Mina P. Shaughnessy

If you were moments away from being in an inevitable car accident, would you try to stop the car, or, would you try to defend yourself from the accidents’ aftermath? Sure, we have all heard of the ‘fight or flight’ defensive mechanism, it was Sigmund Freud himself who described the first complete theory of personality, and founded psychoanalysis. His descriptions described the mental and emotional systems of defense, which we all have, but vary depending on the situation we are forced to face.…

In Bram Stoker’s, Dracula, we see the New Woman first being introduced to the reader by the three women that Jonathan Harken encounters in Count Dracula’s castle. Mina and Lucy are a representation of the good, traditional Victorian women in comparison to those three women. In her article "Bram Stoker 's Dracula and Late-Victorian Advertising Tactics: Earnest Men, Virtuous Ladies, and Porn", Tanya Pikula argues that “Dracula not only functions as a ‘kind of ‘test-bed’ for competing arguments…

patriarch of the Israelites, Abraham Van Helsing is the self-established leader of the vampire hunters, and he provides the others with moral inspiration to defeat the vampiric reign of terror. By the end of the novel, the other characters, such as Mina and Jonathan Harker, have come to incorporate aspects of Catholicism into their own lives, if not have symbolically converted. For example, the…

Dracula Stoker’s “Dracula” employs fanatic descriptions of the various settings that went from London to Transylvania and other parts of Romania. Stoker was extreme to describe the countless and ironic mysteries that unfolded. Stoker delivers extreme details between the vibrant characters. Stoker’s theme seems to demonstrate a real world caught between horror, friendship, love and death. Stoker tells his story with vividly loaded deep aspiration. The most troubling and dramatically described…

was probably Mina. Although she becomes one of the main characters in both the book and the film, she plays a more prominent role in the movie. In the film, she had many of the same traits and characteristics that she did in the book, but in the film, she is also the reincarnation of Elisabeta, Dracula’s first wife who committed suicide. This eventually leads to Mina falling in love with Dracula, even though she marries Jonathan. However, the story from the novel depicts Mina as herself,…

The reader experiences the actions in the novel on the basis of diaries, letters and journals written by the characters Jonathan Harker, Mina Harker, Lucy Westenra, Van Helsing and Dr. Seward. No entries are written by count Dracula, he is portrayed by all the other characters. Dracula is the inspiration to many film and other vampire characters. It is said that Stoker read the story about…

into grey wolves. Dracula returns from the dead through a mental connection with Mina. The animals that the vampires transform into are not all black. In Stoker’s Dracula, Thomas Bilder.…

In his 1897 gothic novel, Dracula, Bram Stoker defined the modern form of the vampire. His character, Dracula remained popular through the ages, being one of the most popular adaptation source in history. Dracula has created an extraordinary vampire subculture, and an enormous amount of films have been made that feature Count Dracula as it’s main antagonist, or protagonist. However, most adaptations do not include the major characters from the novel, focusing only on the now traditional…

Rhetorical Analysis of Truman Capote’s “Nancy’s Bedroom” In the passage, “Nancy’s Bedroom” from the novel, In Cold Blood, the author, Truman Capote, creates a vivid description of Nancy’s bedroom to help the reader connect with Nancy. Capote portrays a descriptive view of her bedroom to convey her personality. He uses many rhetorical strategies to create a feeling of sorrow and reveals the femininity and innocence of young Nancy Clutter. He uses figurative language throughout the passage to…

Joseph Sheridan Le Fanu - Carmilla Laura, the narrator in Joseph Sheridan Le Fanu’s novella Carmilla, fits into the appearance of a typical female victim in vampire literature. Long before she meets the titular character, she had a dream or rather a nightmare about a woman bearing a striking resemblance to Carmilla, who sang her fangs into the maiden’s body. Despite the fear, she helps the woman after the accident and invites her in. Laura easily and without much thought happens to trust…