while entertaining also. They often involve an evil entity, event or person. Horror films feature supernatural creatures like werewolves, ghosts, vampires, witches, and zombies. They also dive into fears of death, of the unknown and loss of identity. They show the darker side of life and expose our vulnerabilities. Movies that push your buttons of anxiety and uneasiness.…

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    A Film is an idea brought to life on the big screen. The idea can come from a book, a real event/true story or even a political idea. A good film combines many parts to entertain and teach the audience simple (or complex) ideas through its messaging. Films have real life effects on the mass, things referenced in the movie can go viral and start movements. A recent example of this can be found in the recent movie Straight Outta Compton, after its debut one could see people copying the line and…

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    movie shows the limitations of the production as well as being a silent film. But what really stands out is the story line and use of special effects that truly paint a vivid fantasy tale. One other major film of the early 1900 's was The Cabinet of Dr Caligari (1919) which truly was a break-through as it did not follow the traditional realist route; the settings of the film really drew in audiences rather than the a fictional artificial…

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    Die Bruke Play Analysis

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    Beginnings The Expressionism movement is thought by many to have began on June 7, 1905 by four architecture students when they formed the group “Die Brücke” (The Bridge) (Die Brücke). The four students that formed the group “Die Brücke” were Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff and Fritz Bleyl. Fritz Bleyl left the group shortly after (Die Brücke). The name, Die Brücke, was taken from writings of the philosopher Friedrich Nietszche, of whom the group greatly admired. It…

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    Nosferatu Film Analysis

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    In his New York Times review of Werner Herzog’s Nosferatu, Vincent Canby said: “in the filmography of Werner Herzog…‘Nosferatu, the Vampyre’ looks to be a kind of charming diversion…it’s something less than the voyage of self-discovery that each of Mr. Herzog’s earlier, very original films has been…[Dracula is] not some profoundly complex character.” With all due respect to Vincent Canby, I completely and fundamentally disagree. On the one hand, I can see Canby’s angle—Herzog had already built…

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    1 Bill Denbrough thinks: I'm damned near space-travelling; I might as well be inside a bullet shot from a gun. This thought, although perfectly true, is not one he finds especially comfortable. In fact, for the first hour following the Concorde's takeoff (or perhaps liftoff would be a better way to put it) from Heathrow, he has been coping with a mild case of claustrophobia. The airplane is narrow-unsettlingly so. The meal is just short of exquisite, but the flight attendants who serve it must…

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    Joseph Minton once said, “True art captures emotions, feelings, and the energy of the object, setting or event that is being depicted. It goes far deeper than the cold, flat surface of duplication. True art has an entity of its own, it is alive, and has the ability to speak, effect, move, and convey emotions to its viewer. This is why I personally choose to paint in derivatives of expressionism.” Art is a form of expression. Art is a way in which society can express themselves and show their…

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