Relative key

This made me begin to think about what other elements of music can affect the mood. The most prevalent factors I came up with were lyrics, key, and tempo. Lyrics are maybe the most obvious, since they portray a specific message through spoken language. Many people enjoy being able to relate to the content of a song’s lyrics, and often find comfort in the way the songwriter is able to describe…

Movement 1 - Allegro non troppo & un poco maestoso Allegro, meaning somewhat fast. Usually 120 to 160 bpm. Non troppo, meaning not too happy sounding, kind of sad. Un poco maestoso, meaning to be played a bit stately. Maestoso means stately or majestically. The main theme is a strongly played passage, with the full orchestra. The main theme is played in various forms throughout the first movement. During the end of the first movement, there’s a call and response section between the Horns…

however, the material is slightly altered when in enters a minor mode following the repeat. This shows that it is in a modified strophic form. Wolf’s setting is by far the most unique of the four, as it is through composed. Given the constantly changing key areas and meters, there are only a few similarities between verses. The latter halves of each verse are nearly identical beginning at the first “Belebt” markings at measures 21, 58, and 99. However, the first halves of the verses are greatly…

in C major. Measure 174 to 181 is same as the transition in exposition. From bar 182, the chord and key starts to change, but the basic structure is same as the one in exposition. The chord in bar 182 is VI in A minor. But in the exposition, it goes to the…

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but with G#s in the bass, which leads to an A minor chord on beat one of bar ten, instead of C major. This is followed by a chord of F major in bar ten on beat three and a chord of C major in bar eleven on beat one (Teacher Resource Bank, 2013) . The key of C major is not firmly established until bar thirteen with the 1st…

25 as piano plays the accompaniment like what it did in the exposition, playing some triplet arpeggios in the tonic key (E major). Instead of flute and clarinet playing the main theme of the movement, the violins take their role and play the theme. However, piano didn’t repeat the theme this time and the theme is continued playing by the violins in Bar 3-4 at Score Fig…

CHAPTER TWO - CRITICAL ANALYSIS 2.1 Exploration Of Tonality And The Pentatonic Scale Blossoms on a Moonlit River has been written in G major, and this is known from an author’s note written above the stave and the key signature (Fig 2a). It has been written with diatonic numerical notation using the numbers 1 to 7, and the number 0 represents a rest. The piece is tonal centred, and relies on a major pentatonic scale consisting of G, A, B, D and E (Fig 2b) and this is close to the western…

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