Michael Faraday

The play Look Back in Anger written by John Osborne, invites its readers to think about the changes of the postwar ages. It mirrors the British mood in those days by hate and dislike among its characters. As a realistic play it can be perceived as disagreeable and also associated to protest. Changes of stance, different points of view and a mixture of senses and reactions make up the plot. There is a kind of war of hurting words between people, provoked by differences in social class, painful…

In The Great Gatsby, Tom Buchanan is cheating on his wife, Daisy with his mistress Myrtle. In the relationship, Myrtle uses her sexuality to attract Tom and he abuses her by breaking her nose. A reader today with a Marxist and a reader with a feminist perspective may interpret their relationship differently. Marxist literary criticism focuses on the struggle between the lower and upper class and the issues of power and money in literature. Readers with this point of view would perhaps look for…

childhood he portrayed the life of the gangster from his childhood perspective and started Goodfellas with the line: "As far back as I can remember, I've always wanted to be a gangster.". In a way he painted a portrait of gangster royalty just like Velasquez did. What this did in the film itself could be the same thing that happened in this film, it introduced instability in a previously stable system of representation, or at least it seemed like a stable system of representation, but there are…

Macbeth, a Tragedy According to Aristotle’s criteria of a tragedy, a play must include a variety of materials: values that are determined by the supernatural and hubris or excessive pride; a character that is both noble by birth and by actions; and a character with a downfall that is caused by a limitation of knowledge and a tragic flaw. In the conclusion of a tragedy, the character that has fallen gains understanding and accepts punishment for his actions, ensuring all order is eventually…

Character Analysis Sir Andrew Aguecheek Twelfth Night, a comedic play, written by Shakespeare, eloquently develops unique traits, actions, and dialogue for each character to defy roles. Throughout the play, there are clear examples that convey the characteristics and the use of Sir Andrew Aguecheek in the play. He is the clueless, cowardly character who is used by other characters to create a humorous scene and plot, and the vehicle Shakespeare used to prove the stupidity of the royal class. In…

Tybalt is a character from the play, Romeo and Juliet. Tybalt comes off as a thick headed, cold-blooded killer. But once past his rough exterior, he can be thought of as a sensitive guy. Tybalt tries keeps the intentions of his family first but sometimes he can let his temper get the best of him. His character developed quite fast even though he died halfway through the play. Tybalt is powered by the hate his family, the Capulets, have for the Montagues. This hate comes from the ongoing rivalry…

no exception. Othello, an African American man who is married to his love Desdemona, serves as a General and creates conflict with Iago when he passes him up for a promotion to the Lieutenant position and instead promotes an inexperienced soldier, Michael Cassio. Iago turns for revenge from Othello and decides to strike him where he is most vulnerable, his love for his wife. He decides that he will convince Othello that she is unfaithful all the while remaining to be his friend to be close and…

The concept of “Race” plays a very significant and critical role on Othello, the play in which Shakespeare tells the story of the “dark Moor” who eventually finds himself struggling against his jealousy in the midst of white society. The very beginning of the play may be considered illusory for a reader who is unfamiliar with Othello's character: in fact, many derogatory terms are used, especially by the villain Iago and his confederate Rodorigo, to define Othello. This would certainly lead the…

ANALYSIS OF OTHELLO FROM OUTSIDER STANDPOINT IN THE COGNOMINAL PLAY BY SHAKESPEARE As much as any character, Othello exemplifies how polarizing reactions to an outsider can be in Shakespeare, with the play`s great interest-and indeed Othello was from the beginning one of the most frequently performed and written about-resulting from strong and often opposite emotions. Critics have focused on his blackness or, recently, his condition as a Moor , and the particular associations of these…

A major subplot of “Othello” is the romance between Othello and Desdemona: a relationship that Iago admits to being jealous of as he is enamored with Desdemona. Iago entirely discredits Othello’s love for Desdemona, saying “[i]t is merely a lust of the blood and a permission of the / will. Come, be a man” (1.3.325-326). Given that up until this moment, Othello has acted in a noble manner, his rash behaviour with Desdemona contradicts his whole verse-speaking mannerism. Sneaking out with her…