Seashell

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    Montag can never get rid of what he did in his past, just like the reader cannot erase a part their ignorant past. In Fahrenheit 451, the dichotomy theme of technology vs. nature is depicted. In part two of Fahrenheit 451, Mildred is shown as, “Seashell tamped in her ear again, and she was listening…

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    individuality is clearly illustrated in the novel, Fahrenheit 451, by Ray Bradbury. Like most dystopian societies, Fahrenheit 451 contains a damaged society in which the people watch excessive amounts of television on wall size sets, listen to music on seashell radio sets, and drive extremely fast, not afraid to hit animals or people. The masses never think independently nor do they have meaningful connections with anyone. Books are burned by firemen in this dystopia, for they are believed to…

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    connections to each other. In Fahrenheit 451 everyone relies on technology. Especially Mildred, who always has the parlor on and her seashells in her ears. No one in the book can have a solid connection with other people due to technology filling the void of love and connection that we need with real humans to live. “There was a tiny dance of melody in the air, her seashell tamped in her ear again and she was listening to far people in far places,”( Bradbury 34). This quote shows how Mildred,…

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    Books and thinking and talking, OH MY! Reading can take you to a new world. Reading can benefit you in many different ways. Not only does it make you more knowledgeable and widens your vocabulary, but reading makes you think. Is reading always the answer? In Ray Bradbury’s novel Fahrenheit 451 when technology twists society people can not gain knowledge. No books are to be read in this horrible and dark dystopia. Which limits the people to not be able to talk with one another that much. Everyone…

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    them. Technology nowadays is a distraction. “And in her ears the little seashells, the thimble radios tamped tight, and an electronic ocean of sound, of music and talk and music and talk coming in, coming in on the shore of her unsleeping mind… There had been no night in the last two year that Mildred had not swum that sea, had not gladly gone down in it for the third time.” (Bradbury 10). In this quote, Bradbury used seashells and the ocean, comparing it to earbuds and music, or sound. He…

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    enters his home imagining his wife on the bed with seashells in her ears listening to the Sea music and talk although she has never really experienced much of it (Fahrenheit 10). It has has become apparent that in this world that all you need to do in order to know what 's happening outside is to listen to the radio living in your ear. As Montag goes in search of Faber he is given a small communication device, at first glance it resembles a Seashell Radio which is used to inform the news for…

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    Today we have Bluetooth headsets, headphones, and earbuds. Bradbury predicted this in the novel: “And in her ears the little Seashells, the thimble radios tamped tight, and an electronic ocean of sound, of music and talk and music and talk coming in, coming in on the shore of her unsleeping mind.” The Seashells and Thimble Radios seem to represent today’s earpiece devices. We always are connected in some way to technology, and this demonstrates the physical aspect of…

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    A dry January afternoon heated the milk pan in a nearby tea stall. Its owner, an old man in his sixties, looked on at the woman walking by with his lips pressed to the stained tea glass. She was barely five feet and had a sea shell in her leather purse tucked on her left hip. Her hair resembled stiff analogue signals, and her tiny feet called to mind two silent bells constantly in a battle. The city council had declared a holiday due to the scorching heat waves that were being carried from the…

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    made of “brass and … copper and … steel” (24) and sensitive capillary hairs and eight legs. This proves the advancement of technology and its function to reinforce the law indicates the society’s heavy reliance on technological products such as the Seashells and the wall-to-wall circuit TV. It also represents censorship in Montag’s society. The Hound “[sleeps] but [does] not sleep, [lives] but [does] not live” (24) which is similar to censorship. It exists everywhere although it seems that it…

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    time for the missing lines, they all look at me out of the three walls and I say the lines.’” (Bradbury, 20) Sure, she has “conversations” with her parlors, but they aren’t meaningful conversations. Millie also has seashells, which are like earbuds. She isolates herself in her “seashells” so often that Montag just gave up even talking to her at night. There was one night when Montag asked about what happened to Clarisse. Millie responds, “‘No. The same girl. McClellan.. Run over by a car. Four…

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