Performance art

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    Contemporary Dance

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    Some of the requirements to be able to go on pointe is to be at the age of ten and a half or older, have at least two years of ballet training, and consistent in attending ballet classes for at least four and half hours a week. This is the stage when dancers use a special shoe to be able to stand on their toes. Even though watching a ballerina dance on their toes may look divine, this is very painful for them. Some of the most common injuries caused by going on pointe are blisters, ingrowned…

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    (Stevens, 1) (Stevens, 2) “Belonging” , Dance Performance Critiqued The Collin County Ensemble’s Spring Dance Concert, Dance Fusion , of November 08- 09, 2013, was a brilliant collaboration of post-modern dances performed by the following professional dance groups : Collin Dance Ensemble; Big Rig Dance Collective,; Perpetual Motion Dance; and Karen Stokes Dance. For my Dance Appreciation course, I attended the matinee showing of this event…

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    Meng Concert Report

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    Symphony held a farewell performance in the Meng Concert Hall. Jean Ferrandis, a flute player and Bill Cunliffee, the pianist were two faculty artists of the night’s concert. The performers were elated to show off the songs they have worked hard on as a group. The show consisted of a variety of songs from classical, jazz, and mash ups of popular songs that entertained the audience and represented how well the orchestra worked together to create the night’s goodbye performance of the spring…

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    entrance. It turns out that The Flaming Lips were concluding the first day of TAG CDMX, a three day interdisciplinary festival that invites innovators from the realms of music, movies, design, culinary arts, and technology to discuss their creative process through various conferences, workshops, and performances. Earlier that evening inside the same stone Auditorio Nacional, director Spike Jonze had given a conference on “breaking the mold” in independent…

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    completely distracted by the audience which could possibly ruin an entire performance. However Stanislavski saw this problem and found ways to counteract this problem. It was difficult however because Stanislavski did not want the actors just to forget the audience, I also think that forgetting about the audiences existence is a bad idea because it is in a way going against the whole purpose of the performing arts/performances which is to entertain people/the audience so just forgetting about…

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    in support of fields in communication and the arts. In the United States, this argument lives in the desire to reduce funding to the National Endowment of the Arts (NEA). In fact, many current conservative leaders wish to eliminate it completely arguing that funding the arts is neither the government’s responsibility or fiscally prudent. Obviously, this is not an argument I believe in or support. For any artist and art-lover, support for the arts has always been of great importance. However,…

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    distinctive units, and that if every unit can perform his/her character realistically and execute every line flawlessly, the final performance would be fantastic, and the audience would have a great time. Acting 1 has taught me that the art of acting is actually much more intricate and eclectic than individuals putting on their own show, that a satisfactory performance required far more work than delivering every line correctly. At first, I completely overlooked fundamental elements of acting…

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    scenes, and indirect characterization to explain the plot of 2081 and it was impressive to see. Acting, the art of pretending, otherwise known as drama. Many people love the different kinds of art, music, dance, theatre, and visual arts. It seems Kurt like dance, the ballerina and Harrison danced, but were shot down. This explained character among how during the two’s performance, Harrison had silenced all of their handicaps. They thought for themselves on this, they had their own ideas on…

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    Boal theater is political, traditional. Aristotle tragedy is oppressive. Boal aim is to break the wall between audience and performance. Chapter 1. Aristotle’s Coercive System of Tragedy • Aristotle’s philosophy/tragedy (obey rules, no rebellion) - character of the tragedy would be antisocial, rebellious. His characteristics and ambitions lead to tragedy happening to him. Through the theater, Aristotle would fear members of audience who share the same qualities as the main character does.…

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    a sparrow. They wield the weapon of beauty with the grace, seemingly trained in the art of flawlessness. Whirling an inch off the floor as would a sycamore leaf just about to hit the earth, they hide the treasure that is strength with the mask of one trained in the art of seeming weightless. Slipping effortlessly from foot to foot they deliver the gift that is performance with the presence of one trained in the art of precision itself. They bow to the crowd with the relief and joy for they have…

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