Shakespearean tragedy

over dramatizes his own life and woes as well as those of others, leading to more action, revenge, love, and hatred occuring in the life of Othello. Iago is a key factor in keeping the storyline moving, without his evil plan, it can be assumed that tragedy of this degree would not…

The concept of “Race” plays a very significant and critical role on Othello, the play in which Shakespeare tells the story of the “dark Moor” who eventually finds himself struggling against his jealousy in the midst of white society. The very beginning of the play may be considered illusory for a reader who is unfamiliar with Othello's character: in fact, many derogatory terms are used, especially by the villain Iago and his confederate Rodorigo, to define Othello. This would certainly lead the…

disciple of Plato who first defines fine arts and he differs with his teacher Plato in his book of Poetic. His Poetic deals with the principles of Poetic art in general and tragedy. He defines Tragedy as “an imitation of an action that is serious, complete, and of a certain magnitude” (Aristotle, 2017). He also constituent parts of tragedy and they are plot, characters, thought, diction, song and spectacle. The first three plot, characters and thought are the object of imitation. The next two,…

Jean Anouilh’s play Antigone is a tragedy inspired by Greek mythology and the play of the same name (Antigone, by Sophocles) from the fifth century B.C. The play Antigone tells the story of a brave girl (one of Oedipus’s daughters) who stands up against the law in order to honor her brother. The play had many important characters without which the meaning would be incomplete. However, there were many minor characters that completed the play and aided the reader’s understanding which leads us…

got to Venice, where he came from. The negative images of Othello that come from Iago and Roderigo focus more association with lustful animality rather than violence, though the two are related. Othello has more animal imagery than any other Shakespearean play, and it begins with Iago`s labeling Othello an `old black ram`. Iago also describes him to Roderigo as lascivious and changeable, and in one soliloquy imagines him usurping his place in bed with Emilia. Shakespeare had long imagined…

Multilevel sets, flashback device and role switching are the noted theatrical techniques of Dattani to juxtapose the past and the present effectively.The use of multi-level sets helps in connecting the past with present. “Mahesh Dattani’s plays are played out on multi-level sets where interior and exterior become one, and geographical locations collapse. In short, his settings are as fragmented as the families who inhabit them” (Dhawan and Pant 35). It is interesting to note the comments of John…

Can you count all the important choices you’ve made in your life?How important were they?In what way has those choices impacted your life?In a short play called The Tempest by William Shakespeare, a character named Prospero is a man who had to make tough decisions that would soon reflect on him as a good. In the play prospero makes many decisions but he made three important decisions that prove he is a good man.His first important decision was “Then, as my gift, and thine own…

For some people, tragedy is what it takes to realize core values and grow. In Jonathan Foer’s Extremely Loud and Incredibly Close, Oskar Schell is a gifted nine year old in search of a meaning for his life outside of his central tragedy--the passing of his father in the 9/11 terrorist attacks. More than anything, he cannot escape from his own mind and his obsession with his father: “It doesn't make me feel good when you say that something I do reminds you of Dad” (Foer). Despite his gloom, one…

A major subplot of “Othello” is the romance between Othello and Desdemona: a relationship that Iago admits to being jealous of as he is enamored with Desdemona. Iago entirely discredits Othello’s love for Desdemona, saying “[i]t is merely a lust of the blood and a permission of the / will. Come, be a man” (1.3.325-326). Given that up until this moment, Othello has acted in a noble manner, his rash behaviour with Desdemona contradicts his whole verse-speaking mannerism. Sneaking out with her…

The sacrifice of the precious in order to satisfy the expectations of the self and of society often leads to pain and destruction. This is true in the Shakespeare play Much Ado About Nothing, when Claudio forfeits his marriage to Hero and sacrifices a life of happiness with her because he suspects her of infidelity. His willingness to abandon her reveals in him pride and a deep value for female chastity. Claudio’s pride in his power and control, as well as his rigid conformity to societal…