New Criticism

In an interview with Chris Dickens (Editor of Shaun Of The Dead) Dickens states that when an editor is choosing shots they are choosing the shots they like. It is a matter of taste, but what creates that taste is the understanding of the meaning and purpose of that film in such detail that your choices are made with purpose that aids the film effectively (HDFilmtools, 2009). Dickens statement summarizes the importance of the knowledge behind filmmaking and how the editor needs to do research on…

Wolfgang Iser’s essay The Reading Process: A Phenomenological Approach, delineates the author-reader relationship in completion of a literary work, where the author plays the ‘artistic’ role, which is that of the creator of the text, and the reader plays the ‘aesthetic’ role, which, he mentions is the process of the ‘realization’ of the text . (Iser 279) He refers to Roman Ingarden’s “Intentionale Satzkorrelate” (Intentional sentence correlatives), where the interaction of the otherwise…

The short story chosen was taken from the book titled Malaysian Short Stories (Fernando, L. (Ed.), 2005). I chose to write on K.S. Maniam’s short story- The Dream of Vasantha. The Dream Of Vasantha depicts a hardworking widow and her dream of seeing her son be a humble yet successful person. Maniam plotted the story with an introduction of Vasantha’s daily routine of washing clothes at the houses of Mr. Pillai and Mr. Ganda Singh. Vasantha reminisces the death of her husband too. As Vasantha…

grown. The kitchen is painted and new shelving has been added. The central heating has been installed as the stores of coal and wood are no longer needed. The earthen oven is replaced by a newer electric model. These changes from an extended to nuclear family set-up are visible through the representation of home in the novels.The two sisters, Khuku and Mimi converse in East Bengali dialect. The old middle class culture is changing and having the elements of the new middle-class culture and…

My initial experience with being a reader began with a Dr. Seuss book when I was a very young boy, a colorful book with walking-talking cats and dogs, treehouses, and a party. I am not incredibly confident that I indeed am able of correctly recalling the details of the book that got read to me or by me when no one else would just about every day for what might have been a whole year or just a few short months of obsession, either way the memory of reading that Dr. Seuss book stuck in such a way…

In her scholarly article “Why I’m Still Writing Women’s Literary History”, Professor Devoney Looser astutely asserts that women’s literary history is a field that is alive and thriving and therefore deserves to be treated as such. Her argument centers around addressing concerns expressed by various colleagues of hers that the academic field of women’s studies is now “passe” due to taking a “separatist” approach. Looser explicitly states that her article is therefore “a credo that has its origins…

herself alienated from that society. The drug culture plays a big role in this sense of isolation. The world around Oedipa seems to be a world consistently on drugs, manic and full of conspiracies and illusions. And though that world is exciting and new, it is also dangerous: drugs contribute to the destruction of Oedipa's marriage, and drugs cause to go insane. Oedipa hallucinates so often that she seems to be constantly high, and ultimately, this brings her nothing but a sense of chaotic…

In C.S. Lewis’s An Experiment in Criticism, Lewis attempts to distinguish how good and bad readers interpret books. 'Let us try to discover how far it might be plausible to define a good book as a book which is read in one way, and a bad book as a book which is read in another” (1). Although Lewis’s essay is primarily dominated by “the many and the few,” the paramount message of the book pertains to the ego; moreover, how the literary experience heals the wound without undermining individuality.…

The purpose of this paper is to examine Walter Besant’s lecture “The Art of Fiction” in light of Henry James’ published response of the same title. I will argue that James’ is correct and warranted to critique Besant’s approach, but that James’ concerns are ultimately overstated. Besant’s lecture “The Art of Fiction” aims to defend fiction and elevate the novel among the “higher” arts. Historically, critics wouldn’t dare speak of fiction in the same breath they praise the fine arts – to even…

In her book, “A Poetics of Postmodernism”, Linda Hutcheon identifies the term postmodernism, when used in fiction, to describe fiction that is at once metafictional and historical in the way it presents the texts and contexts of the past (Hutcheon, 40). This is what she calls historiographic metafiction. Most of the historiographic novels emphasize self-reflexivity and our paradoxical relations to past events. Historiographic metafiction somehow acknowledges the paradox of the past, that is to…