Relative key

In his emotive lieder In der Frühe, Hugo Wolf utilizes key center discrepancies between piano accompaniment and the vocal line, lack of clear cadential motion, and quick-tempered movements through various tonal centers for the purpose of demonstrating the emotional complexity of a lost man struggling to find purposefulness in his daily life. Throughout his lieder, Wolf declares a key clearly with the left hand of the piano outlining the tonic triad; however, as soon as the vocal line enters,…

Rhythmic breakdown In this figure, a whole note takes a whole in a measure, a half note takes two in a measure, a quarter note takes up four in a measure, an eighth note takes up eight in a measure and a sixteenth note takes up sixteen in a measure. As mentioned earlier, this rhythmic grouping only applies when the bottom number is 4. In a compound meter these rhythmic groupings are quite different. B. Meter- is the systematic grouping of beats and their division in regularly recurring…

that was going on (a baby fell and started crying). No. 4 in C-sharp minor was one that i liked, it was polyphonic, because it sounded like it was racing. No. 5 in - flat Major (“Black Keys”) all 8 fingers are being used and both thumbs. In this piece he was using his thumbs and his right hand had nothing black keys and it still sound polyphonic, because of how fast it was going, but it sounded happy. No. 6 in E-flat Minor sound strange, dark, sad, and is used for voicing exercises. This pieces…

The climax consists of four measures with basic harmonies in D-flat major before moving into the coda (Figure 3). The climax begins with a tonic triad in second inversion which leads to a vi then a I in first inversion before a ii minor seventh chord in first inversion gives way to the pinnacle harmony of the climax in mm. 60: a V chord with a suspended fourth that does not resolve until a measure and a half later giving us a V7 and resolves naturally to a I. During the Vsus4 harmony, there is a…

Shoe Horn Sonata: In Misto’s play contrast is a powerful dramatic device. Describe its use in the Shoe Horn Sonata. “Shoe Horn Sonata is an impressive story of courage, hope, horror and friendship. This play is a tribute to commemorate the bravery of the women and to make their story of survival widely known. The historical context that the story has enables us to learn about the past events and to understand the true meaning of war and its consequences. The play draws on real events, the…

Webern’s Variations for Piano, mvt. 2 Analysis Webern’s Variations for Piano begins with a prime row starting on Bb3. This continues until the Eb4 grace note in measure six. This is primarily consistent in the bottom staff with the exceptions of measures five and six where the rows switch staffs. The switching of staffs occurs in each iteration of the rows and its various forms at one point or another. Wagner also creates an elision with the last note of one row and the first note of another.…

The unity of music is related to the music structures. People followed the musical structures and expected the direction or message of the music. In the 18th century, the most of the music had almost same musical structures and forms. Most of music in this period progressed to the same ways and the structures and forms had conventional elements. Historically, the music became less conventional after the French revolution and the composers had been interested in their own identities for their…

violins; creating discomfort to the ear and thus creating tension. The tension is increased yet more by the use of tremolo in the double basses. Mahler marks the score with “viel Bogen”, meaning “much bow” or “many bow changes” , to intensify the sound, and “Wieder Zuruckhaltend”, meaning “to hold back tempo”, to prolong each note to increase the drama of the music. (http://www.orchestralibrary.com/reftables- /mahler2gloss.html#V) The combined effects create a profound emotional response among…

repetition of the main theme by the alto. At a nearly undistinguishable pitch, the soprano introduces the main theme but is muffled before completion by the bass’ introduction of the answer in stretto. After the bass’ interruption, Bach shifts the key using modulation. Episode two is then introduced with the bass and alto perform an increasing segment similar to Episode one with the soprano providing…

Two violins, one viola, and a cello played Joseph Haydn’s String Quartet, Op. 76, No.3 (Emperor), II in quadruple meter and in the form of one homophonic theme with four polyphonic variations. The theme is introduced by the entire quartet in an conjunct melody that has three unique phrases. The first phrase, “A”, is the first to be introduced and repeated a second time, “A-A”. Phrase “A” moves smoothly from mid to high in ascending and descending conjunct intervals and is repeated. A second…